Merete Barker (born 1944) is a Danish artist who uses sketches and photographs from her many travels as the basis for highly expressive paintings where it is often difficult to distinguish between nature and culture. [1]
She has received various honorary scholarships, as well as the Eckersberg Medal and the Danish Arts Foundation’s Lifelong Artist’s Grant. [2]
Educated at the Royal Danish Academy of Fine Arts (1966-1973), she became a member of the Ny Abstraktion group in 1977 and in 1989 of Grønningen . Her abstract approach to recognizable subjects and themes combines the constructive with the expressive, often in minimalistic series of wood carvings and reliefs. From 1976, digital graphics became an important tool for Barker. At the end of the 1980s, nature's organic universe became an important concern. Journeys to New York, Mexico and Turkey have been the basis for her paintings which build on the shapes and colours of towns and landscapes. [3]
She has also produced a number of decorative works, for example for the Specialarbejderskole in Aarhus (1985), which forms an integral part of the architecture. [3]
Her works are present in many Danish art museums. She was awarded the Eckersberg Medal in 1995. [4]
Christoffer Wilhelm Eckersberg was a Danish painter. He was born in Blåkrog in the Southern Jutland region of Denmark. He went on to lay the foundation for the period of art known as the Golden Age of Danish Painting, and is referred to as the "Father of Danish painting".
Nicolai Wilhelm Marstrand, painter and illustrator, was born in Copenhagen, Denmark, to Nicolai Jacob Marstrand, instrument maker and inventor, and Petra Othilia Smith. Marstrand is one of the most renowned artists belonging to the Golden Age of Danish Painting.
Wilhelm Ferdinand Bendz was a Danish painter mainly known for genre works and portraits which often portray his artist colleagues and their daily lives. He was one of the most talented artists in the successful generation of painters who studied under Christoffer Wilhelm Eckersberg but died early and has therefore left a relatively small oeuvre.
Martinus Christian Wesseltoft Rørbye was a Danish painter, known both for genre works and landscapes. He was a central figure of the Golden Age of Danish painting during the first half of the 19th century.
Júlíana Sveinsdóttir was one of Iceland's first female painters and textile artists. Taught initially by prominent Icelandic artist Þórarinn B. Þorláksson, Júlíana settled in Denmark and returned to Iceland in the summers, the visits inspiring her landscape paintings, one of which won the Eckersberg Medal in 1947.
The Eckersberg Medal is an annual award of the Royal Danish Academy of Fine Arts. It is named after Christoffer Wilhelm Eckersberg, known as the father of Danish painting.
Danish art is the visual arts produced in Denmark or by Danish artists. It goes back thousands of years with significant artifacts from the 2nd millennium BC, such as the Trundholm sun chariot. For many early periods, it is usually considered as part of the wider Nordic art of Scandinavia. Art from what is today Denmark forms part of the art of the Nordic Bronze Age, and then Norse and Viking art. Danish medieval painting is almost entirely known from church frescos such as those from the 16th-century artist known as the Elmelunde Master.
Viggo Thorvald Edvard Weie was a Danish Modernist painter. He was a recipient of Eckersberg Medal in 1925. He died during 1943 in Frederiksberg.
Johan Vilhelm Gertner was a Danish painter, best known for his portraiture. One of the last students of Christoffer Wilhelm Eckersberg, who was known as the father of the Golden Age of Danish Painting, Gertner belonged to the tail end of the Golden Age, a period during which Danish art moved towards a more realistic style, relying on inspiration both from French Realism and emerging photographic techniques.
Kaj Ejstrup was a Danish artist, illustrator and sculptor. Above all, he is remembered for the landscapes he painted in the north west of Zealand as a member of the artists' colony known as the Odsherred Painters. In 1932, he was one of the founding members of the Corner artists association. Much of his work can be seen at Odsherreds Museum of Art.
Kirsten Dehlholm is a Danish artist and artistic theatre director. She has created over 30 presentations combining scenography with performance art, employing a wide variety of techniques, media and materials.
Kirsten Møller Ortwed is a Danish artist, now based in Cologne, Germany. She is noted for her striking sculptures in public spaces and her sometimes surprising combinations of traditional and unconventional materials.
Michael Otto Albert Kvium is a Danish artist. He has excelled in a number of fields such as painting, illustrating, sculpting and various performance genres. Since the early 1980s, he has created grotesque realistic works, depicting the darker side of life.
Jacobine (Bizzie) Severine Henriette Høyer was a Danish painter and art teacher.
Carl Vilhelm Holsøe was a Danish artist who primarily painted interiors.
A Nude Woman Doing her Hair before a Mirror is an oil painting from 1841 by the Danish Golden Age painter CW Eckersberg. The painting is in the Hirschsprung Collection in Copenhagen. The relatively small image is regarded as one of the masterpieces of the Danish Golden Age, and is also one of the Hirschsprung Collection's 20 most important works.
Karen Vibeke Klint was a Danish textile artist who created a wide variety of tapestries, carpets, silks and home textiles, initially inspired by Functionalism. Her work has been used to decorate concert halls, embassies, ministries and churches. While her own creations were frequently inspired by geometrical patterns, she also produced tapestries based on cartoons by William Scharff and Palle Nielsen.
Helle Thorborg is a Danish painter and graphic designer. In her colour graphics, she uses strong contrasts creating images resembling collages. She has decorated a number of Danish buildings, including the pulpit in Gimsing Church near Struer, and has designed scenery for the Folketeatret's experimental stage.
Franziska Paula Konstante Rasmussen née Duden (1907–1994) was a German-born textile artist and painter who moved to Denmark in 1930. Initially influenced by the minimalist Bauhaus style, she soon developed her own distinctive Structuralist approach to weaving, becoming one of Denmark's most important contributors to tapestry. In 1935, she joined the Danish School of Arts and Crafts (Kunsthåndværkerskole) where she remained for over 40 years, teaching painting and composition, increasingly with an emphasis on textile art.
Gudrun Thorgerd Erna Poulsen was a Danish painter. Inspired by nature, she painted mainly country landscapes, often including cows. From the 1960s, she spent much of her time painting on the island of Møn while in the 1970s she turned to religious works with animals. A strong supporter of women artists, from 1954 to 1992 she headed Denmark's Society of Female Artists.