Mohammad Saleh Esfahani was a Persian calligrapher in the Safavid era. He was the son and student of Aboutorab Esfahani. He was a follower of Mir Emad's style. Many of the inscriptions on the historical buildings in Esfahan like the inscription on the iwan of Chehel Sotoun palace are his works. He died on 3 April 1714. [1] [2]
Calligraphy is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner".
Nastaliq, also romanized as Nastaʿlīq or Nastaleeq, is one of the main calligraphic hands used to write the Perso-Arabic script and it is used for some Indo-Iranian languages, predominantly Classical Persian, Kashmiri, Punjabi (Shahmukhi) and Urdu. It is often used also for Ottoman Turkish poetry, but rarely for Arabic. Nastaliq developed in Iran from naskh beginning in the 13th century and remains widely used in Iran, Afghanistan, Pakistan, and other countries for written poetry and as a form of art.
Mir Emad is perhaps the most celebrated Persian calligrapher. He was born in Qazvin, Iran. It is believed that the Nastaʿlīq style reached its highest elegance in Mir Emad's works. These are considered amongst the finest specimens of Nastaʿlīq calligraphy and are kept in several museums in the world.
Hatef Esfahani was an 18th-century poet based in Isfahan during the collapse of the Safavid dynasty of Iran and the chaos that followed. He was one of the earliest and leading members of the literary movement Bazgasht-e adabi, which advocated for a return to the fundamentals of classical Persian poetry in protest against the excessively "unnatural" nature of the Indian style that dominated poetry in Iran and Persian-speaking India.
Mohammad Baqer Majlesi, known as Allamah Majlesi or Majlesi Al-Thani, was an influential Iranian Twelver Shia scholar and thinker during the Safavid era. He has been described as "one of the most powerful and influential Shi'a ulema of all time", whose "policies and actions reoriented Twelver Shia'ism in the direction that it was to develop from his day on."
Lonban, one of the oldest quarters of Isfahan, is famous for its mosque. Its current structure is rebuilt in the contemporary era, but some of the plaster works and paintings are from the Safavid age. Some of the inscriptions on the portal are the art works of Mohammad Reza Emami. Besides there is an extraordinary wooden minbar which is one of the most exquisite artworks from the time of the Safavid dynasty.
Maghsoudbeyk Mosque is near the northeastern corner of Naqsh-e Jahan Square. It was built in 1601 by the order of Maghsoudbeyk, who was one of the very rich stewards of Abbas I. There is an inscription in the mihrab of this mosque, which is one of artworks of the famous calligrapher of the Safavid era Ali Reza Abbassi. It's said, after that Shah Abbas was very satisfied with this inscription, he ordered Ali Reza Abbassi to work on the inscriptions of Sheikh Lotfollah Mosque. Behind the entrance hall of the mosque in a small chamber, there's a tomb which is the tomb of Mir Emad, the art rival of Ali Reza Abbassi. Maghsoudbeyk mosque was a very glorious and beautiful mosque in Isfahan in the Safavid era.
The Agha Nour mosque is a mosque located in Isfahan, Iran. It was founded during the Shah Abbas I era and completed during the Shah Safi era, and as such the names of both kings were mentioned in the inscription above the portal of the mosque. The mosque was built under the supervision of Noureddin Mohammad Esfahani, who was one of the richest men in Isfahan. The Shabestan of this mosque is one of the most beautiful Shabestans in Isfahan. This Shabestan has stone pillars with marble arches, which provide light during the day.
Mirza Habib Esfahani was an Iranian poet, grammarian and translator, who lived in exile in the Ottoman Empire for much of his life. He is principally known for his Persian translation of the satirical novel The adventures of Hajji Baba of Ispahan and for composing the first systematic grammar of the Persian language.
Mirza Gholam Reza Esfahani, known as Khoshnevis, was a late 19th-century Iranian calligrapher and epigraphist. He was one of the masters of Persian calligraphy, in particular the Nastaliq, Shekasteh-Nastaliq and Shekasteh scripts.
Aboutorab Esfahani, pseudonym: Toraba, (1581–1662) was a prominent Persian calligrapher of the Nastaliq script and one of the most important calligraphy students of Mir Emad.
Ali Reza Abbasi Tabrizi was a prominent Persian calligrapher and calligraphy teacher, who flourished in 16th-17th century Safavid Iran. He was titled by Abbas I as Šāhnavāz Xān. Abbasi was a master of Naskh and Thuluth scripts and the initiator of his own style of Nastaʿlīq script. Besides he was an expert of various other scripts like Muhaqqaq, Reqa, Reyhan, Tevki and Taʿlīq scripts.
Mohammad Reza Emami was a Persian calligrapher in the 17th century. He lived from the era of Abbas I until the era of Suleiman I. He was Ali Reza Abbassi's student and was known as the Imam of calligraphers.
Mir Ali Heravi, also known as Mir Ali Hossein Heravi and Mir Jan, titled as Kateb-e Soltani, was a prominent Persian calligrapher and calligraphy teacher of Nastaʿlīq script in the 16th century. He was the second significant Persian calligrapher after Mir Emad. He had artistic influence on the later calligraphers.
Mohammad Mohsen Emami was a famous Persian calligrapher of the Thuluth script in the Safavid era. He was Mohammad Reza Emami's son and Ali Naghi Emami's father, who were also the famous calligrapher of the Thuluth script.
Nour ed-Din Mohammad Esfahani was a prominent Persian calligrapher. He lived in the 17th century. He was from Isfahan. He was Aboutorab Esfahani's son and Mohammad Saleh Esfahani's brother, who were both also famous calligraphers. He died in 1683.
Ahmad Monshi Ghomi, also known as Ghazi Ahmad, was a Persian author and calligrapher.
Molana Malek Deylami was a Persian scrivener and calligrapher in the 16th century. He was born and died in Qazvin. He was a skillful Nastaliq calligrapher, who wrote bold and fine script skillfully.
Abdol Majid Taleqani was an eminent Iranian calligrapher of the 18th century. He was the most celebrated 18th-century calligrapher of the Shekasteh form of Nastaliq, and is also credited with turning the Shekasteh script into its definitive form.
The Mesri Mosque is a historical mosque in Isfahan, Iran. The mosque was built in 1650 in the Safavid era. There is an inscription in its mihrab, written by the famous calligrapher Mohammad Reza Emami in Nastaliq script.