 |
| Mein Kampf | |
|---|---|
| Original title | Den blodiga Tiden |
| Directed by | Erwin Leiser |
| Written by | Erwin Leiser |
| Produced by | Tore Sjoberg |
| Edited by | Erwin Leiser |
Production company | Minerva |
| Distributed by | Columbia (US) |
Release date |
|
Running time | 117 minutes |
| Country | Sweden |
| Languages | German Swedish |
Mein Kampf is a 1960 Swedish documentary film about the rise and fall of Adolf Hitler, directed by Erwin Leiser. Distribution of the film began in 1959, and the film was a commercial success.
It was admired by George Seaton and William Perlberg, who saw it in Copenhagen, and they suggested Paramount buy it. The studio refused; the film was instead bought by Columbia for distribution in the United States for $50,000. [1] It grossed an estimated $1.45 million in the United States. [2]
The film used footage from Triumph of the Will . It was seen in a Munich cinema by Leni Riefenstahl, who recalled she was "rendered speechless by what I saw on the screen" and considered it "a gross infringement of copyright and also intellectual theft." She sued for copyright infringement and accepted a financial settlement. [3] Another company took over the case on Riefenstahl's behalf but lost in what was known as the "Minerva decision" which ruled that copyright in Triumph of the Will was not owned by Riefenstahl. [4]
Helene Bertha Amalie "Leni" Riefenstahl was a German film director, photographer and actress known for producing Nazi propaganda.
Mein Kampf is a 1925 autobiographical manifesto by Nazi Party leader Adolf Hitler. The work describes the process by which Hitler became antisemitic and outlines his political ideology and future plans for Germany. Volume 1 of Mein Kampf was published in 1925 and Volume 2 in 1926. The book was edited first by Emil Maurice, then by Hitler's deputy Rudolf Hess.
Triumph of the Will is a 1935 German Nazi propaganda film directed, produced, edited and co-written by Leni Riefenstahl. Adolf Hitler commissioned the film and served as an unofficial executive producer; his name appears in the opening titles. It chronicles the 1934 Nazi Party Congress in Nuremberg, which was attended by more than 700,000 Nazi supporters. The film contains excerpts of speeches given by Nazi leaders at the Congress, including Hitler, Rudolf Hess and Julius Streicher, interspersed with footage of massed Sturmabteilung (SA) and Schutzstaffel (SS) troops and public reaction. Its overriding theme is the return of Germany as a great power with Hitler as its leader. The film was produced after the Night of the Long Knives, and many formerly prominent SA members are absent.
Why We Fight is a series of seven propaganda films produced by the US Department of War from 1942 to 1945, during World War II. It was originally written for American soldiers to help them understand why the United States was involved in the war, but US President Franklin Roosevelt ordered distribution for public viewing.
The Nuremberg rallies were a series of celebratory events coordinated by the Nazi Party in Germany. The first Nazi Nuremberg rally took place in 1923. This rally was not particularly large and did not have much impact; however, as the party grew in size, the rallies became more elaborate and featured larger crowds. They played a seminal role in Nazi propaganda events, conveying a unified and strong Germany under Nazi control. The rallies became a national event once Adolf Hitler rose to power in 1933, when they became annual occurrences. Once the Nazi dictatorship was firmly established, the party's propagandists began filming them for a national and international audience. Nazi filmmaker Leni Riefenstahl produced some of her best known work including Triumph of the Will (1934) and The Victory of Faith (1933), both filmed at the Nazi party rally grounds near Nuremberg. The party's 1938 Nuremberg rally celebrated the Anschluss that occurred earlier that year. The 1939 scheduled rally was cancelled just before Germany's invasion of Poland and the Nazi regime never held another one due to the prioritization of Germany's efforts in the Second World War.
Olympia is a 1938 German documentary film written, directed and produced by Leni Riefenstahl, which documented the 1936 Summer Olympics, held in the Olympic Stadium in Berlin during the Nazi period. The film was released in two parts: Olympia 1. Teil — Fest der Völker and Olympia 2. Teil — Fest der Schönheit. The 1936 Summer Olympics torch relay, as devised for the Games by the secretary general of the Organizing Committee, Dr. Carl Diem, is shown in the film.
Glenn Edgar Morris was a U.S. track and field athlete. He won a gold medal in the Olympic decathlon in 1936, setting new world and Olympic records. He attended Colorado A&M — now known as Colorado State University — and played football as well as track and field. He was also an occasional actor, he portrayed Tarzan in Tarzan's Revenge.
Steven Bach was an American writer and lecturer on film and a former senior vice-president and head of worldwide productions for United Artists studios.
The Hitlers Zweites Buch, published in English as Hitler's Secret Book and later as Hitler's Second Book, is an unedited transcript of Adolf Hitler's thoughts on foreign policy written in 1928; it was written after Mein Kampf and was not published in his lifetime.
Der Sieg des Glaubens is the first Nazi propaganda film directed by Leni Riefenstahl. Her film recounts the Fifth Party Rally of the Nazi Party, which occurred in Nuremberg, Germany, from 30 August to 3 September 1933. The film is of great historic interest because it shows Adolf Hitler and Ernst Röhm on close and intimate terms, before Hitler had Röhm killed during the Night of the Long Knives on 1 July 1934. As he then sought to remove Röhm from German history, Hitler ordered all known copies of the film be destroyed, and it was considered lost until a surviving copy was found in the 1980s in East Germany.
The Wonderful, Horrible Life of Leni Riefenstahl is a 1993 German documentary film about the life of German film director Leni Riefenstahl, directed by Ray Müller.
The Holy Mountain is a 1926 German mountain film directed by Arnold Fanck and starring Leni Riefenstahl, Luis Trenker and Frida Richard. It was the future filmmaker Riefenstahl's first screen appearance as an actress. Written by Arnold Fanck and Hans Schneeberger, the film is about a dancer who meets and falls in love with an engineer at his cottage in the mountains. After she gives her scarf to one of his friends, the infatuated friend mistakenly believes that she loves him. When the engineer sees her innocently comforting his friend, he mistakenly believes she is betraying him.
Impressionen unter Wasser is a documentary film released in 2002. It was directed by Leni Riefenstahl.
S.O.S. Eisberg is a 1933 German-US pre-Code drama film directed by Arnold Fanck and starring Gustav Diessl, Leni Riefenstahl, Sepp Rist, Gibson Gowland, Rod La Rocque, and Ernst Udet. The film was written by Tom Reed based on a story by Arnold Fanck and Friedrich Wolf. S.O.S. Eisberg follows the account of the real-life Alfred Lothar Wegener polar expedition of 1929-30. Fritz Loewe and Ernst Sorge, two members of the ill-fated Wegener Expedition served as technical consultants to Universal.
Tiefland ("Lowlands") is a 1954 West German opera drama film directed, produced, co-written, edited by and starring Leni Riefenstahl, and based on the 1903 eponymous opera composed by Eugen d'Albert to a libretto by Rudolph Lothar based on the 1896 Catalan play Terra baixa by Àngel Guimerà. The film co-stars Bernhard Minetti, and is Riefenstahl's last feature film as both director and lead actress.
Listen to Britain is a 1942 British propaganda short film by Humphrey Jennings and Stewart McAllister. The film was produced during World War II by the Crown Film Unit, an organisation within the British Government's Ministry of Information to support the Allied war effort. The film was nominated for the inaugural Academy Award for Best Documentary Feature in 1943, but lost against four other Allied propaganda films. It is noted for its nonlinear structure and its use of sound.
The Last of the Nuba is the English-language title of German film director Leni Riefenstahl's 1973 Die Nuba, a book of photographs, published a year later in the United States. It was an international bestseller and was followed up by the 1976 book Die Nuba von Kau. It was the subject of a famous critique by Susan Sontag claiming that it adhered to a "fascist aesthetic".
Leni Riefenstahl's Memoiren is the 1987 autobiography of German film director Leni Riefenstahl. The book received a 1993 American release and coincided with the release of the acclaimed documentary The Wonderful, Horrible Life of Leni Riefenstahl, as well as Riefenstahl's ninetieth birthday. It was featured on the 1993 New York Times list of notable books of the year.
Leni Riefenstahl: Her Dream of Africa is a 2003 documentary-film by Ray Müller. The film follows Leni Riefenstahl's return to Sudan to visit the Nuba tribe whom she published photographs of in best-sellers such as The Last of the Nuba and The People of Kau. It is the second collaboration between Riefenstahl and Müller. She was the subject of his acclaimed 1993 documentary The Wonderful, Horrible Life of Leni Riefenstahl, which followed her life and reflected on her Nuba activities.
Since the early 1930s, the history of Adolf Hitler's Mein Kampf in English has been complicated and has been the occasion for controversy. Four full translations were completed before 1945, as well as a number of extracts in newspapers, pamphlets, government documents and unpublished typescripts. Not all of these had official approval from Hitler's publishers, Eher Verlag.
 | This article related to a Swedish film of the 1960s is a stub. You can help Wikipedia by expanding it. |
 | This article about a documentary film is a stub. You can help Wikipedia by expanding it. |
