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Product type | Surround sound |
---|---|
Owner | Dolby Laboratories |
Country | United States |
Introduced | 1986 |
Related brands | Dolby Digital (1986-present) |
Markets | Worldwide |
Previous owners | Ultra Stereo |
Website | Dolby official website |
The Dolby SR (Spectral Recording) noise reduction format was developed by Dolby Laboratories and has been in common use in professional audio since 1986 and in cinema audio since the late 1980s. [1] It is a revised version of Dolby's earlier formats, combining aspects of Dolby A, B and C (e.g., sliding band and fixed band companders) to improve the dynamic range (i.e., the range in decibels between peak level and noise floor) of analogue recordings and transmissions by as much as 25 dB.
Dolby SR is used in many modern professional audio analogue (i.e., tape) recordings by recording and postproduction engineers, broadcasters, and other audio professionals. It is used as the optical analog format on almost all 35mm film release prints, and is always the accompanying optical analog format when Dolby Digital is present.
Dolby SR was originally implemented in Dolby's Cat. 280 card, which was pin-compatible with the Cat. 22 A-type noise reduction card. Thus, devices that took the Cat. 22 card could be upgraded from A to SR by replacing the Cat. 22 with the Cat. 280. The Cat. 280 card functions in many devices including Dolby's Model 361 frame. Some Dolby Cinema processors require a special version, the Cat. 280T, which functions for decoding (playback) only.
Sony Dynamic Digital Sound is a cinema sound system developed by Sony, in which compressed digital sound information is recorded on both outer edges of the 35 mm film release print. The system supports up to eight independent channels of sound: five front channels, two surround channels and a single sub-bass channel. The eight channel arrangement is similar to large format film magnetic sound formats such as Cinerama and Cinemiracle. The five front channels are useful for very large cinema auditoriums where the angular distance between center and left/right channels may be considerable. SDDS decoders provide the ability to downmix to fewer channels if required.
Dolby Digital, originally synonymous with Dolby AC-3, is the name for what has now become a family of audio compression technologies developed by Dolby Laboratories. Formerly named Dolby Stereo Digital until 1995, the audio compression is lossy, based on the modified discrete cosine transform (MDCT) algorithm. The first use of Dolby Digital was to provide digital sound in cinemas from 35 mm film prints; today, it is also used for applications such as TV broadcast, radio broadcast via satellite, digital video streaming, DVDs, Blu-ray discs and game consoles.
A Dolby noise-reduction system, or Dolby NR, is one of a series of noise reduction systems developed by Dolby Laboratories for use in analog audio tape recording. The first was Dolby A, a professional broadband noise reduction system for recording studios in 1965, but the best-known is Dolby B, a sliding band system for the consumer market, which helped make high fidelity practical on cassette tapes, which used a relatively noisy tape size and speed. It is common on high-fidelity stereo tape players and recorders to the present day, although Dolby has as of 2016 ceased licensing the technology for new cassette decks. Of the noise reduction systems, Dolby A and Dolby SR were developed for professional use. Dolby B, C, and S were designed for the consumer market. Aside from Dolby HX, all the Dolby variants work by companding: compressing the dynamic range of the sound during recording, and expanding it during playback.
The LaserDisc (LD) is a home video format and the first commercial optical disc storage medium, initially licensed, sold and marketed as MCA DiscoVision in the United States in 1978. Its diameter typically spans 30 cm (12 in). Unlike most optical disc standards, LaserDisc is not fully digital, and instead requires the use of analog video signals.
Reel-to-reel audio tape recording, also called open-reel recording, is magnetic tape audio recording in which the recording tape is spooled between reels. To prepare for use, the supply reel containing the tape is placed on a spindle or hub. The end of the tape is manually pulled from the reel, threaded through mechanical guides and over a tape head assembly, and attached by friction to the hub of the second, initially empty takeup reel. Reel-to-reel systems use tape that is 1⁄4, 1⁄2, 1, or 2 inches wide, which normally moves at 3+3⁄4, 7+1⁄2, 15 or 30 inches per second. All standard tape speeds are derived as a binary submultiple of 30 inches per second.
dbx is a family of noise reduction systems developed by the company of the same name. The most common implementations are dbx Type I and dbx Type II for analog tape recording and, less commonly, vinyl LPs. A separate implementation, known as dbx-TV, is part of the MTS system used to provide stereo sound to North American and certain other TV systems. The company, dbx, Inc., was also involved with Dynamic Noise Reduction (DNR) systems.
dbx, Inc. is an American manufacturer of professional audio recording equipment owned by Harman International, a subsidiary of South Korea-based company Samsung Electronics. It was founded by David E. Blackmer in 1971.
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Dolby Laboratories, Inc. is an American company specializing in audio noise reduction, audio encoding/compression, spatial audio, and HDR imaging. Dolby licenses its technologies to consumer electronics manufacturers.
Noise reduction is the process of removing noise from a signal. Noise reduction techniques exist for audio and images. Noise reduction algorithms may distort the signal to some degree. Noise rejection is the ability of a circuit to isolate an undesired signal component from the desired signal component, as with common-mode rejection ratio.
Ray Milton Dolby was an American engineer and inventor of the noise reduction system known as Dolby NR. He helped develop the video tape recorder while at Ampex and was the founder of Dolby Laboratories.
A movie projector is an opto-mechanical device for displaying motion picture film by projecting it onto a screen. Most of the optical and mechanical elements, except for the illumination and sound devices, are present in movie cameras. Modern movie projectors are specially built video projectors.
Sound-on-film is a class of sound film processes where the sound accompanying a picture is recorded on photographic film, usually, but not always, the same strip of film carrying the picture. Sound-on-film processes can either record an analog sound track or digital sound track, and may record the signal either optically or magnetically. Earlier technologies were sound-on-disc, meaning the film's soundtrack would be on a separate phonograph record.
Dolby Stereo is a sound format made by Dolby Laboratories. It is a unified brand for two completely different basic systems: the Dolby SVA 1976 system used with optical sound tracks on 35mm film, and Dolby Stereo 70mm noise reduction on 6-channel magnetic soundtracks on 70mm prints.
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An exciter is an audio signal processing technique used to enhance a signal by dynamic equalization, phase manipulation, harmonic synthesis of (usually) high frequency signals, and through the addition of subtle harmonic distortion. Dynamic equalization involves variation of the equalizer characteristics in the time domain as a function of the input. Due to the varying nature, noise is reduced compared to static equalizers. Harmonic synthesis involves the creation of higher order harmonics from the fundamental frequency signals present in the recording. As noise is usually more prevalent at higher frequencies, the harmonics are derived from a purer frequency band resulting in clearer highs. Exciters are also used to synthesize harmonics of low frequency signals to simulate deep bass in smaller speakers.
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Ultra Stereo is a cinema sound system that was developed in 1984 by chief engineer Jack Cashin.
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