Mokha is a popular endemic art of Tharu community of eastern Nepal. The women, especially from Morang, Sunsari, Saptari, Siraha and Udayapur districts of eastern Nepal, decorate their mud walls with beautiful floral and geometric patterns including birds and animals. [1] [2]
Tharu houses are often built of bamboo-lattice with mud-plaster walls. The women daub the walls with mixture of clay from the pond, cow dung, rice bran and straw. Applying layers of clay, mixed with jute they come up with intricate designs floral and geometric patterns, parrots and peacocks, elephants and horses, among many other beautiful motifs, patterns around the windows and both sides of the doors. [3] [4]
When the design dries, they apply a layer of white clay to it. Then they use natural colours to give them a facelift. Adding a little milk to the colours ensures they don't wear off quickly. This ingenious idea stops them from cracking in the future. [5]
The mokha art, also called Payar in Saptari, Siraha and Udayapur districts, are made and coloured during special occasions like marriage and festivals. [4]
Mokha art’s sculpted bas-relief designs aim to attract visitors and welcome guests. Well decorated house displaying mokha art is still known as a house having lucky women. Tharus believe that if they spot a peacock when they first step out of their home, they will be favoured with good luck that day. The Tharu communities of the East also use mokha to showcase goddess Laxmi, ahead of Tihar (Diwali) – festival of light. This art, along with its techniques, processes, motifs, and patterns, has been passed down from one generation to the next. Women typically inherit this knowledge from their mothers and grandmothers. [1] [6]
Tiles are usually thin, square or rectangular coverings manufactured from hard-wearing material such as ceramic, stone, metal, baked clay, or even glass. They are generally fixed in place in an array to cover roofs, floors, walls, edges, or other objects such as tabletops. Alternatively, tile can sometimes refer to similar units made from lightweight materials such as perlite, wood, and mineral wool, typically used for wall and ceiling applications. In another sense, a tile is a construction tile or similar object, such as rectangular counters used in playing games. The word is derived from the French word tuile, which is, in turn, from the Latin word tegula, meaning a roof tile composed of fired clay.
Rangoli is an art form that originates from the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in many Hindu households, however making it is mostly reserved for festivals and other important celebrations as it is time-consuming. Rangolis are usually made during Diwali or Tihar, Onam, Pongal, and other Hindu festivals in the Indian subcontinent, and are most often made during Diwali. Designs are passed from one generation to the next, keeping both the art form and the tradition alive.
The Tharu people are an ethnic group indigenous to the Terai in southern Nepal and northern India. They speak Tharu languages. They are recognized as an official nationality by the Government of Nepal. In the Indian Terai, they live foremost in Uttarakhand, Uttar Pradesh and Bihar. The Government of India recognizes the Tharu people as a scheduled Indian tribe.
The Terai or Tarai is to a lowland region in parts of northern India and southern Nepal that lies to the south of the outer foothills of the Himalayas, the Sivalik Hills and north of the Indo-Gangetic Plain. This lowland belt is characterised by tall grasslands, scrub savannah, sal forests and clay rich swamps. In North India, the Terai spreads from the Yamuna River eastward across Haryana, Uttarakhand, Uttar Pradesh, Bihar and West Bengal. The Terai is part of the Terai-Duar savanna and grasslands ecoregion. Nepal's Terai stretches over 33,998.8 km2 (13,127.0 sq mi), about 23.1% of Nepal's land area, and lies at an elevation of between 67 and 300 m. The region comprises more than 50 wetlands. North of the Terai rises the Bhabar, a narrow but continuous belt of forest about 8–12 km (5.0–7.5 mi) wide.
Star Mosque, is a mosque located in Armanitola area, Dhaka, Bangladesh. The mosque has ornate designs and is decorated with motifs of blue stars. It was built in the first half of the 19th century by Mirza Golam Pir.
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Zellij is a style of mosaic tilework made from individually hand-chiseled tile pieces. The pieces were typically of different colours and fitted together to form various patterns on the basis of tessellations, most notably elaborate Islamic geometric motifs such as radiating star patterns. This form of Islamic art is one of the main characteristics of architecture in the western Islamic world. It is found in the architecture of Morocco, the architecture of Algeria, early Islamic sites in Tunisia, and in the historic monuments of al-Andalus. From the 14th century onwards, zellij became a standard decorative element along lower walls, in fountains and pools, on minarets, and for the paving of floors.
Early Byzantine mosaics in the Middle East are a group of Christian mosaics created between the 4th and the 8th centuries in ancient Syria, Palestine and Egypt when the area belonged to the Byzantine Empire. The eastern provinces of the Eastern Roman Empire and its continuation, the Byzantine Empire, inherited a strong artistic tradition from pagan Late Antiquity. The tradition of making mosaics was carried on in the Umayyad era until the end of the 8th century. The great majority of these works of art were later destroyed but archeological excavations unearthed many surviving examples.
The Tharu or Tharuhat languages are any of the Indo-Aryan languages spoken by the Tharu people of the Terai region in Nepal, and neighboring regions of Uttarakhand, Uttar Pradesh and Bihar in India.
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Alpana or alpona is a South Asian folk art style, traditionally practiced by women, and consisting of colored motifs, patterns, and symbols that are painted on floors and walls with paints made from rice flour, on religious occasions. It is common to the Bengal region in India, and in Bangladesh. Amongst Hindu families, alpanas may contain religious motifs with symbolic designs that relate to religious austerity, festivals, and specific deities. Amongst Santal tribal communities, alpanas often contain geometric or symbolic patterns drawn from nature. Although traditionally the domain of rural women, Alpana motifs have been very influential in modern Indian art, and are incorporated into the works of artists such as Jamini Roy, Abanindranath Tagore, Devi Prasad, and in the early illustrations of film-maker Satyajit Ray. In contemporary Bengal, alpanas are created as part of religious festivals such as the Durga puja, in public and private spaces.
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