Meir Sternberg

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Meir Sternberg
Born(1944-10-03)3 October 1944
NationalityFlag of Israel.svg  Israel
Occupation(s)Literary critic, Biblical scholar
TitleArtzt Professor of Poetics and Comparative Literature
Awards
Academic work
Notable works
  • Expositional Modes and Temporal Ordering in Fiction
  • The Poetics of Biblical Narrative

Meir Sternberg (born October 3, 1944) is an Israeli literary critic and biblical scholar. He is Artzt Professor of Poetics and Comparative Literature at Tel Aviv University. Along with Robert Alter and Adele Berlin, Sternberg is one of the most prominent practitioners of a literary approach to the Bible. [1]

Work

Sternberg made an important contribution to narrative theory in his book Expositional Modes and Temporal Ordering in Fiction, first published in Johns Hopkins University Press (1978) and later in Indiana University Press (1993). In his book Sternberg systematically explores how the order of information offered by the literary text creates for readers effects such as curiosity, suspense and surprise by analyzing examples that range from Homer's Odyssey to selected modern novels. Sternberg's contribution in this book to Narratology, with its emphasis on the effects of the literary texts on readers, can be seen as part of Reader-response criticism. [2] [3]

Sternberg is best known for his 1985 book The Poetics of Biblical Narrative. Sternberg argues that the Bible is a "foolproof composition": any reader who reads the Bible in "good faith" will get the point of what is written. [4] [5] [6] He believes the Bible is written by an omniscient narrator, who has had things revealed to him by an omniscient God. Sternberg also makes much of "gaps" in narration, in which the narrator withholds truth in order to generate ambiguity. Finally, he argues that the biblical authors were concerned with three central elements in their narratives: aesthetics, history, and ideology. [7] Jeffrey Staley suggests that, along with Robert Alter, Adele Berlin, and Shimon Bar-Efrat, Sternberg is a master of "leading the reader through the sudden twists and sharp turns, the steep ridges and dizzying drop-offs that make up the art of ancient Hebrew characterization." [8]

Sternberg was the editor of the academic journal Poetics Today from 1994 to 2016. He was awarded the Israel Prize in 1996, for his contributions to literary theory.

Related Research Articles

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The Bible is a collection of religious texts or scriptures, some, all, or a variant of which are held to be sacred in Christianity, Judaism, Samaritanism, Islam, the Baháʼí Faith, and other Abrahamic religions. The Bible is an anthology originally written in Hebrew, Aramaic, and Koine Greek. The texts include instructions, stories, poetry, prophecies, and other genres. The collection of materials that are accepted as part of the Bible by a particular religious tradition or community is called a biblical canon. Believers in the Bible generally consider it to be a product of divine inspiration, but the way they understand what that means and interpret the text varies.

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The Book of Judges is the seventh book of the Hebrew Bible and the Christian Old Testament. In the narrative of the Hebrew Bible, it covers the time between the conquest described in the Book of Joshua and the establishment of a kingdom in the Books of Samuel, during which Biblical judges served as temporary leaders.

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<span class="mw-page-title-main">Documentary hypothesis</span> Hypothesis to explain the origins and composition of the Torah

The documentary hypothesis (DH) is one of the models used by biblical scholars to explain the origins and composition of the Torah. A version of the documentary hypothesis, frequently identified with the German scholar Julius Wellhausen, was almost universally accepted for most of the 20th century. It posited that the Pentateuch is a compilation of four originally independent documents: the Jahwist, Elohist, Deuteronomist, and Priestly sources, frequently referred to by their initials. The first of these, J, was dated to the Solomonic period. E was dated somewhat later, in the 9th century BCE, and D was dated just before the reign of King Josiah, in the 7th or 8th century BCE. Finally, P was generally dated to the time of Ezra in the 5th century BCE. The sources would have been joined at various points in time by a series of editors or "redactors".

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Biblical minimalism, also known as the Copenhagen School because two of its most prominent figures taught at Copenhagen University, is a movement or trend in biblical scholarship that began in the 1990s with two main claims:

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A type scene is a literary convention employed by a narrator across a set of scenes, or related to scenes already familiar to the audience. The similarities with, and differences from, the established type are used to illuminate developments in plot and character. Robert Louis Fowler wrote, "The technique of the type-scene offers the poet a basic scaffolding, but it also allows the poet to adapt each scene for specific purposes."

Adele Berlin is an American biblical scholar and Hebraist. Before her retirement, she was Robert H. Smith Professor of Biblical Studies at the University of Maryland.

<span class="mw-page-title-main">Yairah Amit</span> Israeli biblical scholar

Yairah Amit is an Israeli biblical scholar. Amit studied at the Hebrew University of Jerusalem before doing a PhD at Tel Aviv University under the supervision of Meir Sternberg. She is currently Professor of Biblical Studies at Tel Aviv University. In 2012 a Festschrift was published in her honor. Words, Ideas, Worlds: Biblical Essays in Honour of Yairah Amit (ISBN 1-90753-450-4) included contributions from Athalya Brenner, Cheryl Exum, and Yael Feldman.

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Shimon Bar-Efrat (1929–2010) was an Israeli Old Testament scholar. He was Head of Biblical Studies at the Hebrew University Secondary School in Jerusalem, and is best known for his book, Narrative Art in the Bible, in which he "provides a catalogue of literary techniques and devices found in Old Testament narratives." Jeffrey Staley suggests that, along with Robert Alter, Adele Berlin, and Meir Sternberg, Bar-Efrat is a master of "leading the reader through the sudden twists and sharp turns, the steep ridges and dizzying drop-offs that make up the art of ancient Hebrew characterization."

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The Art of Biblical Narrative is a 1981 book by Robert Alter in which he outlines a literary approach to the Hebrew Bible. He proposes that "the Bible in its final form constitutes an artistic document with a full texture of interconnected unity."

The composition of the Torah was a process that involved multiple authors over an extended period of time. While Jewish tradition holds that all five books were originally written by Moses sometime in the 2nd millennium BCE, leading scholars have rejected Mosaic authorship since the 17th century.

References

  1. Crenshaw, James L. (2004). "Foreword". The Psalms In Israel's Worship. Eerdmans. p. ?... ISBN   9780802828163.
  2. Ann, Moor (1979). Untitled. p. 426-428. JSTOR   1770307.
  3. Bleich, David; L. Sammons, Jeffrey; Watson, George; Black, Edwin; Empson, William; Norris, C. C.; Watkins, Evan (1980). Untitled. p. 237-244. JSTOR   514193.
  4. Berlin, Adele (2008). "Literary approaches to biblical literature". The Hebrew Bible: New Insights and Scholarship. NYU Press. p. 54. ISBN   9780814731888 . Retrieved 5 October 2014.
  5. Freedman, Amelia Devin (2005). God as an Absent Character in Biblical Hebrew Narrative. Peter Lang. p. 17. ISBN   9780820478289 . Retrieved 5 October 2014.
  6. R. Christopher Heard, "Narrative Criticism and the Hebrew Scriptures," Restoration Quarterly 38.1 (1996), 33.
  7. J. Daniel Hays, "An Evangelical Approach to Old Testament Narrative Criticism," Bibliotheca Sacra 166 (2009), 7.
  8. Staley, Jeffrey (2002). Reading with a Passion: Rhetoric, Autobiography, and the American West in the Gospel of John. A&C Black. p. 31. ISBN   9780826414328 . Retrieved 3 April 2016.