| Miryam | |
|---|---|
 | |
| Directed by | Enrico Guazzoni |
| Written by | Enrico Guazzoni |
| Produced by | Enrico Guazzoni |
| Starring | Isa Pola Carlo Gualandri Aristide Garbini |
| Cinematography | Arturo Climati Carlo Montuori |
Production company | Suprema Film |
| Distributed by | Suprema Film |
Release date |
|
| Country | Italy |
| Languages | Silent Italian intertitles |
Miryam is a 1929 Italian silent drama film directed by Enrico Guazzoni and starring Isa Pola, Carlo Gualandri, and Aristide Garbini. [1]
Shadows on the Grand Canal is a 1951 Italian crime film directed by Glauco Pellegrini and starring Isa Pola, Antonio Centa and Carlo Hintermann. It was entered into the competition at the 12th Venice International Film Festival.
Non ti pago! is a 1942 Italian comedy film directed by Carlo Ludovico Bragaglia, who also adapted the play by Eduardo De Filippo, the star of the film. It was shown as part of a retrospective on Italian comedy at the 67th Venice International Film Festival.
Red Roses is a 1940 Italian "white-telephones" comedy film directed by Vittorio De Sica and Giuseppe Amato and starring De Sica, Renée Saint-Cyr, and Vivi Gioi. It was De Sica's first film as a director. De Sica had previously appeared in a 1936 production of the stage play by Aldo De Benedetti on which it was based. It was shot at the Cinecitta Studios in Rome. The film's sets were designed by the art director Gastone Medin.
Street of the Five Moons is a 1942 romantic drama film directed by Luigi Chiarini. It marked the debut of actor Gabriele Ferzetti. It belongs to the movies of the calligrafismo style.
Red Tavern is a 1940 Italian "white-telephones" comedy film directed by Max Neufeld and starring Alida Valli, André Mattoni, and Lauro Gazzolo. It was made at Cinecittà in Rome. A young woman eventually marries a count after a series of misunderstandings.
Isa Pola was an Italian stage and film actress. She appeared in more than 30 films during her career; an early screen role was the female lead in Steel (1933), a realist film set in the steelworking industry.
The Widow is a 1939 Italian drama film directed by Goffredo Alessandrini and starring Isa Pola, Leonardo Cortese and Osvaldo Valenti. A mother's possessive love for her dead son leads to a hostile attitude towards his widow.
Lucrezia Borgia is a 1940 Italian historical film directed by Hans Hinrich and starring Isa Pola, Friedrich Benfer and Carlo Ninchi. The film portrays the life of Lucrezia Borgia (1480-1519), one of a number of Italian films of the era set during the Renaissance. It was made at the Scalera Studios in Rome.
Doctor Antonio is a 1937 Italian historical drama film directed by Enrico Guazzoni and starring Ennio Cerlesi, Maria Gambarelli, and Lamberto Picasso. The film is an adaptation of the 1855 novel of the same title by Giovanni Ruffini set during the Risorgimento. It was shot at the Cinecittà Studios in Rome with location shooting on the island of Ischia off Naples. The film's sets were designed by the art director Gherardo Gherardi.
After Casanova's Fashion is a 1942 Italian comedy film directed by Carlo Ludovico Bragaglia and starring Eduardo De Filippo, Peppino De Filippo, and Clelia Matania.
Romulus and the Sabines is a 1945 Italian comedy film directed by Mario Bonnard and starring Totò, Carlo Campanini, and Clelia Matania. It was one of several of Totò's postwar comedies to use elements of neorealism.
Ring Around the Clock is a 1950 Italian comedy film directed by Paolo William Tamburella and starring Nando Bruno, Lauro Gazzolo, and Peppino Spadaro.
Carlo Gualandri (1895–1972) was an Italian film actor.
Two on a Vacation is a 1940 Italian comedy film directed by Carlo Ludovico Bragaglia and starring Vittorio De Sica, María Denis, and Umberto Melnati. It was a remake of the 1932 German film Two in a Car. It was shot at the Cinecittà Studios in Rome.
Aristide Garbini (1890–1950) was an Italian film actor.
La Wally is a 1932 Italian musical drama film directed by Guido Brignone and starring Germana Paolieri, Isa Pola and Carlo Ninchi. It is an adaptation of the 1892 opera La Wally by Alfredo Catalani. It was shot at the Cines Studios in Rome. The film's sets were designed by the art directors Gastone Medin and Ivo Perilli.
The Count of Brechard is a 1938 Italian historical drama film directed by Mario Bonnard and starring Amedeo Nazzari, Luisa Ferida, and Ugo Ceseri. It was adapted from the Giovacchino Forzano play. The film's sets were designed by the art director Virgilio Marchi.
Father for a Night is a 1939 Italian "white-telephones" romantic comedy film directed by Mario Bonnard and starring Sergio Tofano, Clelia Matania, and Carlo Romano.
The Prisoner of Santa Cruz is a 1941 Italian drama film directed by Carlo Ludovico Bragaglia and starring Juan de Landa, María Mercader, and Giuseppe Rinaldi.
Ragazzo is a 1934 Italian lost film directed by Ivo Perilli. The film was censored by the Italian government, and its only known copy was subsequently looted by German soldiers in 1944 and has not resurfaced.
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