Nur-ud-Din Muhammad Salim, known by his imperial name Jahangir, was the fourth Mughal Emperor, who ruled from 1605 till his death in 1627.
Akbar II, also known as Akbar Shah II, was the nineteenth Mughal emperor from 1806 to 1837. He was the second son of Shah Alam II and the father of Bahadur Shah II, who would eventually succeed him and become the last Mughal emperor.
Ustad Mansur was a seventeenth-century Indian painter and naturalist who served as a Mughal court artist. During which period he excelled at depicting plants and animals. He was the earliest artist to depict the dodo in colour, apart from being the first to illustrate the Siberian crane. Towards the end of Akbar's reign, he gained the title of ustad (master) and during the reign of Mughal Emperor Jahangir his masterpieces earned him the title of Nãdir-al-’Asr. Although he was largely known for his natural history illustrations, he also portrayed people in various manuscript illustrations.
RajaTodar Mal was an Indian minister, economist, and military commander who served as the Finance Minister (Diwan-i-Ashraff) of the Mughal empire during the reign of Akbar I. He was also the Vakil-us-Sultanat and Joint Wazir. He was one of the premier nobles in the Mughal Empire and was a Mansabdar of 4000. He was one of the Navaratnas in Akbar's court. Under Todar Mal, there were 15 other Dewans nominated for 15 Subahs of Akbar.
Mughal painting is a South Asian style of painting on paper confined to miniatures either as book illustrations or as single works to be kept in albums (muraqqa), originating from the territory of the Mughal Empire in the Indian subcontinent. It emerged from Persian miniature painting and developed in the court of the Mughal Empire of the 16th to 18th centuries. Battles, legendary stories, hunting scenes, wildlife, royal life, mythology, as well as other subjects have all been frequently depicted in paintings.
The Akbarnama, is the official chronicle of the reign of Akbar, the third Mughal Emperor, commissioned by Akbar himself and written by his court historian and biographer, Abul Fazl. It was written in Persian, which was the literary language of the Mughals, and includes vivid and detailed descriptions of his life and times. It followed the Baburnama, the more personal memoir by his grandfather, Babur, founder of the dynasty. It was produced in the form of lavishly illustrated manuscripts.
Maham Anga was the foster mother and chief wet nurse of the Mughal emperor Akbar. She was the political adviser of the teenage emperor and the de facto regent of the Mughal Empire from 1560 to 1562.
Mariam-uz-Zamani ;, commonly known by the misnomer Jodha Bai, was the chief consort and principal Hindu wife as well as the favourite wife of the third Mughal emperor, Akbar. She was also the longest-serving Hindu empress of the Mughal Empire with a tenure of forty-three years (1562–1605).
Miskin is a small village in the district of Pontyclun, Rhondda Cynon Taf, Wales
Farrukh Beg, also known as Farrukh Husayn, was a Persian miniature painter, who spent a bulk of his career in Safavid Iran and Mughal India, praised by Mughal Emperor Jahangir as "unrivaled in the age."
'Abd al-Ṣamad or Khwaja 'Abd-us-Ṣamad was a 16th century painter of Persian miniatures who moved to India and became one of the founding masters of the Mughal miniature tradition, and later the holder of a number of senior administrative roles. 'Abd's career under the Mughals, from about 1550 to 1595, is relatively well documented, and a number of paintings are authorised to him from this period. From about 1572 he headed the imperial workshop of the Emperor Akbar and "it was under his guidance that Mughal style came to maturity". It has recently been contended by a leading specialist, Barbara Brend, that Samad is the same person as Mirza Ali, a Persian artist whose documented career seems to end at the same time as Abd al-Samad appears working for the Mughals.
The Enchantress of Florence is the ninth novel by Salman Rushdie, published in 2008. According to Rushdie this is his "most researched book" which required "years and years of reading".
Abu'l-Fath Jalal-ud-din Muhammad Akbar, popularly known as Akbar the Great, and also as Akbar I, was the third Mughal emperor, who reigned from 1556 to 1605. Akbar succeeded his father, Humayun, under a regent, Bairam Khan, who helped the young emperor expand and consolidate Mughal domains in the Indian subcontinent. He was considered one of the greatest emperors of India in Indian history.
Basāwan, or Basāvan, was an Indian miniature painter in the Mughal style. He was known by his contemporaries as a skilled colorist and keen observer of human nature, and for his use of portraiture in the illustrations of Akbarnama, Mughal Emperor, Akbar's official Biography, which is seen as an innovation in Indian art.
Hamida Banu Begum was the empress consort of the second Mughal emperor Humayun and the mother of his successor, the third Mughal emperor Akbar. She was bestowed the title of Mariam Makani, by her son, Akbar. She also bore the title of Padshah Begum during the reign of Akbar.
Munʿim Khān was a Mughal general under both emperors Humayun and Akbar. He was titled Khān-i-Khānān when Emperor Akbar appointed him as Prime Minister of the Mughal Empire in 1560. In 1564, he became the Subahdar of Jaunpur. Munim Khan was the first Mughal governor of Bengal Subah from 1574 to 1575 and Kabul in two separate terms from 1556 to 1560 and 1563 to 1575.
The Army of the Mughal Empire was the force by which the Mughal emperors established their empire in the 16th century and expanded it to its greatest extent at the beginning of the 18th century. Although its origins, like the Mughals themselves, were in the cavalry-based armies of central Asia, its essential form and structure was established by the empire's third emperor, Akbar. The regular forces mainly recruited and fielded by Mansabdar officers.
Naubat Khan was an Indian classical music composer, musician and instrumentalist who was made a Mansabdar by Mughal Emperor Akbar. He is known today for his skills with the rudra veena or bīn, which he is shown playing in paintings by Mughal court artists. Naubat Khan was the contemporary and son in law of legendary Tansen.
Daswanth or Dasavant was a Mughal-era painter in the service of the emperor Akbar.
Deccan painting or Deccani painting is the form of Indian miniature painting produced in the Deccan region of Central India, in the various Muslim capitals of the Deccan sultanates that emerged from the break-up of the Bahmani Sultanate by 1520. These were Bijapur, Golkonda, Ahmadnagar, Bidar, and Berar. The main period was between the late 16th century and the mid-17th, with something of a revival in the mid-18th century, by then centred on Hyderabad.
