Meet the Wife (film)

Last updated

Meet the Wife
Meet the Wife (film).jpg
Directed by Leslie Pearce
Written by F. McGrew Willis
Walter DeLeon
Based on Meet the Wife
by Lynn Starling
Produced by Al Christie
Starring Laura La Plante
Lew Cody
Joan Marsh
Cinematography Paul Kerschner
Charles Van Enger
Edited by John English
Production
company
Distributed by Columbia Pictures
Release date
  • April 17, 1931 (1931-04-17)
Running time
73 minutes
CountryUnited States
LanguageEnglish

Meet the Wife is a 1931 American comedy film directed by Leslie Pearce and starring Laura La Plante, Lew Cody and Joan Marsh. [1] It is based on the 1923 Broadway play of the same title by Lynn Starling. The film's sets were designed by the art director Charles A. Cadwallader.

Contents

Plot

A woman's supposedly dead first husband turns up, much to the consternation of her second husband. Meanwhile, her younger sister attempts to carry on two romances with a newspaper reporter and a wealthy Englishman.

Cast

Related Research Articles

<span class="mw-page-title-main">Mack Sennett</span> Canadian-American silent film producer (1880–1960)

Mack Sennett was a Canadian-American producer, director, actor, and studio head who was known as the "King of Comedy" during his career.

<i>A Busy Day</i> 1914 film by Charlie Chaplin

A Busy Day is a 1914 short film starring Charlie Chaplin and Mack Swain.

<span class="mw-page-title-main">Marceline Day</span> American actress

Marceline Day was an American motion picture actress whose career began as a child in the 1910s and ended in the 1930s.

<i>Mickey</i> (1918 film) 1918 film by James Young, F. Richard Jones

Mickey is a 1918 silent comedy-drama film starring Mabel Normand, directed by F. Richard Jones and James Young, and written by J.G. Hawks. The movie was produced by the Mabel Normand Feature Film Company.

<i>The Rounders</i> (1914 film) 1914 American film

The Rounders is a 1914 comedy short starring Charlie Chaplin and Roscoe Arbuckle. The film involves two drunks who get into trouble with their wives, and was written and directed by Chaplin.

<i>His Prehistoric Past</i> 1914 film by Charlie Chaplin

His Prehistoric Past is a 1914 American short silent comedy film, written and directed by Charlie Chaplin, featuring Chaplin in a stone-age kingdom trying to usurp the crown of King Low-Brow to win the affections of the king's favorite wife. As this film was the final one that Chaplin made at Keystone Studios, it was also the last film he made with most of Keystone's regular roster of comedians. Co-star Mack Swain would not appear in another Chaplin film until 1923 when he had a prominent role in the Chaplin silent film Pay Day.

<i>The Star Boarder</i> (1914 film) 1914 film by George Nichols

The Star Boarder is a 1914 American short comedy film starring Charlie Chaplin. The film is also known as The Landlady's Pet, its 1918 American reissue title.

<i>Caught in the Rain</i> 1914 film by Charlie Chaplin

Caught in the Rain is a 1914 American comedy silent film starring Charlie Chaplin. This film was the first of many movies in which Chaplin both directed and played the lead. The short film was produced by Mack Sennett for Keystone Studios with a running time of 16 minutes.

<i>Getting Acquainted</i> 1914 American film

Getting Acquainted, subsequently retitled A Fair Exchange, is a 1914 American comedy silent film written and directed by Charlie Chaplin, starring Chaplin and Mabel Normand, and produced by Mack Sennett for Keystone Studios.

<i>Fatty at San Diego</i> 1913 film

Fatty at San Diego is a 1913 American short comedy film featuring Fatty Arbuckle and Mabel Normand.

<i>Fatty and the Broadway Stars</i> 1915 film

Fatty and the Broadway Stars is a 1915 American short comedy film directed by and starring Fatty Arbuckle.

<span class="mw-page-title-main">Dale Fuller (actress)</span> American actress

Dale Fuller was an American actress of the silent era. She appeared in more than 60 films between 1915 and 1935. She is best known for her role as the maid in Foolish Wives.

Mabel Lost and Won is a 1915 American short comedy film starring Mabel Normand. The supporting cast includes Owen Moore as her love interest, Alice Davenport as her mother, and Fontaine La Rue as a vamp.

The Flirting Husband is a 1912 American short silent comedy film starring Mabel Normand and Ford Sterling. The film was directed and produced by Mack Sennett.

Stout Hearts and Willing Hands is a 1931 American Pre-Code short comedy film directed by Bryan Foy and starring Frank Fay and Lew Cody. At the 5th Academy Awards, held in 1932, it was nominated for an Academy Award for Best Short Subject (Comedy), but was disqualified. No reason was given for the disqualification.

Wife and Auto Trouble is a 1916 American film directed by Dell Henderson and Mack Sennett. It was made by the "Tri-Stone Film Company", an evolution of "Keystone Triangle" which in turn evolved from the famous Keystone Film Company.

<span class="mw-page-title-main">Sennett Bathing Beauties</span> Bevy of American actresses

Sennett Bathing Beauties was a bevy of women performing in bathing costumes assembled by film producer Mack Sennett during the silent film era.

<i>Divorce Among Friends</i> 1930 film by Roy Del Ruth

Divorce Among Friends is a 1930 American Pre-Code comedy film. The film stars James Hall, Lew Cody and Natalie Moorhead. The film survives only in a 16mm copy made in the 1950s for television.

<i>Her Big Night</i> 1926 film

Her Big Night is a 1926 American silent comedy film directed by Melville W. Brown and written by Brown, Rex Taylor, and Nita O'Neil. It is based on the 1925 short story, Doubling for Lora, by Peggy Gaddis that was originally serialized in Breezy Stories magazine. The film stars Laura La Plante in dual role, Einar Hanson, and Zasu Pitts. The film was released on December 5, 1926 by Universal Pictures under their 'Jewel' banner.

<i>Love, Honor and Behave</i> (1920 film) 1920 film

Love, Honor and Behave is a 1920 American silent comedy film directed by F. Richard Jones and Erle C. Kenton and starring Ford Sterling, Phyllis Haver and Marie Prevost.

References

  1. Walker p.575

Bibliography