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Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means. Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar.
An electronic musical instrument or electrophone is a musical instrument that produces sound using electronic circuitry. Such an instrument sounds by outputting an electrical, electronic or digital audio signal that ultimately is plugged into a power amplifier which drives a loudspeaker, creating the sound heard by the performer and listener.
Robert Arthur Moog was an American engineer and electronic music pioneer. He was the founder of the synthesizer manufacturer Moog Music and the inventor of the first commercial synthesizer, the Moog synthesizer, which debuted in 1964. In 1970, Moog released a more portable model, the Minimoog, described as the most famous and influential synthesizer in history. Among Moog's honors are a Technical Grammy Award, received in 2002, and an induction into the National Inventors Hall of Fame.
Vincent John Martin, known professionally as Vince Clarke, is an English synth-pop musician and songwriter. Clarke has been the main composer and musician of the band Erasure since its inception in 1985, and was previously the main songwriter of several groups, including Depeche Mode, Yazoo, and the Assembly. In Erasure he is known for his deadpan and low-key onstage demeanour, often remaining motionless over his keyboard, in sharp contrast to lead vocalist Andy Bell's animated and hyperactive frontman antics.
The VCS 3 is a portable analog synthesizer with a flexible modular voice architecture introduced by Electronic Music Studios (London) Limited (EMS) in 1969.
The Roland SH-101 is an analog synthesizer manufactured by the Roland Corporation between 1982 and 1986. Though it was something of a commercial failure during the time of its manufacture, it later became a staple of electronic music in the 1990s, particularly house music.
The Trautonium is an electronic synthesizer invented in 1930 by Friedrich Trautwein in Berlin at the Musikhochschule's music and radio lab, the Rundfunkversuchstelle. Soon afterwards Oskar Sala joined him, continuing development until Sala's death in 2002.
Electronic Music Studios (EMS) is a synthesizer company formed in Putney, London in 1969 by Peter Zinovieff, Tristram Cary and David Cockerell. It is now based in Ladock, Cornwall.
The EMS Synthi 100 was a large analogue/digital hybrid synthesizer made by Electronic Music Studios, London, originally as a custom order from Radio Belgrade for what was to be the Radio Belgrade Electronic Studio, largely thanks to contact between composer Paul Pignon, then living in Belgrade, and Peter Zinovieff. The synthesiser was designed by David Cockerell and documented in detail in 1971. The cost at that time was £6,500. The last unit built by EMS was number 30. Afterwards, one final unit was built by Datanomics, who bought assets from EMS when the company folded in 1979. The redesigned unit was sold to Gabinete de Música Electroacústica, Cuenca, Spain.
David Chesworth is an Australian-based interdisciplinary artist and composer. Known for his experimental and at times minimalist music, he has worked solo, in post-punk groups, electronic music, contemporary ensembles and experimental performance. He has also created installation and video artworks with collaborator Sonia Leber, such as Zaum Tractor included in the 56th Venice Biennale (2015) and This Is Before We Disappear From View commissioned by Sydney Biennale (2014).
The Moog synthesizer is a modular synthesizer developed by the American engineer Robert Moog. Moog debuted it in 1964, and Moog's company R. A. Moog Co. produced numerous models from 1965 to 1981, and again from 2014. It was the first commercial synthesizer, and is credited with creating the analog synthesizer as it is known today.
The Prophet-5 is an analog synthesizer manufactured by the American company Sequential. It was designed by Dave Smith and John Bowen in 1977, who used microprocessors, then a new technology, to create the first polyphonic synthesizer with fully programmable memory. This allowed users to store sounds and recall them instantly rather than having to reprogram them manually; whereas synthesizers had once created unpredictable sounds, the Prophet-5 moved synthesizers to producing "a standard package of familiar sounds".
→ ↑ → was an Australian music, art and performance group, best known for their experimental music. They formed in Melbourne in 1977 and were led by Philip Brophy. The group performed music, produced artwork, films, videos, live theatre, multi-media, and wrote literature.
Peter Zinovieff was a British engineer and composer. In the late 1960s, his company, Electronic Music Studios (EMS), made the VCS3, a synthesizer used by many early progressive rock bands such as Pink Floyd and White Noise, and Krautrock groups as well as more pop-orientated artists, including Todd Rundgren and David Bowie. In later life, he worked primarily as a composer of electronic music.
A synthesizer is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI.
The use of electronic music technology in rock music coincided with the practical availability of electronic musical instruments and the genre's emergence as a distinct style. Rock music has been highly dependent on technological developments, particularly the invention and refinement of the synthesizer, the development of the MIDI digital format and computer technology.
The Grainger Museum is a repository of items documenting the life, career and music of the composer, folklorist, educator and pianist Percy Grainger, located in the grounds of the University of Melbourne, Victoria, Australia.
Robin Fox is an Australian musician. He has released several solo albums as well as collaborations with Anthony Pateras and Oren Ambarchi. His work with Anthony Pateras has been noted for making a significant contribution to noise music.
Byron J Scullin is an Australian composer and sound designer.
References
- 1 2 3 "Like a Gym, But for Vintage Synths". Broadsheet . Retrieved 2021-12-11.
- ↑ "Melbourne Electronic Sound Studio (MESS) · Synthesizers: sound of the future · Grainger Museum Online". omeka.cloud.unimelb.edu.au. Retrieved 2021-12-11.
- ↑ "To switch off from work, this banker switches on a synthesiser". Australian Financial Review . 2019-12-03. Retrieved 2021-12-26.
- 1 2 "Synths and sensibility: The story behind Melbourne's MESS". Red Bull . Retrieved 2021-12-11.
- ↑ "LEGOWELT OFFICIAL WEBSITE". legowelt.org. Retrieved 2021-12-26.
- ↑ "Inside the Melbourne Electronic Sound Studio". daily.redbullmusicacademy.com. Retrieved 2021-12-26.
- ↑ "David Chesworth during his Artist-in-residency at Melbourne Electronic Sound Studio, 2017 · Grainger Museum Online". University of Melbourne . Retrieved 2021-12-26.
- ↑ "Melbourne Recital Centre is bringing three electronic pioneers to the stage for 'Synthesis'". Beat Magazine. 2019-10-03. Retrieved 2021-12-26.
- ↑ "Google have launched a massive interactive electronic music exhibition". Mixdown Magazine. 2021-03-10. Retrieved 2021-12-26.
- ↑ Dwyer, Michael (2018-04-17). "Hipsters rejoice as synthesisers recapture the forgotten sounds of the future". The Sydney Morning Herald . Retrieved 2021-12-26.
- ↑ "Synth orchestra coming to The Bowl". ABC Radio. 2021-03-25. Retrieved 2021-12-11.
- ↑ "Mess at the Bowl". Broadsheet . Retrieved 2021-12-26.
