Eugène Emmanuel Viollet-le-Duc was a French architect and author who restored many prominent medieval landmarks in France, including those which had been damaged or abandoned during the French Revolution. His major restoration projects included Notre-Dame de Paris, the Basilica of Saint Denis, Mont Saint-Michel, Sainte-Chapelle, and the medieval walls of the city of Carcassonne. His later writings on the relationship between form and function in architecture had a notable influence on a new generation of architects, including Victor Horta, Hector Guimard, Antoni Gaudí, Hendrik Petrus Berlage, Louis Sullivan and Frank Lloyd Wright.
The Eastlake Movement was a nineteenth-century architectural and household design reform movement started by British architect and writer Charles Eastlake (1836–1906). The movement is generally considered part of the late Victorian period in terms of broad antique furniture designations. In architecture the Eastlake Style or Eastlake architecture is part of the Queen Anne style of Victorian architecture.
Frank Heyling Furness was an American architect of the Victorian era. He designed more than 600 buildings, most in the Philadelphia area, and is remembered for his diverse, muscular, often unordinarily scaled buildings, and for his influence on the Chicago architect Louis Sullivan. Furness also received a Medal of Honor for bravery during the Civil War.
Néo-Grec was a Neoclassical revival style of the mid-to-late 19th century that was popularized in architecture, the decorative arts, and in painting during France's Second Empire, or the reign of Napoleon III (1852–1870). The Néo-Grec vogue took as its starting point the earlier expressions of the Neoclassical style inspired by 18th-century excavations at Pompeii, which resumed in earnest in 1848, and similar excavations at Herculaneum. The style mixed elements of the Graeco-Roman, Pompeian, Adam and Egyptian Revival styles into "a richly eclectic polychrome mélange." "The style enjoyed a vogue in the USA, and had a short-lived impact on interior design in England and elsewhere."
Charles Locke Eastlake was a British architect and furniture designer.
William Burges was an English architect and designer. Among the greatest of the Victorian art-architects, he sought in his work to escape from both nineteenth-century industrialisation and the Neoclassical architectural style and re-establish the architectural and social values of a utopian medieval England. Burges stands within the tradition of the Gothic Revival, his works echoing those of the Pre-Raphaelites and heralding those of the Arts and Crafts movement.
The firm of Herter Brothers,, was founded by German immigrants Gustave (1830–1898) and Christian Herter (1839–1883) in New York City. It began as a furniture and upholstery shop/warehouse, but after the Civil War became one of the first American firms to provide complete interior decoration services. With their own design office and cabinet-making and upholstery workshops, Herter Brothers could provide every aspect of interior furnishing—including decorative paneling, mantels, wall and ceiling decoration, patterned floors, carpets and draperies.
Victorian decorative arts refers to the style of decorative arts during the Victorian era. Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of middle east and Asian influences in furniture, fittings, and interior decoration. The Arts and Crafts movement, the aesthetic movement, Anglo-Japanese style, and Art Nouveau style have their beginnings in the late Victorian era and gothic period.
The Anglo-Japanese style developed in the United Kingdom though the Victorian period and early Edwardian period from approximately 1851 to 1910's, when a new appreciation for Japanese design and culture influenced how designers and craftspeople made British art, especially the decorative arts and architecture of England, covering a vast array of art objects including ceramics, furniture and interior design. Important centres for design included London and Glasgow.
The Centennial National Bank is a historic building in Philadelphia, Pennsylvania. Designed by noted Philadelphia architect Frank Furness and significant in his artistic development, it was built in 1876 as the headquarters of the eponymous bank that would be the fiscal agent of the Centennial Exposition. The building housed a branch of the First Pennsylvania Bank from 1956 until Drexel University purchased it c. 1976. Drexel renovated it between 2000-2002 and now uses it as an alumni center. The Centennial National Bank, described as "one of the best pieces of architecture in West Philadelphia," was placed on the National Register of Historic Places in 1971.
Daniel Pabst was a German-born American cabinetmaker of the Victorian Era. He is credited with some of the most extraordinary custom interiors and hand-crafted furniture in the United States. Sometimes working in collaboration with architect Frank Furness (1839–1912), he made pieces in the Renaissance Revival, Neo-Grec, Modern Gothic, and Colonial Revival styles. Examples of his work are in the collections of the Metropolitan Museum of Art, the Philadelphia Museum of Art, the Art Institute of Chicago, and the Victoria and Albert Museum in London.
The Provident Life & Trust Company in Philadelphia, Pennsylvania, a demolished Victorian-era building by architect Frank Furness, is considered to have been one of his greatest works. A bank and insurance company founded in 1865 by members of the Society of Friends (Quakers), the Provident's L-shaped building had entrances at 407-09 Chestnut Street (bank) and 42 South 4th Street. The two wings were eventually consolidated into an office building at the northwest corner of 4th & Chestnut Streets.
Joseph Alexis Bailly was an American sculptor who spent most of his career in Philadelphia, Pennsylvania. He taught briefly at the Pennsylvania Academy of the Fine Arts, which has a collection of his sculpture. His most famous work is the statue of George Washington in front of Independence Hall.
The Judges' Lodgings, formerly a town house and now a museum, is located between Church Street and Castle Hill, Lancaster, Lancashire, England. It is recorded in the National Heritage List for England as a designated Grade I listed building. The building is the oldest existing town house in Lancaster, and was also the first house in Lancaster to have shutters. It was used by judges when they attended the sessions of the Assize Court.
Kimbel & Cabus was a Victorian-era furniture and decorative arts firm based in New York City. The partnership was formed in 1862 between German-born cabinetmaker Anthony Kimbel and French-born cabinetmaker Joseph Cabus (1824–1894). The company was noted for its Modern Gothic and Anglo-Japanese style furniture, which it popularized at the 1876 Centennial Exposition.
Bruce James Talbert was a Scottish architect, interior designer and author, best known for his furniture designs.
Leonard Francis Wyburd RA was a British painter, interior designer and furniture designer. He was broadly part of the Arts & Crafts movement, and the head of Liberty's Furnishing and Decoration Studio from its foundation in 1883 until he left in 1903.
Pottier & Stymus was a prominent American furniture and design firm of the Victorian period.
Modern Gothic exhibition cabinet is a piece of Modern Gothic furniture now in the collection of the Metropolitan Museum of Art. Although its design was once attributed to Philadelphia architect Frank Furness and furniture maker Daniel Pabst, MMA now credits its design and manufacture to Pabst alone. At 8 feet (2.4 m) tall, it is an unusually large and polychromatic American example of the rare style.
Thomas Jeckyll was an English architect who excelled in the creation of metalwork and furniture strongly influenced by Japanese design, and is best known for his planning in 1876 of the ‘Peacock Room’ at 49 Princes Gate, London.
Clock (ca. 1865), designed by Bruce James Talbert, Indianapolis Museum of Art, Indianapolis, Indiana.
Sideboard (1867), designed by Bruce James Talbert.
Sideboard (1868), designed by Thomas Jeckyll, Wolfsonian-FIU Museum, Miami Beach, Florida.
Bookcase (1869), designed by Edward William Godwin, Los Angeles County Museum of Art.
Cabinet doors (1871), designed by Frank Furness, made by Daniel Pabst.
Thomas Hockley House (1875), Philadelphia, Pennsylvania, Frank Furness, architect.
Campeche-style chair (ca. 1875-1880), attributed to Frank Furness and Daniel Pabst.
Secretary-abattant (ca. 1875), by Kimbel and Cabus.
Kimbel and Cabus exhibit at the 1876 Centennial Exposition.
Cover of Harper's Weekly , October 14, 1876.
Settle (ca. 1878), designed by Viollet-le-Duc, Musée du Second Empire, Compiègne, France.
Teapot (ca. 1879), designed by Christopher Dresser, Pinakothek der Moderne, München, Germany.
Bedstead (1880), by Herter Brothers, High Museum of Art, Atlanta, Georgia.
