An autobiography, sometimes informally called an autobio, is a self-written biography of one's own life.
In literary criticism, a Bildungsroman is a literary genre that focuses on the psychological and moral growth of the protagonist from childhood to adulthood, in which character change is important. The term comes from the German words Bildung and Roman ("novel").
Charles John Huffam Dickens was an English writer and social critic. He created some of the world's best-known fictional characters and is regarded by many as the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime and, by the 20th century, critics and scholars had recognised him as a literary genius. His novels and short stories are widely read today.
David Copperfield is a novel in the bildungsroman genre by Charles Dickens, narrated by the eponymous David Copperfield, detailing his adventures in his journey from infancy to maturity. It was first published as a serial in 1849 and 1850 and as a book in 1850.
In a written language, a logogram, logograph, or lexigraph is a written character that represents a word or morpheme. Chinese characters are generally logograms, as are many hieroglyphic and cuneiform characters. The use of logograms in writing is called logography, and a writing system that is based on logograms is called a logography or logographic system. All known logographies have some phonetic component, generally based on the rebus principle.
Ebenezer Scrooge is the protagonist of Charles Dickens's 1843 novella A Christmas Carol. At the beginning of the novella, Scrooge is a cold-hearted miser who despises Christmas. The tale of his redemption by three spirits has become a defining tale of the Christmas holiday in the English-speaking world.
Charles Mathews was an English theatre manager and comic actor, well known during his time for his gift of impersonation and skill at table entertainment. His play At Home, in which he played every character, was the first monopolylogue and the defining work in the genre.
Sarah Siddons was a Welsh actress, the best-known tragedienne of the 18th century. Contemporaneous critic William Hazlitt dubbed Siddons as "tragedy personified".
In conventional usage, boredom, ennui, or tedium is an emotional and occasionally psychological state experienced when an individual is left without anything in particular to do, is listlessness and dissatisfaction arising from a lack of occupation or excitement, is not interested in their surroundings, or feels that a day or period is dull or tedious. It is also understood by scholars as a modern phenomenon which has a cultural dimension. "There is no universally accepted definition of boredom. But whatever it is, researchers argue, it is not simply another name for depression or apathy. It seems to be a specific mental state that people find unpleasant—a lack of stimulation that leaves them craving relief, with a host of behavioral, medical and social consequences." According to BBC News, boredom "...can be a dangerous and disruptive state of mind that damages your health"; yet research "...suggest[s] that without boredom we couldn't achieve our creative feats."
Charles Kemble was a Welsh-born English actor of a prominent theatre family.
Real person fiction or real people fiction (RPF) is a genre of writing similar to fan fiction, but featuring celebrities or other real people.
An epilogue or epilog is a piece of writing at the end of a work of literature, usually used to bring closure to the work. It is presented from the perspective of within the story. When the author steps in and speaks directly to the reader, that is more properly considered an afterword. The opposite is a prologue—a piece of writing at the beginning of a work of literature or drama, usually used to open the story and capture interest. Some genres, for example television programs and video games, call the epilogue an "outro" patterned on the use of "intro" for "introduction".
Victorian literature refers to English literature during the reign of Queen Victoria (1837–1901). The 19th century is considered by some to be the Golden Age of English Literature, especially for British novels. It was in the Victorian era that the novel became the leading literary genre in English. English writing from this era reflects the major transformations in most aspects of English life, from scientific, economic, and technological advances to changes in class structures and the role of religion in society. Famous novelists from this period include Charles Dickens, William Makepeace Thackeray, the three Brontë sisters, George Eliot, Thomas Hardy and Rudyard Kipling.
The sensation novel, also sensation fiction, was a literary genre of fiction that achieved peak popularity in Great Britain in the 1860s and 1870s. Its literary forebears included the melodramatic novels and the Newgate novels, which focused on tales woven around criminal biographies; it also drew on the Gothic, romance, as well as mass market genres. The genre's popularity was conjoined to an expanding book market and growth of a reading public, by-products of the Industrial Revolution. Whereas romance and realism had traditionally been contradictory modes of literature, they were brought together in sensation fiction. The sensation novelists commonly wrote stories that were allegorical and abstract; the abstract nature of the stories gave the authors room to explore scenarios that wrestled with the social anxieties of the Victorian era. The loss of identity is seen in many sensation fiction stories because this was a common social anxiety; in Britain, there was an increased use in record keeping and therefore people questioned the meaning and permanence of identity. The social anxiety regarding identity is reflected in novels such as The Woman in White and Lady Audley's Secret.
A vignette is a French loanword expressing a short and descriptive piece of writing that captures a brief period in time. Vignettes are more focused on vivid imagery and meaning rather than plot. Vignettes can be stand-alone, but they are more commonly part of a larger narrative, such as vignettes found in novels or collections of short stories.
History is one of the three main genres in Western theatre alongside tragedy and comedy, although it originated, in its modern form, thousands of years later than the other primary genres. For this reason, it is often treated as a subset of tragedy. A play in this genre is known as a history play and is based on a historical narrative, often set in the medieval or early modern past. History emerged as a distinct genre from tragedy in Renaissance England. The best known examples of the genre are the history plays written by William Shakespeare, whose plays still serve to define the genre. History plays also appear elsewhere in British and Western literature, such as Thomas Heywood's Edward IV, Schiller's Mary Stuart or the Dutch play Gijsbrecht van Aemstel.
"Hoist with his own petard" is a phrase from a speech in William Shakespeare's play Hamlet that has become proverbial. The phrase's meaning is that a bomb-maker is blown ("hoist") off the ground by his own bomb, and indicates an ironic reversal, or poetic justice.
Audience immersion is a storytelling technique which attempts to make the audience feel as though they are a part of the story or performance, a state which may be referred to as "transportation" into the narrative, permitting high levels of suspension of disbelief. Audience immersion may be used to enhance learning or to create a more realistic experience. Various methods may be employed to this end, including narrative perspective in writing or technical design in the performing arts. An early example of audience immersion is from the 1846 travelogue Pictures from Italy by Charles Dickens, in which the narrator, speaking in the first person, addresses the reader using second-person pronouns, allowing the reader to "picture themselves with Dickens as he travels."
The Family Shakespeare is a collection of expurgated Shakespeare plays, edited by Thomas Bowdler and his sister Henrietta ("Harriet"), intended to remove any material deemed too racy, blasphemous, or otherwise sensitive for young or female audiences, with the ultimate goal of creating a family-friendly rendition of Shakespeare's plays. The Family Shakespeare is one of the most often cited examples of literary censorship, despite its original family-friendly intentions. The Bowdler name is also the origin of the term "bowdlerise", meaning to omit parts of a work on moral grounds.
Representation of cannibals exist adjacent to the representation of any culture associated with alterity, political discourse, or blasphemous rhetoric. Homer's Odyssey, Beowulf, Shakespeare's Titus Andronicus, Flaubert's Salammbo, Conrad's Heart of Darkness, and Melville's Moby Dick each feature a type of cannibalistic representation that is larger than the ambiguity of cultural versus survival cannibalism.
