Mists (docufiction)

Last updated
Maria Jose feeding her great-grandson David Maria Jose + David.jpg
Maria José feeding her great-grandson David
Ricardo Costa
Born(1940-01-25)January 25, 1940
Peniche, Portugal
Occupation Film director, film producer, film writer, writer on vision [ disambiguation needed ] and language

Mists (Brumas), 2003, is a Portuguese feature film by Ricardo Costa. It Is the first of a sequel docufiction trilogy entitled Faraways (Longes). The second one is Drifts (Derivas) and the third one Cliffs (Arribas) [1]

Portuguese people ethnic group

Portuguese people are a Romance ethnic group indigenous to Portugal that share a common Portuguese culture and speak Portuguese. Their predominant religion is Christianity, mainly Roman Catholicism, though vast segments of the population, especially the younger generations, have no religious affiliation. Historically, the Portuguese people's heritage largely includes the pre-Celts and Celts, who became culturally Romanized during the conquest of the region by the ancient Romans. A number of Portuguese also can trace descent from Germanic tribes who arrived after the Roman period as ruling elites, including the Suebi and Visigoths in northern Portugal and central Portugal. Finally, also limited converted Jewish and Berbers as a result of the Moorish occupation of the Iberian Peninsula, especially in the Algarve region of southern Portugal.

A feature film, feature-length film, or theatrical film is a film with a running time long enough to be considered the principal or sole film to fill a program. The term feature film originally referred to the main, full-length film in a cinema program that also included a short film and often a newsreel. The notion of how long a feature film should be has varied according to time and place. According to the Academy of Motion Picture Arts and Sciences, the American Film Institute and the British Film Institute, a feature film runs for more than 40 minutes, while the Screen Actors Guild asserts that a feature's running time is 75 minutes or longer.

Ricardo Costa (filmmaker) Portuguese filmmaker

Ricardo Costa is a Portuguese film director and producer.

Contents

The film premiered commercially in Portugal at the Quarteto cinema in Lisbon on 9 November 2006, on 16 November at the Palmeiras cinema in Oeiras, as well as at the cinema Quarto Crescente, in Peniche (Portugal), where it was shot.

Lisbon Capital city in Lisbon metropolitan area, Portugal

Lisbon is the capital and the largest city of Portugal, with an estimated population of 505,526 within its administrative limits in an area of 100.05 km2. Lisbon's urban area extends beyond the city's administrative limits with a population of around 2.8 million people, being the 11th-most populous urban area in the European Union. About 3 million people live in the Lisbon metropolitan area, including the Portuguese Riviera. It is mainland Europe's westernmost capital city and the only one along the Atlantic coast. Lisbon lies in the western Iberian Peninsula on the Atlantic Ocean and the River Tagus. The westernmost portions of its metro area form the westernmost point of Continental Europe, which is known as Cabo da Roca, located in the Sintra Mountains.

Mists was screened in the US in New York at the Quad Cinema on March 23, 2011, with subsequent screenings in other US cities.

Quad Cinema movie theater in New York City

The Quad Cinema is New York City's first small four-screen multiplex theater. Located at 34 West 13th Street in Greenwich Village, it was opened by entrepreneur Maurice Kanbar, along with his younger brother Elliott S. Kanbar in October 1972. It has been described as "one of the oldest independent cinemas in the city" and "a vibrant center for art house films."

Synopsis

More than fifty years later, the protagonist eventually discovers Maria José, maid in his parents' house, who would tell him senseless stories when he was a child. She was about eighteen. The young woman became a mother, grandmother and great-grandmother. Now she has deep wrinkles and the sea in her soul. She has always lived in Peniche, a fishermen town, homeland of the 'hero'. Now she inhabits in the neighborhood Janelas do Mar (Sea Windows) which consists of tiny whitewashed houses erected on the edge of a cliff close to an old fortress that became a sinister prison for resistants under António de Oliveira Salazar´s dictatorship.

António de Oliveira Salazar Prime Minister of Portugal during the Estado Novo

António de Oliveira Salazar was a Portuguese statesman who served as Prime Minister of Portugal from 1932 to 1968. He was responsible for the Estado Novo, the corporatist authoritarian government that ruled Portugal until 1974.

Now she tells the story of her life and, at the same time, repeats ancestral gestures of someone who lives to give life, to illuminate childhood dreams. The camera's eye travels these paths, backs and then advances, revealing situations that are much talked about those days, such the September 11. The boys she lives with tell the same story their way. A switch knife, a handsaw, a broomstick, two or three bamboo branches, some sardine fishing net buoys and a few magic tricks are all they need.

September 11 attacks Attacks against the United States on September 11, 2001

The September 11 attacks were a series of four coordinated terrorist attacks by the Islamic terrorist group al-Qaeda against the United States on the morning of Tuesday, September 11, 2001. The attacks killed 2,977 people, injured over 6,000 others, and caused at least $10 billion in infrastructure and property damage. Additional people have died of 9/11-related cancer and respiratory diseases in the months and years following the attacks.

Seduced by the hero, Maria José's grandson and great-grandson thus participate with some friends in an extraordinary adventure. Just kidding. The intense blue of the sea. The Atlantic, uncertain, roaring through the splendor of the mists. Time". (Cit.: synopsis by the producer).

The 'hero' together with Rudolfo Ricardo + Rudolfo.jpg
The 'hero' together with Rudolfo

Historical background

Mists is filmed in a neighborhood of Peniche commonly known as the "Bairro do Visconde" (Viscount quarter). Certain of its inhabitants prefer to call it the "Janelas do Mar" (Sea Windows). It is, in its origin, a slum, a core of clandestine buildings, inhabited by poor fishermen, who erected it on the cliff. Little by little, on their own initiative, working hard, the residents rebuilt and improved their neighborhood. High on the cliff, it is today a good example of popular urbanism, which honors the landscape. Halfway between these places, also facing the sea, lies the Peniche Fortress, [2] the prison he visited as a child, taken by a friend, the illegitimate son of a bad memory sergeant whose mission was to torture the prisoners. It is there, in this discreet white-and-blue corner, that, after more than fifty years, "the protagonist" tells of having discovered Maria José : right there, just some steps from her parents' house. . [3]

Peniche, Portugal Municipality in Centro, Portugal

Peniche is a seaside municipality and a city in Portugal. It is located in Oeste Subregion in formerly Estremadura Province. The population in 2011 was 27,753, in an area of 77.55 km2. The city itself has a population of about 15,600 inhabitants. The present mayor is Henrique Bertino, elected by the independent coalition GCEPP.

Peniche Fortress 16th Century fortress in Portugal

The Peniche Fortress is located in the municipality of Peniche in Leiria District, Portugal. Built on the site of the former Castle of Atouguia da Baleia, of which only a few vestiges remain, initial construction took place in 1557 and 1558 but there have been numerous subsequent modifications. Its defensive walls surround an area of two hectares, divided into upper and lower parts. The fortress has served a number of functions including that of a political prison during the authoritarian Estado Novo regime.

There was a small, bare cell in the fort called "the secret" for extreme punishment where the most rebellious prisoners were placed. Right next to the secret was a well that roared, blew, and spat from its gut the prisoners' caps and berets, who had fun throwing them into the well. The well consists of a natural vault, dug in the rock under the cliff. When a stronger wave enters this vault, the air comes out violently. As in a dream, Mists 'heroes' play in the midst of this wind that blows from the bowels of the earth.

At the avant-première of Mists at the Cinemateca Portuguesa, Ricardo Costa mentioned that his film had been made without the usual financial state-mediated support for independent filmmakers, just with the help of friends, after a forced break of several years in his professional activity. Changes associated in Portugal with the dramatic breakdown of independent film production from the mid-1980s, that would only be mitigated in the following decade, and the sinking of a fiction feature film (Land of Stones, an adaptation of the Port Wine trilogy by Alves Redol) supported by official funds and by the Media Programme of the European Union, which was eventually not produced mainly due to serious errors of its producer, will partly explain this stop. In short: Mists would be a film made under even more precarious, more radical conditions than those in which Ricardo Costa worked when he began his career (Avieiros and Changing Tides (Mau Tempo, Marés e Mudança).

Filmed in 2001, completed in 2003, aired commercially in Portugal in 2006, captive until December 2010 by a 'no consequences' distribution contract, Mists will be taken over by the producer in early 2011 for a new release. Having been produced with no financial support, it can be classified as Guerrilla filmmaking, as it is on the fringes of mainstream (MSM) production.

The 'hero' offering a switchknife to Rudolfo Canivete.jpg
The 'hero' offering a switchknife to Rudolfo

Credits

Cast

Festivals

See also

Related Research Articles

Álvaro Cunhal Portuguese politician and writer

Álvaro Barreirinhas Cunhal was a Portuguese communist revolutionary and politician. He was one of the major opponents of the dictatorial regime of the Estado Novo. He served as secretary-general of the Portuguese Communist Party (PCP) from 1961 to 1992. He was one of the most pro-Soviet of all western Europe communist leaders, often supporting the Soviet Union's foreign policies, including the intervention in Czechoslovakia in 1968.

José Leitão de Barros Portuguese filmmaker

José Leitão de Barros was a Portuguese film director and playwright.

Alberto Jorge Seixas dos Santos was a Portuguese film director.

Pedro Costa is a Portuguese film director.

Cinema of Portugal

The Cinema of Portugal started with the birth of the medium in the late 19th century. Cinema was introduced in Portugal in 1896 with the screening of foreign films and the first Portuguese film was Saída do Pessoal Operário da Fábrica Confiança, made in the same year. The first movie theater opened in 1904 and the first scripted Portuguese film was O Rapto de Uma Actriz (1907). The first all-talking sound film, A Severa, was made in 1931. Starting in 1933, with A Canção de Lisboa, the Golden Age would last the next two decades, with films such as O Pátio das Cantigas (1942) and A Menina da Rádio (1944). Aniki-Bóbó (1942), Manoel de Oliveira's first feature film, marked a milestone, with a realist style predating Italian neorealism by a few years. In the 1950s the industry stagnated. The early 1960s saw the birth of the Cinema Novo movement, showing realism in film, in the vein of Italian neorealism and the French New Wave, with films like Dom Roberto (1962) and Os Verdes Anos (1963). The movement became particularly relevant after the Carnation Revolution of 1974. In 1989, João César Monteiro's Recordações da Casa Amarela won the Silver Lion at the Venice Film Festival and in 2009, João Salaviza's Arena won the Short Film Palme d'Or at the Cannes Film Festival. Several other Portuguese films have been in competition for major film awards like the Palme d'Or and the Golden Bear. João Sete Sete (2006) was the first Portuguese animated feature film. Portuguese cinema is significantly supported by the State, with the government's Instituto do Cinema e do Audiovisual giving films financial support.

Monastery of the Mónicas building in Lisbon, Lisbon District, Portugal

The Monastery of the Mónicas, located in São Vicente, Lisbon, was a Portuguese nunnery dedicated to the mother of Augustine of Hippo, Saint Monica. It later became a prison.

Alice is a Portuguese film directed by Marco Martins, released in 2005. Alice stars Nuno Lopes as Mário, the father, and Beatriz Batarda as Luísa, his wife, as well as Miguel Guilherme, Ana Bustorff, Gonçalo Waddington, Carla Maciel, Laura Soveral and José Wallenstein. Alice was produced by Paulo Branco. Music is by Bernardo Sassetti.

Ossos is a 1997 Portuguese film directed by Pedro Costa.

<i>In Vandas Room</i> 2000 docufiction film directed by Pedro Costa

In Vanda's Room is a docufiction film by Portuguese director Pedro Costa.

<i>Colossal Youth</i> (film) 2006 film by Pedro Costa

Colossal Youth is a 2006 docufiction feature film directed by Portuguese director Pedro Costa. The film was shot on DV in long, static takes and mixes documentary and fiction storytelling. The third feature by Costa set in Lisbon's Fontainhas neighborhood, Colossal Youth is a meditation on the aftermath of the Carnation Revolution and its consequences for Portugal's poverty-stricken Cape Verdean immigrants. It was part of the Official Competition at the 2006 Cannes Film Festival.

Jorge Torlades O'Neill, 3rd Viscount of Santa Mónica, was the titular and official head of the Clanaboy O'Neill dynasty, whose family has been in Portugal since the 18th century.

Docufiction Film genre

Docufiction, often confused with docudrama, is the cinematographic combination of documentary and fiction, this term often meaning narrative film. It is a film genre which attempts to capture reality such as it is and which simultaneously introduces unreal elements or fictional situations in narrative in order to strengthen the representation of reality using some kind of artistic expression.

Ethnofiction is a neologism which refers to an ethnographic docufiction, a blend of documentary and fictional film in the area of visual anthropology. It is a film type in which, by means of fictional narrative or creative imagination, often improvising, the portrayed characters (natives) play their own roles as members of an ethnic or social group.

António Campos was one of the pioneer filmmakers of visual anthropology in Portugal. Mainly using pure documentary techniques, he shot ethnographic films and tried docufiction. As well as in fictional films, he used the methods of direct cinema to portrait the life of ancient human communities (ethnofiction) of his country.

José de Matos-Cruz is a Portuguese writer, journalist, editor, high-school teacher, investigator, encyclopedist. From 1980 to 2010, he worked at the Cinemateca Portuguesa in Lisbon. He is a prominent historian of the Portuguese cinema.

Fernando Vendrell is a Portuguese film director and producer.

Changing Tides (docufiction) 1976 film by Ricardo Costa

Changing Tides is a Portuguese feature-length film by Ricardo Costa, his first docufiction, preceding Bread and Wine (1981) and Mists (Brumas) (2003). The central character of this film is Manuel Pardal, a repentista an improviser poet, who practices oral poetry while oral tradition typical of the southern regions of Portugal, Alentejo and Algarve. In the director's filmography, Changing Tides is succeeded by two other docufictions : Bread and Wine (1983) and Mists (Brumas) (2003), the first film of the trilogy Faraways.

Bread and Wine (docufiction)

Bread and Wine is a 1981 Portuguese feature-length film produced and directed by Ricardo Costa, his second docufiction after Changing Tides – 1996/7. The third is Mists (Brumas) – 2003. Like Changing Tides and Bread and Wine, Mists may also be classified as Ethnofiction.

Drifts (docufiction)

Drifts (Derivas) is a Portuguese feature-length film by Ricardo Costa.

References

  1. "/cliffs". cliffs.name. Retrieved 2019-09-14.
  2. Notorious Portuguese political prison becomes museum of resistance – news by Sam Jones, The Guardian, 31 Mar 2019
  3. How the CIA Taught the Portuguese to Torture – article by Christopher Reed at CounterPunch, May 21, 2004] (See : CounterPunch)
  4. Nuno Rebelo at DISCOGS
  5. "Peniche Fortress > Sea Tunnel | Flight of Dias Lourenço from prison". cm-peniche.pt. Retrieved 2019-09-14.
  6. Lisbon Debates the Fate of an Empty Building With a Dark Past – article at The New York Times by The Associated Press, March 24, 2002
  7. "2017 | International Heritage Film Festival 2018/19". heritales.org. Retrieved 2019-09-14.