Men of the Mountain | |
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Directed by | Aldo Vergano |
Written by | |
Starring | |
Cinematography |
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Edited by | Fernando Cerchio |
Music by | Annibale Bizzelli |
Production companies |
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Distributed by | Lux Film |
Release date |
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Running time | 85 minutes |
Country | Italy |
Language | Italian |
Men of the Mountain (Italian: Quelli della montagna) is a 1943 Italian war drama film directed by Aldo Vergano and starring Amedeo Nazzari, Mariella Lotti and Mario Ferrari. [1] Along with The Three Hundred of the Seventh , it was one of a handful of films portraying the Alpini units of the Italian Army.
It was shot at Cinecittà Studios in Rome. The film's sets were designed by the art director Vittorio Valentini.
Amedeo Nazzari was an Italian actor. Nazzari was one of the leading figures of Italian classic cinema, often considered a local variant of the Australian–American star Errol Flynn. Although he emerged as a star during the Fascist era, Nazzari's popularity continued well into the post-war years.
Il Brigante Musolino, released in the US as Outlaw Girl, is a 1950 Italian crime drama film inspired by the life of the Calabrian outlaw Giuseppe Musolino. It was directed and written by Mario Camerini. The film stars Amedeo Nazzari and Silvana Mangano.
The Bandit is a 1946 Italian drama crime film directed by Alberto Lattuada and starring Anna Magnani, Amedeo Nazzari and Carla Del Poggio. It was shot on location in Turin. Nazzari won the Nastro d'Argento as Best Actor for his performance. The film was entered into the 1946 Cannes Film Festival.
The Merry Widower is a 1950 Italian romance film directed by Mario Mattoli and starring Carlo Dapporto, Isa Barzizza and Amedeo Nazzari. It was shot at the Farnesina Studios in Rome. The film's sets were designed by the art director Piero Filippone.
The City Stands Trial is a 1952 Italian crime drama film directed by Luigi Zampa and starring Amedeo Nazzari, Silvana Pampanini and Paolo Stoppa. It is based on a revisiting of the Cuocolo murders and the struggle for control of Naples by the Camorra in the early 1900s. It is considered to be Zampa's most accomplished film. It was shot at the Cinecittà Studios in Rome and on location in Naples. It was entered into the 3rd Berlin International Film Festival.
Un giorno nella vita is a 1946 Italian war film directed by Alessandro Blasetti. It was entered into the 1946 Cannes Film Festival. American title: "A Day In the Life". This film was screened in 2009 at the Film Society of Lincoln Center's retrospective "Life Lessons" Italian Neorealism and the birth of modern cinema.
In Olden Days is a 1952 Italian comedy drama anthology film directed by Alessandro Blasetti and featuring an ensemble cast that included Gina Lollobrigida, Amedeo Nazzari, Vittorio De Sica, Elisa Cegani, Barbara Florian, Aldo Fabrizi, Andrea Checchi and Alba Arnova. It was shot at the Cinecittà Studios in Rome. The film's sets were designed by the art directors Dario Cecchi and Veniero Colasanti. It is also known as Times Gone By and Infidelity.
Luciano Serra, Pilot is a 1938 Italian war drama film directed by Goffredo Alessandrini and starring Amedeo Nazzari, Germana Paolieri and Roberto Villa.
Cavalry is a 1936 Italian drama film directed by Goffredo Alessandrini and starring Amedeo Nazzari, Elisa Cegani and Luigi Carini. The film marked Nazzari's first role as a lead actor, after making his film debut the previous year. It was a box office success and established some of his personal traits that would be brought out even more clearly in his breakthrough role Luciano Serra, Pilot (1938).
Giarabub is a 1942 Italian war film directed by Goffredo Alessandrini and starring Carlo Ninchi, Mario Ferrari and Doris Duranti. The film was a propaganda work which portrayed the Siege of Giarabub (1940–41) during the Second World War, in which Italian troops defended Jaghbub, Libya, for nine months against British forces.
Torment is a 1950 Italian melodrama film directed by Raffaello Matarazzo and starring Amedeo Nazzari, Yvonne Sanson and Annibale Betrone. The film's sets were designed by Ottavio Scotti. It was part of a group of popular melodramas featuring Nazzari and Sanson that were released in the post-war years.
For the Love of Mariastella is a 1946 Italian melodrama film written and directed by Pino Mercanti. Based on a story of the Sicilian writer Giuseppe Zucca, it was mainly shot in the tonnara of Castellammare del Golfo, with some scenes shot in the tonnaras of Scopello and of San Vito Lo Capo. It is considered as a progenitor of pink neorealism.
The Silent Partner is a 1939 Italian drama film directed by Roberto Roberti and starring Carlo Romano, Clara Calamai and Evi Maltagliati. It is based on the 1928 novel The Partner by Jenaro Prieto, which was turned into a British film The Mysterious Mr. Davis the same year.
The Ten Commandments is a 1945 Italian drama film directed by Giorgio Walter Chili. It features an ensemble of Italian actors in episodes based on the Ten Commandments.
The Count of Brechard is a 1938 Italian historical drama film directed by Mario Bonnard and starring Amedeo Nazzari, Luisa Ferida, and Ugo Ceseri. It was adapted from the Giovacchino Forzano play. The film's sets were designed by the art director Virgilio Marchi.
Marco Visconti is a 1941 Italian historical drama film directed by Mario Bonnard and starring Carlo Ninchi, Roberto Villa and Mariella Lotti. It is based on the novel of the same name by Tommaso Grossi which had previously been made into a 1925 silent film.
The Gorgon is a 1942 Italian historical drama film directed by Guido Brignone and starring Mariella Lotti, Rossano Brazzi and Camillo Pilotto. It was adapted from the play by Sem Benelli and is set in the Republic of Pisa during the eleventh century.
Scampolo is a 1941 Italian comedy film directed by Nunzio Malasomma and starring Lilia Silvi, Amedeo Nazzari and Carlo Romano. The story is based on a play by Dario Niccodemi which has been adapted for the screen a number of times.
Happy Days is a 1942 Italian "white-telephones" comedy film directed by Gianni Franciolini and starring Lilia Silvi, Amedeo Nazzari and Leonardo Cortese. It was based on a play by Claude-André Puget, which had been made into a French film Les jours heureux the previous year.
The Taming of the Shrew is a 1942 Italian comedy film directed by Ferdinando Maria Poggioli and starring Amedeo Nazzari, Lilia Silvi and Lauro Gazzolo. It is based on William Shakespeare's play The Taming of the Shrew, with the setting updated to modern-day Rome.