Mildred Ruiz-Sapp

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Mildred Ruiz-Sapp
Mildred Ruiz-Sapp, September 2019.jpg
Mildred Ruiz-Sapp at the Oregon Shakespeare Festival, September 2019
Born
NationalityAmerican
Occupation(s)Poet, playwright and actor

Mildred Ruiz-Sapp is an American poet, playwright, actor, singer, songwriter, and filmmaker. [1] Born and raised on New York's Lower East Side (Alphabet City), she co-founded THE POINT Community Development Corporation (Hunts Point) in 1993 and Universes (poetic theatre ensemble) (1996), in collaboration with Steven Sapp. [1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] [12]

Contents

Education and Career

Ruiz-Sapp earned her BA in Literature from Bard College in 1989 and is the co-founder and core member of Universes, a national ensemble theater company. Founded in The Bronx, New York, in 1995, Universes brings together a diverse group of multi-disciplined writers and performers of color who fuse theater, poetry, dance, jazz, hip hop, politics, blues, and Spanish boleros to create impactful and entertaining stage works. [13] The group, originally formed as a poetry collective performing slam poetry at clubs and cafés in Manhattan's Lower East Side, began with members Ruiz-Sapp, her brother, William Ruiz, Gamal Chasten, and Steven Sapp. Over time, Universes found its home at the New York Theater Workshop, where it developed into a powerful and unique ensemble. [5]

The group created the production titled Ameriville, a response to how America responded in the aftermath of Hurricane Katrina. [5] It premiered at the Actors Theater at Louisville’s Humana Festival in 2009. [14] Universes aimed to present the United States as a united community, rather than a fractured society divided by divergent customs and beliefs. [5] Ameriville was one of the few opportunities granted to Latina playwrights at the time, with Ruiz-Sapp playing a pivotal role in representing women playwrights of color. [15]

In 2025, Ruiz-Sapp co-directed Tipi Tales from The Stoop, a project that explores family history and generational trauma. In collaboration with Murielle Borst-Tarrant, the production tells the story of a young girl growing up in the only Native family in a Mafia-run Brooklyn neighborhood, embarking on a quest to preserve cultural traditions. [16]

Theater Credits Include

Television Credits Include

Film: Stay until Tomorrow by Laura Collela
Television: HBO's Def Poetry Jam (Season 4- Episode 9 (with UNIVERSES))

Awards/Affiliations

2008 Jazz at Lincoln Center Rhythm Road Tour
2008 Theatre Communications Group (TCG) – Peter Zeisler Award
2002–2004 and 1999–2001 Theatre Communications Group (TCG) National Theater Artist Residency Program Award
2002 BRIO Awards (Bronx Recognizes Its Own-Singing) from The Bronx Council on the Arts;
1999 OBIE Award Grant (The Point CDC & Live From Theater Theater)
1999 Bessie Awards (The Point CDC)
1998 Union Square Award recipient
Co-Founder of The Point CDC
New York Theatre Workshop Usual Suspect
Board Member: National Performance Network
Former Board member: Network of Ensemble Theaters

References

  1. 1 2 McNulty, Charles (November 16, 1999). "Gazing Into the Universes". The Village Voice. New York, NY: Village Voice Media. Retrieved April 24, 2010.
  2. Solomon, Alisa (July 24, 1999). "Beats and Keats". The Village Voice. New York, NY: Village Voice Media. Retrieved April 24, 2010.
  3. "New World Theater: Universes". University of Massachusetts, Amherst. Archived from the original on May 29, 2010. Retrieved April 24, 2010.
  4. Monsen, Lauren (April 25, 2008). "Poetic Theater Ensemble Enthralls Audiences on Six-Nation Tour". US State Department. Archived from the original on May 30, 2009. Retrieved April 24, 2010.
  5. 1 2 3 4 Archibald, Sophia. "Universes' 'Ameriville' looks at fear through lens of Katrina". TheDartmouth.com. Retrieved April 24, 2010.
  6. "2009 Humana Festival Calendar" (PDF). Actors Theatre of Louisville. Archived from the original (PDF) on April 8, 2009. Retrieved April 24, 2010.
  7. "National Association of Latino Arts and Culture – June 2007". National Association of Latino Arts and Culture. Archived from the original on July 27, 2011. Retrieved April 24, 2010.
  8. "OSF Commissions Second Round of Artists for U.S. History Cycle". Oregon Shakespeare Festival. June 12, 2009. Retrieved April 24, 2010.
  9. Nesti, Robert (July 27, 2005). "Street-smart 'Slanguage' is as good as its words" . Boston Herald, archived at LexisNexis . Boston, MA: Boston Herald Inc. Retrieved April 24, 2010.
  10. Van Gelder, Lawrence (July 28, 2001). "The City's Beat, With an Iambic Heat". The New York Times. New York, NY. Retrieved April 25, 2010.
  11. Spera, Keith (February 28, 2010). "'Ameriville,' a hip-hop musical with a social conscience, is at its best when its focus is on Katrina's aftermath" . The Times-Picayune, archived at LexisNexis . New Orleans, LA: The Times-Picayune Publishing Company. Retrieved April 24, 2010.
  12. Brighton, Kurt (November 19, 2009). "Staging Katrina's stormy legacy" . The Denver Post. Denver, CO: The Denver Post. Retrieved April 25, 2010.
  13. "The Journey". UNIVERSES. Retrieved 2025-04-10.
  14. Cummings, Scott T. (2009). "Review of 33RD ANNUAL HUMANA FESTIVAL OF NEW AMERICAN PLAYS". Theatre Journal. 61 (4): 620–623. ISSN   0192-2882.
  15. Catanese, Brandi Wilkins (2010). "Taking the Long View". Theatre Journal. 62 (4): 547–551. ISSN   0192-2882.
  16. "Tipi Tales from the Stoop | Perelman Performing Arts Center". pacnyc.org. Retrieved 2025-04-10.

Additional Reading