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Milena Palakarkina (born 1959) is a Bulgarian artist.
After she completed undergraduate studies at UCLA and NYU, she met Pierre Restany in 1983 in Milan. Under his influence she studied Yves Klein [1] and moved to Paris in 1984 in order to write a screenplay. While researching the project she reunited with Niki de Saint-Phalle, [2] whom she had met in Hollywood in 1978. Niki introduced her to Jean Tinguely in 1986 and the young woman abandoned the screenplay to follow Tinguely to Switzerland where she returned to painting.
Palakarkina shared the last five years of Jean Tinguely's life and created with him a series of paintings Märtyrer und Gespenster, which includes three collaborations - The Altars:Saint Sebastian (1988), Saint Christopher/Rococo (1989), and Kathryn, Bride of Christ (1990). The collection was shown at the gallery Jamile Weber in Zurich in 1990 [3] and at the Gallery Hans Mayer in Düsseldorf in 1991. [4] The Altar Saint Sebastian was shown in the retrospective of Jean Tinguely in Musee d'Art et d'Histoire in Fribourg in 1991. The collaborations were shown at the Gallery Beaubourg in 1996 [5] and at Padiglione d'Arte Contemporanea in Milan in 2008. [6] The works are on display at the Rossini Foundation in Carate Brianza in Northern Italy. [7]
Five months after Tinguely's death she gave birth to their son [8] and returned to Paris to participate in the contemporary figurative art scene. [9] [10]
Niki de Saint Phalle was a French-American sculptor, painter, filmmaker, and author of colorful hand-illustrated books. Widely noted as one of the few female monumental sculptors, Saint Phalle was also known for her social commitment and work.
Nouveau réalisme refers to an artistic movement founded in 1960 by the art critic Pierre Restany and the painter Yves Klein during the first collective exposition in the Apollinaire gallery in Milan. Pierre Restany wrote the original manifesto for the group, titled the "Constitutive Declaration of New Realism," in April 1960, proclaiming, "Nouveau Réalisme—new ways of perceiving the real." This joint declaration was signed on 27 October 1960, in Yves Klein's workshop, by nine people: Yves Klein, Arman, Martial Raysse, Pierre Restany, Daniel Spoerri, Jean Tinguely and the Ultra-Lettrists, Francois Dufrêne, Raymond Hains, Jacques de la Villeglé; in 1961 these were joined by César, Mimmo Rotella, then Niki de Saint Phalle and Gérard Deschamps. The artist Christo showed with the group. It was dissolved in 1970.
Arman was a French-born American artist. Born Armand Fernandez in Nice, France, Arman was a painter who moved from using objects for the ink or paint traces they leave to using them as the artworks themselves. He is best known for his Accumulations and destruction/recomposition of objects.
Pierre Bismuth is a French artist and filmmaker based in Brussels. His practice can be placed in the tradition of conceptual art and appropriation art. His work uses a variety of media and materials, including painting, sculpture, collage, video, architecture, performance, music, and film. He is best known for being among the authors of the story for Eternal Sunshine of the Spotless Mind (2004), for which he won the Academy Award for Best Original Screenplay alongside Michel Gondry and Charlie Kaufman. Bismuth made his directorial debut with the 2016 feature film Where is Rocky II?.
Roberto Mangú, also known as Roberto Mangu Quesada, and Roberto Mangou, is a contemporary artist, best known as a painter, who is also noted for his sculptures, installations, etchings and work as an architect. Born in 1948 and raised in France, from Italian and Spanish descent, Mangú self-defines as European.
Pierre Restany, was an internationally known French art critic and cultural philosopher.
Jean Tinguely was a Swiss sculptor best known for his kinetic art sculptural machines that extended the Dada tradition into the later part of the 20th century. Tinguely's art satirized automation and the technological overproduction of material goods.
Jean-Michel Sanejouand was a French artist. His work ranged from environments to monumental sculptures, from readymade-like objects, to paintings of oneiric landscapes in which (usually) one of his sculptures stands.
Martial Raysse is a French artist and actor. He lives in Issigeac, France. He holds the record for the most expensive work sold by a living French artist.
The Stravinsky Fountain is a whimsical public fountain ornamented with sixteen works of sculpture, moving and spraying water, representing the works of composer Igor Stravinsky. It was created in 1983 by sculptors Jean Tinguely and Niki de Saint Phalle, and is located on Place Stravinsky, next to the Centre Pompidou, in Paris.
Evelyne Axell was a Belgian Pop painter. She is best known for her psychedelic, erotic paintings of female nudes and self-portraits on plexiglas that blend the hedonistic and Pop impulses of the 1960s. Elements of the 1960s—the Vietnam War, the Black Panthers movement, and the sexual liberation of women affected her work.
Kudjoe Affutu is a Ghanaian artist and figurative coffin and palanquin builder. He was born and still lives in Awutu Bawyiase, Central Region, Ghana. Affutu has made a name for himself in Europe by participating in various art projects and exhibitions.
Miodrag Đurić, known as Dado, was a Montenegrin-born artist who spent most of his life and creative career in France. He is particularly known as a painter but was also active as an engraver, draftsman, book illustrator and sculptor.
The Musée d'art moderne et d'art contemporain, also known as MAMAC, is a museum dedicated to modern art and contemporary art. It opened on 21 June 1990, in Nice, France.
Maurizio Nannucci is an Italian contemporary artist. Lives and works in Florence and South Baden, Germany. Nannucci's work includes: photography, video, neon installations, sound installation, artist's books, and editions. Since the mid-sixties he is a protagonist of international artistic experimentation in Concrete Poetry and Conceptual Art.
M. S. Bastian and Isabelle L. are a Swiss artist couple who have made a name for themselves with their comic art, including paintings, sculptures, animated films and installations.
Philippe Pasqua is a French contemporary artist, known for his paintings, sculptures and drawings. Self-taught and (solitary), he is best known for his paintings of Vanitas and considered one of the major artists of his generation.
Nicola L. was a visual artist who developed a multidisciplinary practice that playfully merged the principles of art and design. Born in Morocco to French parents, the artist was initially associated with Pop Art and went on to work across five decades, creating interactive sculptures, radical performances, and collage-like paintings, as well as films and plays. Responsive to the counter-cultural movements that originally framed her practice, Nicola L.'s expansive body of work was united through an engagement with feminist politics, and the ideals of equality and collectivity. The artist became particularly known for her witty, anthropomorphic sculptures that fused female bodies and domestic objects, materializing the objectification of women. The artist described her work as "an ephemeral monument to freedom."
Pierre Nahon was an Algerian-born French art collector and gallery owner.
Jos De Cock, was a Belgian-French painter, watercolorist, etcher and sculptor.