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Mo Kolours | |
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Background information | |
Birth name | Joseph Deenmamode |
Origin | London, United Kingdom |
Genres | Hip-Hop, Jazz, Electronic, Funk, Soul, World |
Occupation(s) | Vocalist, percussionist |
Labels | One-Handed Music |
Joseph Deenmamode, known professionally as Mo Kolours, is a half-Mauritian, half-British music producer, percussionist, and vocalist. [1] In 2014, he released his debut self-titled album on expanding independent label One-Handed Music, [2] which was warmly received by critics. [3] [4] The Guardian described the record as a "feat", labelling it one of their "albums of the year". [5] In March 2015, he released his latest EP, entitled How I (Rhythm Love Affair).
Mo Kolours draws on a wide range of musical influences and describes his use of percussion as "investigating rhythm in my own way." [6] DJ Magazine described his sound as "part hip-hop, part funk, part dub, part electronic". [7] The producer has spoken of his desire to unite similarities found amongst "bits of music all over the world", [8] ranging from the traditional sega music of Mauritius (as introduced to him by his father [7] ) to modern hip-hop. [9] Such eclecticism has led to comparisons to esteemed beat pioneer Madlib, [10] whilst Resident Advisor claimed that "no-one sounds quite like Mo Kolours". [11] In May 2011, he released the first of a trilogy of EPs for One-Handed Music; entitled EP1: Drum Talking. EP 2:Banana Wine (2012) and EP3:Tusk Dance (2013) followed respectively, and were generally well received by critics. [12] Deenmamode's debut full-length release garnered further interest, with influential radio DJs such as Gilles Peterson and Benji B endorsing the record on their shows. In 2014, digital electronic music magazine Resident Advisor asked Mo Kolours to contribute to their prestigious online podcast stream. [13] Following this, Deenmamode's most recent and fourth EP for One-Handed Music, How I (Rhythm Love Affair), was made available for download in March 2015. [14] Pitchfork stated that while Mo Kolours' music has "a rich, minimalistic approach that grows more contagious as it plays" the record "lacked a strong anchor". [15]