Michele Pace del Campidoglio (1625-1669) was an Italian painter of still-life depicting fruit and flowers.
Michele Pace del Campidoglio (1625-1669) was an Italian painter of still-life depicting fruit and flowers.
Pace del Campidoglio was born in Rome or Vitorchiano in 1625. He was called 'Di Campidoglio' from an office he held in the Campidoglio, or Capitol, at Rome. There was a fine picture by him in the collection of John Churchill, 1st Duke of Marlborough at Blenheim, and many others are to be found in England. He died in 1669 in Rome. [1]
The Capitolium or Capitoline Hill, between the Forum and the Campus Martius, is one of the Seven Hills of Rome.
Arnolfo di Cambio was an Italian architect and sculptor. He designed Florence Cathedral and the sixth city wall around Florence (1284-1333), while his most important surviving work as a sculptor is the tomb of Cardinal de Braye in S. Domenico, Orvieto.
Pietro da Cortona was an Italian Baroque painter and architect. Along with his contemporaries and rivals Gian Lorenzo Bernini and Francesco Borromini, he was one of the key figures in the emergence of Roman Baroque architecture. He was also an important designer of interior decorations.
Domenico Zampieri, known by the diminutive Domenichino after his shortness, was an Italian Baroque painter of the Bolognese School of painters.
Francesco Albani or Albano was an Italian Baroque painter who was active in Bologna (1591–1600), Rome (1600–1609), Bologna (1609), Viterbo (1609–1610), Bologna (1610), Rome (1610–1617), Bologna (1618–1660), Mantova (1621–1622), Roma (1623–1625) and Florence (1633).
Girolamo Rainaldi was an Italian architect who worked mainly in a conservative Mannerist style, often with collaborating architects. He was a successful competitor of Bernini. His son, Carlo Rainaldi, became an even more notable, more fully Baroque architect.
Guillaume Courtois or italianized as Guglielmo Cortese, called Il Borgognone or Le Bourguignon, was a Franc-comtois-Italian painter, draughtsman and etcher. He was mainly active in Rome as a history and staffage painter and enjoyed high-level patronage. He was the brother of the painters Jacques Courtois and Jean-François Courtois.
Campitelli is the 10th rione of Rome, identified by the initials R. X, and is located in the Municipio I.
Carlo Maratta or Maratti was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from Raphael, he was not exempt from the influence of Baroque painting and particularly in his use of colour. His contemporary and friend, Giovanni Bellori, wrote an early biography on Maratta.
Abraham Brueghel was a Flemish painter from the famous Brueghel family of artists. He emigrated at a young age to Italy where he played an important role in the development of the style of decorative Baroque still lifes.
Tommaso Laureti, often called Tommaso Laureti Siciliano, was an Italian painter from Sicily who trained in the atelier of the aged Sebastiano del Piombo and worked in Bologna. From 1582, he worked for papal patrons in Rome in a Michelangelo-inspired style with special skill in illusionistic perspective, that in his Roman work avoided all but traces of Mannerism.
Antonio Busca (1625–1686) was an Italian painter of the Baroque period, mainly active in Lombardy.
Giuseppe Ghezzi was an Italian painter of the Baroque period, active mainly in Rome.
Bartolomeo Cavarozzi (1587–1625), occasionally referred to as Bartolomeo Crescenzi, was an Italian caravaggisti painter of the Baroque period. Cavarozzi's work begin receiving increased admiration and appreciation from art historians in the last few decades of the 20th century, emerging as one of the more distinct and original followers of Caravaggio. He received training from Giovanni Battista Crescenzi in Rome and later traveled to Spain alongside his master for a few years where he achieved some renown and was significant in spreading "Caravaggism" to Spain before returning to Italy. His surviving works are predominantly Biblical subjects and still-life paintings, although older references note he "was esteemed a good painter especially of portraits".
Ubaldo Ricci (1669-1731) was an Italian painter of the late-Baroque who practised in Italy in the 18th century. He was born in Fermo and trained in Rome under Giovanni Francesco Romanelli and Carlo Maratta. He is part of the family of painters that includes Natale (1677-1754), Filippo (1715-1793), and Alessandro Ricci (1750-1829). Filippo, son of Natale, and grandson of Ubaldo, studied in Bologna under Donato Creti, and later in Rome under Corrado Giaquinto.
Antonio Triva was an Italian painter and engraver of the Baroque period.
Raffaello Vanni was an Italian painter of the Baroque.
Anatolio Scifoni was an Italian painter of mainly genre paintings.
Domenico De Angelis was an Italian painter of the Neoclassic period. Born Domenico Turreggia in Ponzano, he changed his name to De Angelis by 1750, when he moved to Rome with his brother Giuseppe.
Attribution:
This article incorporates text from a publication now in the public domain : Bryan, Michael (1889). "Pace, Michelangelo, called Di Campidoglio". In Armstrong, Sir Walter; Graves, Robert Edmund (eds.). Bryan's Dictionary of Painters and Engravers (L–Z). Vol. II (3rd ed.). London: George Bell & Sons. | Wikimedia Commons has media related to Michele Pace del Campidoglio . |
| General | |
|---|---|
| National libraries | |
| Art research institutes | |
| Biographical dictionaries | |
 | This article about an Italian painter born in the 17th century is a stub. You can help Wikipedia by expanding it. |
