Mendelssohn Violin Concerto | |
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Studio album by | |
Released | 1948 |
Genre | Classical |
Label | Columbia |
The recording of the Mendelssohn Violin Concerto by Nathan Milstein and the New York Philharmonic Orchestra conducted by Bruno Walter was the first classical long-playing record, and the first 12" LP of any kind, in 1948.
The issue marked Columbia Records' move away from the 78 rpm format for classical, and the success of Columbia's format soon forced RCA to follow suit. [1] [2] The recording had already been released as Columbia Masterworks Set M-MM-577 in 1945. [3] [4] The first LP sleeve, a flimsy kraft paper top open envelope, carried the Steinweiss artwork from the earlier 78 rpm album MM-577.
Milstein's playing in the concerto, which was already familiar in the concert hall, received wide critical acclaim. [5] [6]
There are a number of other recordings of Milstein playing the concerto. In addition to the 1945 recording with Walter, he was recorded in a 1946 Library of Congress performance with piano accompaniment by Joseph Blatt, [7] in an April 1962 telecast with Walter Hendl and the Chicago Symphony Orchestra, [8] with the London Philharmonia Orchestra under Léon Barzin, [9] with the Pittsburgh Symphony under William Steinberg for Capitol, [10] and in 1973 for Deutsche Grammophon with the Vienna Philharmonic conducted by Claudio Abbado. [11]
Nathan Mironovich Milstein was a Jewish American virtuoso violinist born in the Russian Empire.
Otto Nossan Klemperer was a German-born orchestral conductor and composer, described as "the last of the few really great conductors of his generation."
The Violin Concerto in D major, Op. 61, was written by Ludwig van Beethoven in 1806. Its first performance by Franz Clement was unsuccessful and for some decades the work languished in obscurity, until revived in 1844 by the then 12-year-old violinist Joseph Joachim with the orchestra of the London Philharmonic Society conducted by Felix Mendelssohn. Joachim would later claim it to be the "greatest" German violin concerto. Since then it has become one of the best-known and regularly performed violin concertos.
Jascha Heifetz was a Russian-born American violinist. Born in Vilnius, he moved while still a teenager to the United States, where his Carnegie Hall debut was rapturously received. He was a virtuoso since childhood. Fritz Kreisler, another leading violinist of the twentieth century, said after hearing Heifetz's debut, "We might as well take our fiddles and break them across our knees." He had a long and successful performing career; however, after an injury to his right (bowing) arm, he switched his focus to teaching.
Felix Mendelssohn's Violin Concerto in E minor, Op. 64, is his last concerto. Well received at its premiere, it has remained among the most prominent and highly-regarded violin concertos. It holds a central place in the violin repertoire and has developed a reputation as an essential concerto for all aspiring concert violinists to master, and usually one of the first Romantic era concertos they learn. A typical performance lasts just under half an hour.
The Double Concerto in A minor, Op. 102, by Johannes Brahms is a concerto for violin, cello and orchestra. The orchestra consists of 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, timpani and strings.
Shlomo Mintz is an Israeli violin virtuoso, violinist and conductor. He regularly appears with orchestras and conductors on the international scene and is heard in recitals and chamber music concerts around the world.
Gil Shaham is an American violinist of Israeli Jewish descent.
Sergei Prokofiev began his Violin Concerto No. 1 in D major, Op. 19, as a concertino in 1915 but soon abandoned it to work on his opera The Gambler. He returned to the concerto in the summer of 1917. It premiered on October 18, 1923 at the Paris Opera with Marcel Darrieux playing the violin part and the Paris Opera Orchestra conducted by Serge Koussevitzky. Igor Stravinsky made his debut as conductor at the same concert, conducting the first performance of his own Octet for Wind Instruments.
William Steinberg was a German-American conductor.
The Violin Concerto No. 3 in B minor, Op. 61, by Camille Saint-Saëns is a piece for violin and orchestra written in March 1880. Saint-Saëns dedicated the concerto to fellow composer-virtuoso Pablo de Sarasate, who performed the solo part at the premiere in October 1880 in Hamburg.
Rudolf Firkušný was a Moravian-born, Moravian-American classical pianist.
Igor Stravinsky's Violin Concerto in D is a neoclassical violin concerto in four movements, composed in the summer of 1931 and premiered on October 23, 1931. It lasts approximately twenty minutes.
Léon Eugene Barzin was a Belgian-born American conductor and founder of the National Orchestral Association (NOA), the oldest surviving training orchestra in the United States. Barzin was also the founding musical director of the New York City Ballet.
The Piano Concerto No. 1, Sz. 83, BB 91 of Béla Bartók was composed in 1926. Average playing time is between 23 and 24 minutes.
Nathan "Tossy" Spivakovsky, a Jewish, Russian Empire-born, German-trained violin virtuoso, was considered one of the greatest violinists of the 20th century.
Dylana Jenson is an American concert violinist and violin teacher. She lives in Grand Rapids, Michigan with her husband, conductor-cellist David Lockington, music director laureate of the Grand Rapids Symphony. They have four children. Jenson is the sister of Vicky Jenson, an animated film story board artist and director.
Oscar Ravina, born in Warsaw, Poland, was a violinist, violin teacher and concertmaster based in New York, who has had a prolific career as a performer as well as being a current professor emeritus at Montclair State University, where a talent grant in his name is regularly given to outstanding full-time freshmen studying string instruments.
The conductor Malcolm Sargent's career as a recording artist began in the days of acoustic recording, shortly before the introduction of the microphone and electrical recording, and continued into the stereo LP era. He recorded prolifically from 1924 until 1967, the year of his death.
Joan Field was an American violinist.