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The Minuet in G, Op. 14/1, is a short piano composition by Ignacy Jan Paderewski, which became world-famous, overshadowing his more major works such as the Symphony in B minor "Polonia", the Piano Concerto in A minor, and the opera Manru .
The minuet was written in 1887, the first of six pieces making up his Humoresques de concert, Op. 14. The full set is in two books:
Book I (à l'Antique)
Book II (moderne)
In its original form as a solo piano piece, it has received a large number of recordings, from Paderewski himself, to Sergei Rachmaninoff, Josef Hofmann, Ignaz Friedman, Shura Cherkassky, through to the pianists of today such as Roger Woodward, Stephen Hough and Adam Wodnicki.
It has also been arranged for other instruments:
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Samuel Coleridge-Taylor was a British composer and conductor. Of mixed-race descent, Coleridge-Taylor achieved such success that he was referred to by white musicians in New York City as the "African Mahler" when he had three tours of the United States in the early 1900s. He was particularly known for his three cantatas on the epic 1855 poem The Song of Hiawatha by American Henry Wadsworth Longfellow. Coleridge-Taylor premiered the first section in 1898, when he was 23. He married an Englishwoman, Jessie Walmisley, and both their children had musical careers. Their son, Hiawatha, adapted his father's music for a variety of performances. Their daughter, Avril Coleridge-Taylor, became a composer-conductor.
Ignacy Jan Paderewski was a Polish pianist, composer and statesman who was a spokesman for Polish independence. In 1919, he was the nation's prime minister and foreign minister during which he signed the Treaty of Versailles, which ended World War I.
Arthur De Greef was a Belgian pianist and composer.
Sergei Mikhailovich Lyapunov was a Russian composer, pianist and conductor.
Franz Schubert's Impromptus are a series of eight pieces for solo piano composed in 1827. They were published in two sets of four impromptus each: the first two pieces in the first set were published in the composer's lifetime as Op. 90; the second set was published posthumously as Op. 142 in 1839. The third and fourth pieces in the first set were published in 1857. The two sets are now catalogued as D. 899 and D. 935 respectively. They are considered to be among the most important examples of this popular early 19th-century genre.
Moritz Moszkowski was a German-Polish composer, pianist, and teacher. His brother Alexander Moszkowski was a famous writer and satirist in Berlin.
Gaspar Cassadó i Moreu was a Spanish cellist and composer of the early 20th century.
Julius Klengel was a German cellist who is most famous for his études and solo pieces written for the instrument. He was the brother of Paul Klengel. A member of the Gewandhaus Orchestra of Leipzig at fifteen, he toured extensively throughout Europe as cellist and soloist of the Gewandhaus Quartet. His pupils include Guilhermina Suggia, Emanuel Feuermann, Gregor Piatigorsky and Alexandre Barjansky. See: List of music students by teacher: K to M#Julius Klengel.
William Henry Squire, ARCM was a British cellist, composer and music professor of the late 19th and early 20th centuries. He studied cello at the Royal College of Music, and became professor of cello at the Royal College and Guildhall schools of music.
Le Baiser de la fée is a neoclassical ballet in one act and four scenes composed by Igor Stravinsky in 1928 and revised in 1950 for George Balanchine and the New York City Ballet. Based on Hans Christian Andersen's short story Isjomfruen, the work is an homage to Pyotr Ilyich Tchaikovsky, for the 35th anniversary of the composer's death. Stravinsky elaborated several melodies from early piano pieces and songs by Tchaikovsky in his score. A commission by Ida Rubinstein from 1927, the ballet was choreographed by Bronislava Nijinska and premiered in Paris on 27 November 1928.
Piotr Anderszewski is a Polish pianist and composer.
Humoresques, Op. 101, is a piano cycle by the Czech composer Antonín Dvořák, written during the summer of 1894. Music critic David Hurwitz says "the seventh Humoresque is probably the most famous small piano work ever written after Beethoven's Für Elise."
Ernest Walker was an Indian-born English composer and writer on music, as well as a pianist, organist and teacher.
Robert Neil Cavally was an American flutist who trained and inspired many noted flute performers and teachers, and edited many solos and etudes for use by teachers. He was an eloquent writer and woodworker.
David Nadien was an American virtuoso violinist and violin teacher. He was the concertmaster of the New York Philharmonic from 1966 to 1970. His playing style, characterized by fast vibrato, audible shifting noises, and superb bow control, has been compared to that of Jascha Heifetz, who is considered by some to be the greatest violinist of all time.
Alfredo d'Ambrosio was an Italian composer and violinist. He studied under Enrico Bossi at the Conservatory San Pietro a Majella in Naples, and later with Pablo de Sarasate in Madrid and August Wilhelmj in London. He then settled in Nice, rue de Russie 2,and afterwards in Paris, Boulevard de Courcelle 71, and devoted himself to his compositions and his work as a teacher. His cousin Luigi d'Ambrosio was also a violinist and later teacher of Salvatore Accardo. Alfredo D'Ambrosio died in Paris, aged 43. His wife was Blanche Aida Malvano; he had three sons, one of them, Violette d’Ambrosio was a concert violinist and played until mid ‘900, often performing her father's Violin Concertos.
The Polish Fantasy in G sharp minor, Op.19, is a work for piano and orchestra composed in 1893 by Ignacy Jan Paderewski. It was first performed at the Norwich Festival in England the same year, where it achieved success and became a frequent addition to Paderewswki's concert repertoire. It is characterized by expressive themes, drawing influences from Polish folk music, and was often played by Paderewski at his concerts to remind audiences of the existence of then-occupied Poland.
Camillo Schumann was a German late Romantic composer and organist.
