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Michael Raven | |
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Born | Michael Raven 1938 Cardiff, Wales |
Died | Staffordshire, England | 15 April 2008
Resting place | St. John the Baptist Church, Ashley, Staffordshire |
Occupation |
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Known for | Guitar arrangements |
Notable work |
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Style | Fingerstyle guitar, specialising in Flamenco |
Spouse(s) | Eve Raven |
Parent(s) | Leonard & Marion Raven |
Relatives | Jon Raven (brother) Paul Raven (nephew) |
Website | www |
Michael Raven was an English author, musician, composer and poet.
Michael Raven was born to Lancastrian parents in Cardiff, Wales but moved to the West Midlands when he was 3 years old. A talented sportsman, he became Midlands Decathlon Champion in 1954 at the age of 16 whilst a boarder at Towyn Grammar School. Michael did National Service with the Cheshire Regiment and saw active service in Malaya during the 1956 Emergency. Upon leaving the Army Michael continued his education at Keele University, Staffordshire. He met Eve, a Brighton girl, in Jersey whilst playing in cabaret in 1963, and married her in Gibraltar in 1965. With his brother Jon he collected and researched the folk music of the area. [1] He was heavily involved in the folk scene, and worked as Mary Hopkins' accompanist during a summer season in Margate in 1971. [2] as well as collaborating with brother, Jon Raven, and other artists. Throughout his life, Raven wrote 80 books, and featured on 50 CDs. He died in 2008 at the age of 70. [3] He was uncle to late musician Paul Raven, died one year earlier.
Raven wrote and contributed to many books, often featuring his own photography as well as research. He was in the main a music publisher/composer/arranger and some of his books relate to Black Country and West Midlands history, traditions and music.
Raven was a member of folk trio The Black Country Three along with brother Jon Raven and Derek Craft, recording their self-titled debut album in 1966 for Transatlantic. [4] Raven worked in folk-roots trio, Ravenshead. [5]
He has performed on the following albums:
Contra dance is a folk dance made up of long lines of couples. It has mixed origins from English country dance, Scottish country dance, and French dance styles in the 17th century. Sometimes described as New England folk dance or Appalachian folk dance, contra dances can be found around the world, but are most common in the United States, Canada, and other Anglophone countries.
A lute is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted.
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The tin whistle, also called the penny whistle, flageolet, English flageolet, Scottish penny whistle, tin flageolet, Irish whistle, Belfast Hornpipe, feadóg stáin and Clarke London Flageolet is a simple, six-holed woodwind instrument. It is a type of fipple flute, putting it in the same class as the recorder, Native American flute, and other woodwind instruments that meet such criteria. A tin whistle player is called a whistler. The tin whistle is closely associated with Celtic music.
Sheet music is a handwritten or printed form of musical notation that uses musical symbols to indicate the pitches, rhythms, or chords of a song or instrumental musical piece. Like its analogs – printed books or pamphlets in English, Arabic, or other languages – the medium of sheet music typically is paper, although the access to musical notation since the 1980s has included the presentation of musical notation on computer screens and the development of scorewriter computer programs that can notate a song or piece electronically, and, in some cases, "play back" the notated music using a synthesizer or virtual instruments.
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The shamisen or samisen (三味線), also sangen, is a three-stringed traditional Japanese musical instrument derived from the Chinese instrument sanxian. It is played with a plectrum called a bachi.
The folk music of England is a tradition-based music, which has existed since the later medieval period. It is often contrasted with courtly, classical and later commercial music. Folk music is traditionally preserved and passed on orally within communities, but print and subsequently audio recordings have since become the primary means of transmission. The term is used to refer both to English traditional music and music composed or delivered in a traditional style.
Wales has a strong and distinctive link with music. Singing is a significant part of Welsh national identity, and the country is traditionally referred to as "the land of song". This is a modern stereotype based on 19th century conceptions of Nonconformist choral music and 20th century male voice choirs, Eisteddfodau and arena singing, such as sporting events, but Wales has a history of music that has been used as a primary form of communication.
The vihuela is a 15th-century fretted plucked Spanish string instrument, shaped like a guitar but tuned like a lute. It was used in 15th- and 16th-century Spain as the equivalent of the lute in Italy and has a large resultant repertory. There were usually five or six doubled strings.
The guqin is a plucked seven-string Chinese musical instrument. It has been played since ancient times, and has traditionally been favoured by scholars and literati as an instrument of great subtlety and refinement, as highlighted by the quote "a gentleman does not part with his qin or se without good reason," as well as being associated with the ancient Chinese philosopher Confucius. It is sometimes referred to by the Chinese as "the father of Chinese music" or "the instrument of the sages". The guqin is not to be confused with the guzheng, another Chinese long stringed instrument also without frets, but with moveable bridges under each string.
"Misirlou" is a folk song from the Eastern Mediterranean region, with origins in the Ottoman Empire. The original author of the song is not known, but Arabic, Greek and Jewish musicians were playing it by the 1920s. The earliest known recording of the song is a 1927 Greek rebetiko/tsifteteli composition influenced by Middle Eastern music. There are also Arabic belly dancing, Armenian, Persian, Indian and Turkish versions of the song. This song was popular from the 1920s onwards in the Arab American, Armenian American and Greek American communities who settled in the United States.
John Michael Kirkpatrick is an English player of free reed instruments.
The lyra viol is a small bass viol, used primarily in England in the seventeenth century.
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Giovanni Battista Abatessa was an Italian composer and Baroque guitarist, likely born in Bitonto in the Kingdom of Naples. His compositional output consists of four books of pieces for five-course Baroque guitar. While many of Abatessa's contemporaries used the guitar as an accompaniment for the voice, Abatessa's main focus was on the guitar as a solo instrument.
A soul cake, also known as a soulmass-cake, is a small round cake which is traditionally made for Halloween, All Saints' Day and All Souls' Day to commemorate the dead in the Christian tradition. The cakes, often simply referred to as souls, are given out to soulers who go from door to door during the days of Allhallowtide singing and saying prayers "for the souls of the givers and their friends". The practice in England dates to the medieval period, and was continued there until the 1930s, by both Protestant and Catholic Christians. In Sheffield and Cheshire, the custom has continued into modern times. In Lancashire and in the North-east of England soul cakes were known as Harcakes, a kind of thin parkin.
Tablature is a form of musical notation indicating instrument fingering rather than musical pitches.
Jon Raven (1940–2015) was an English author and musician.
Roy Ernest Palmer was a singer, teacher, folklorist, author and historian who wrote more than 30 books on folklore and folk song. In 2003 he was awarded the Gold Badge, the English Folk Dance and Song Society's highest honour.
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