Tav Falco's Panther Burns, sometimes shortened to (The) Panther Burns, is a rock band originally from Memphis, Tennessee, United States, led by Tav Falco. They are best known for having been part of a set of bands emerging in the late 1970s and early 1980s who helped nationally popularize the blending of blues, country, and other American traditional music styles with rock music among groups playing in alternative music and punk music venues of the time. The earliest and most renowned of these groups to imbue these styles with expressionist theatricality and primitive spontaneity were The Cramps, largely influenced by rockabilly music. Forming just after them in 1979, Panther Burns drew on obscure country blues music, Antonin Artaud's works like The Theater and Its Double, beat poetry, and Marshall McLuhan's media theories for their early inspiration. Alongside groups like The Cramps and The Gun Club, Panther Burns ranked among the contributing influences and progenitors of the Southern Gothic-tinged roots music revival scene that arose during the last two decades of the 20th century and continued into the early 2000s.
Soul Food is the Oblivians' first album. It was recorded at Easley Studios in Memphis, Tennessee and released on May 23, 1995 by Crypt Records.
Sympathy Sessions is the first compilation album released by the Oblivians. It was released on April 5, 1996 by Sympathy for the Record Industry. The album is a collection of two prior 10-inch releases, Never Enough and Six of the Best, as well as four additional single sides, all of which were recorded for and released by the label Sympathy for the Record Industry, hence the title.
Johnny Vomit & The Dry Heaves was a high school garage band that formed in mid-1980s Corinth, Mississippi, that featured future leaders of the Oblivians and Squirrel Nut Zippers, Jack Oblivian and Jim Mathus. Under the names Johnny Goopa and Bart Barf, they supported Johnny Vomit on two seven-inch records issued on Eric Oblivian's Goner Records.
Reigning Sound is an American garage punk band originally based in Memphis, Tennessee, now located in Asheville, North Carolina. In 2012 it signed to Merge Records. The band's current lineup includes songwriter Greg Cartwright, Benny Trokan (bass), Mike Catanese (guitar), Mikey Post (drums) and Dave Amels (organ).
Goner Records is an independent record label and record store co-owned by Eric Friedl of The Oblivians and Zac Ives and based in Memphis, Tennessee. It is known for releasing albums by punk, garage rock, and more recently post-punk and synth-oriented bands, such as the King Khan & BBQ Show, Nots, Low Life, and the late Jay Reatard. The label also hosts Gonerfest, an annual Memphis music festival.
The Oblivians ...Play Nine Songs with Mr. Quintron is the Oblivians' third studio album, released in 1997 on Crypt Records. The album features noted Ninth Ward nightclub organist Mr. Quintron playing organ and percussion on a number of tracks.
Compulsive Gamblers were an American garage rock group formed in Memphis, Tennessee, United States, in 1990 by Greg Cartwright and Jack Yarber, both future members of the Oblivians.
Best of the Worst: 93-97 is a two LP/CD compilation album by Memphis garage-rock band, the Oblivians. It was released on September 28, 1999 by Sympathy for the Record Industry. The album features career-spanning and previously unreleased Oblivians rarities, B-sides, and live cuts. The liner notes, chronicling the band's roots, formation, and various anecdotes, were written by '68 Comeback founder Jeffrey Evans.
'68 Comeback is an American garage rock band formed in Memphis, Tennessee in 1992 by singer, songwriter, and musicologist, Jeffrey Evans. For the purposes of the band, Jeffrey Evans is frequently billed as either "Monsieur Evans" or "Monsieur Jeffrey Evans." The group contains a revolving cast of musicians, the only constant member being Evans himself.
Walter Daniels is an American musician and harmonica player noted for introducing the instrument into a number of styles of music not usually associated with the harmonica, including punk rock, and avant-garde free improvisation.
Walter Daniels Plays with Monsieur Jeffrey Evans & The Oblivians at Melissa's Garage is a 10" album by Memphis garage-rock band the Oblivians. The album was released in 1995 by Texas record label, Undone. The album features Austin-based harmonicist Walter Daniels and Memphis-based vocalist Jeffery Evans. In 1999, it was rereleased with additional tracks as Melissa's Garage Revisited.
Gambling Days Are Over is the debut album by the Compulsive Gamblers. It was released in 1995 by Sympathy for the Record Industry. The album, with the exception of the last three songs, was recorded on an 8-track recorder in vocalist Jack Oblivian's apartment. The album was released after the band had already broken up, and was essentially a collection of the groups three 7-inch releases, "Church Goin'," "Joker," and Goodtime Gamblers." During the recording of the album the Compulsive Gamblers lineup consisted of Jack Oblivian and Greg Oblivian on guitar and vocals, Bushrod Thomas on drums, Fields Trimble on bass, and Greg Easterly on violin. The first three songs on the album are cover songs reflecting the band's diverse influences; the album contains covers by The Tornados, the Bar-Kays, and Tom Waits. The song "Sour and Vicious Man" was covered by Jay Reatard of the Reatards on their third album, "Not Fucked Enough."
Jeffrey Evans is a singer and songwriter best known for his Memphis, TN based band '68 Comeback and The Gibsons Bros., South Filthy and his current solo career. Evans' musical style combines elements of rockabilly, blues, garage rock, punk and rock'n'roll.
Rock'n Roll Holiday: Live in Atlanta was an early live show of Memphis-based garage punk rockers Oblivians, recorded in August 1994 in Atlanta, Georgia. The recording was originally issued in 1995 as a vinyl bootleg on Negro Records, of which 500 copies were produced. It was later re-released by Sympathy for the Record Industry in 2003 on both vinyl LP and CD.
The Reatards were an American garage punk band formed in Memphis, Tennessee, in 1995. Originally a one-man project by guitarist Jay Reatard, the group's sound was marked by raw, stripped-down instrumentals and lo-fi recording quality. After distributing privately pressed cassettes and EPs, most notably Fuck Elvis, Here's the Reatards, the band released their debut album Teenage Hate in 1998, followed by Grown Up, Fucked Up a year later. By 1999, the group only sporadically performed as Reatard began exploring other endeavors, but in 2005 he reformed the band for their third and final studio album. Much of the Reatards' discography remains a subject of interest, leading to reissues of their work years later.
