A moonsault, moonsault press, or back flip splash is a professional wrestling aerial technique. It was innovated by Mando Guerrero. [1] Much of its popularity in both Japanese and American wrestling is attributed to The Great Muta, despite it being used in North America by "Leaping" Lanny Poffo years before Muta came from Japan. [2] In a standard moonsault, which is generally attempted from the top rope, a wrestler faces away from the supine opponent and executes a backflip landing on the opponent in a splash/press position but facing towards the elevated position. Though this move is generally attempted from the top rope to an opponent lying face up in the mat, myriad variations exist, including moonsaults that see the wrestler land on a standing opponent and forcing them down to the mat. The move is considered a higher-impact version of a splash, since the wrestler utilizes rotational speed.
A less common variation sees the wrestler perform a moonsault on a standing opponent, with the torso of the wrestler striking the torso of the opponent (albeit upside down), forcing the opponent backwards and to the ground with the opponent on top of them, usually placing the opponent in a pinning predicament. Most of the variations listed below can also be performed on standing opponents.
When executed properly the moonsault is generally considered safe, but as with any aerial maneuver, there is inherent high risk when not executed properly. The wrestler performing the move often misses and lands on their stomach unharmed (such as Keiji Mutoh during Starrcade (1989), when he went for a Moonsault on Sting, but ended up missing; he was eventually able to land on his feet and land a kick). [3] Mutoh underwent double knee replacement surgery on February 18, 2018, [4] [5] and has since then not performed the Moonsault. In an interview with Tokyo Sports, Mutoh told them that he was lucky to be alive after botching a moonsault. [6]
In an example of a moonsault gone spectacularly wrong, Eiji Ezaki, better known as Hayabusa, suffered a life-threatening injury on October 22, 2001, while working for the Japanese wrestling promotion Frontier Martial-Arts Wrestling. As Hayabusa began executing a springboard moonsault from the second rope, his feet slipped off the rope and struck the first rope below. As a result Hayabusa did not have enough height within which to execute the full 360° of the move, causing him to land head first and on his neck. He broke two vertebrae and was left quadriplegic, completely ending his career. Hayabusa was eventually able to gain some movement in his lower body, but was never able to wrestle again. [7]
The corkscrew moonsault is a twisting moonsault in which the wrestler is standing or on an elevated platform, such as the top rope, or the corner of the ring, and performs a moonsault with a 360° twist or multiple twists, landing as if performing a normal moonsault. It was used by KUSHIDA early in his career as the Midnight Express while Tetsuya Naito previously used it as the Stardust Press.
This is a Moonsault from the top rope, a wrestler faces away from the supine opponent and executes a Diving backflip landing on the opponent in a splash position but facing towards the elevated position. In this moonsault, the wrestler land on a standing opponent and forcing them down to the mat. The move is considered a higher-impact version of a splash, since the wrestler utilizes rotational speed.
This is a variation of a springboard moonsault. This variation sees the wrestler bounce off the middle rope to elevate themself to the top rope, from where they bounce off to perform the moonsault. This version of a moonsault is often referred to as a picture perfect moonsault or double springboard moonsault. [8] [9] It was used by Christopher Daniels, who called the move the BME (Best Moonsault Ever).
This is a moonsault where another rotation is performed after the initial moonsault. There are two major variants of the double moonsault, an Asai moonsault version and a normal moonsault from the top turnbuckle to the inside of the ring with two rotations. The first rotation is an arc of the back
The first variation sees a wrestler who is standing on the apron, with a wrestler on the floor behind them, jump up on to either the first or second rope and perform and backflip as in to perform an Asai moonsault but while in mid air tucks their legs reducing resistance and performs a second complete backflip after the first one, landing on a standing opponent below. This is the more common of the two variants due to the increased airtime of the springboard and height from the springboard to the floor. This variant is closely associated with Jack Evans who popularized it as the Stuntin' 101. Evans is also known to perform a corkscrew version of this variant.
The second variation sees a wrestler ascend to the top rope and perform a backflip while tucking their legs. This allows the wrestler to have less resistance and continue to rotate after the initial first 360° for another 270° completing the second rotation onto an opponent lying on the mat. This was popularized by Ricochet.
This is a variation of the double jump moonsault where, from a running start, the attacking wrestler jumps to a chair or other elevated platform, onto the top rope, and then does a moonsault from there onto the opponent. This move has been popularized by wrestler Sabu. Tiffany Stratton uses a variation of the move where she uses the ropes for each jump, called the Prettiest Moonsault Ever. [10]
Invented by Naomichi Marufuji and called Shiranui Kai. Any move where the wrestler stands on an elevated position, grabs hold of the opponent, and performs a moonsault while still holding on to the opponent, driving them down to the mat. This move is also known as a Solo Spanish Fly. Multiple variations exist, such as a belly-to-belly version used by Matt Sydal. This version which sees him holding the opponent in a belly-to-belly position while performing the moonsault to land on top of them in a seated senton. He calls this version the Sydal Special., a side slam version or a rolling version, which can also be performed while standing, John Morrison used the standing version as the C4, while Frankie Kazarian use the rolling version as the Flux Capacitor.
This variation is also referred to as a sideways moonsault, rolling moonsault, rounding splash, and Original-style moonsault. The attacker climbs the top rope, or other elevated position facing away the opponent. Instead of doing a backflip as in a normal moonsault, the attacker rotates their body off to one side diagonally and lands on the opponent chest-first, facing the turnbuckle as in a normal moonsault. Innovated by Tiger Mask I and used by Bam Bam Bigelow as the Bam Bam-Sault and Vader as the Vadersault respectively.
Another variation of this move sees the attacker facing the prone opponent with the attacker leaping forward into the air rotating their body in a semi-circle to end up-side down as if doing a midair cartwheel then landing on the opponent chest first facing the turnbuckle. Shane McMahon used this move in a 1999 singles match against Test. Alexa Bliss uses this move as her finisher, which she calls Twisted Bliss. Dana Brooke uses this move as a variation while running to an opponent lying on the mat, they rotate in opposite directions. [11]
This moonsault variation sees the performer jump up and split their legs onto both the left and right top ropes surrounding the top turnbuckle, using the impact of their thighs on the rope to flip themselves over, executing a moonsault onto a prone opponent.[ citation needed ] Rey Mysterio and Naomi uses this move. Also known for being used by CM Punk as the Crooked Moonsault earlier in his career and currently Rob Van Dam as the Hollywood Star Press.
This variation involves performing a corkscrew moonsault after using the impact of their thighs on the ropes to flip themselves over. [12] It was popularized by John Morrison, who called the move the Starship Pain and The End of The World.
This is a move in which a wrestler springboards (bounces off ropes), then executes a backflip and lands on an opponent. This move is known as La Quebrada in lucha libre, sometimes shortened to simply Quebrada. A variation performed off the second rope from a running start, popularized by Chris Jericho, is known as the Lionsault.
A variation of the springboard moonsault is the Arabian Press (or a seated springboard moonsault), which involves the performer's thighs both landing on a single top rope, and the performer then continues to use the impact of their thighs on the rope to flip themselves over, executing a moonsault onto a prone opponent. Sabu and Sami Zayn are best known to use this version as signature moves.
When a springboard moonsault is performed onto an opponent on the floor outside the ring, rather than one in the ring, it is called an Asai Moonsault. It is named after Yoshihiro Asai, also known by his ring name Último Dragón, who popularized the move. This can also be used as a setup for an inverted DDT, as popularized by AJ Styles.
This is a wrestling move in which the wrestler does a backflip on the mat landing on the opponent. This move can be set up by preceding with a roundoff. WWE wrestler Apollo Crews uses this as his finishing maneuver. Jeff Cobb also uses the Move as the Gachimuchi-Sault.
This moves shows a wrestler grab an opponent like a fallaway slam but instead of just throwing them backwards does a backflip slamming the opponents back into the mat. This move is used by Cameron Grimes, and was innovated by Scott Steiner as a counter to a running crossbody. A diving/avalanche version of it is used by Bandido as Guerrero Moonsault.
Popularized by Iyo Sky [ citation needed ], while performing in World Wonder Ring Stardom, this move involves a moonsault from the top rope. Instead of landing in a splash position, the wrestler finishes the rotation with a double foot stomp on the prone opponent.
Professional wrestling throws are the application of professional wrestling techniques that involve lifting the opponent up and throwing or slamming them down. They are sometimes also called "power" maneuvers, as they are meant to emphasize a wrestler's strength. Many of these moves are used as finishers by various wrestlers, who refer to them by several different names that reflect their gimmick. Moves are listed under general categories whenever possible.
Professional wrestling holds include a number of set moves and pins used by performers to immobilize their opponents or lead to a submission. This article covers the various pins, stretches and transition holds used in the ring. Some wrestlers use these holds as their finishing maneuvers, often nicknaming them to reflect their character or persona. Moves are listed under general categories whenever possible.
A suplex is an offensive move used in sport wrestling as well as amateur wrestling and professional wrestling. It is a throw that involves lifting the opponents and bridging or rolling to slam them on their backs.
Aerial techniques, also known as "high-flying moves" are performance techniques used in professional wrestling for simulated assault on opponents. The techniques involve jumping from the ring's posts and ropes, demonstrating the speed and agility of smaller, nimble and acrobatically inclined wrestlers, with many preferring this style instead of throwing or locking the opponent.
Strikes can be offensive moves in professional wrestling, that can sometimes be used to set up an opponent for a hold or for a throw. There are a wide variety of strikes in pro wrestling, and many are known by several different names. Professional wrestlers frequently give their finishers new names. Occasionally, these names become popular and are used regardless of the wrestler performing the technique.
In professional wrestling, a pin is a move where a wrestler holds an opponent's shoulders to the mat in an attempt to score a fall. A pinfall is a common victory condition, where the attacker pins an opponent and the referee makes a three count before the opponent gets released from the pin.
In professional wrestling double-team maneuvers are executed by multiple wrestlers instead of one and typically are used by tag teams in tag team matches. Many of these maneuvers are combination of two throws, or submission holds. Most moves are known by the names that professional wrestlers give their "finishing move" names. Occasionally, these names become popular and are used regardless of the wrestler performing the technique. Moves are listed under general categories whenever possible.
A dropkick is an attacking maneuver in professional wrestling. It is defined as an attack where the wrestler jumps up and kicks the opponent with the soles of both feet; this sees the wrestler twist as they jump so that when the feet connect with the opponent one foot is raised higher than the other and the wrestler falls back to the mat on their side, or front. This is commonly employed by light and nimble wrestlers who can take advantage of their agility, and is often executed on a charging opponent, while charging at an opponent, or a combination of the two.
A piledriver is a professional wrestling driver move in which the wrestler grabs their opponent, turns them upside-down, and drops into a sitting or kneeling position, driving the opponent head-first into the mat. The technique is said to have been innovated by Wild Bill Longson.
A powerbomb is a professional wrestling throw in which an opponent is lifted and then slammed back-first down to the mat. The standard powerbomb sees an opponent first placed in a standing headscissors position. The opponent is then lifted on the wrestler's shoulders and slammed down back-first to the mat. A prawn hold is commonly used for a pinning powerbomb.
In professional wrestling a DDT is any move in which the wrestler has the opponent in a front facelock/inverted headlock and falls down / backwards to drive the opponent's head into the mat. The classic DDT is performed by putting the opponent in a front facelock and falling backwards so that the opponent is forced to dive forward onto their head. Although widely credited as an invention of Jake Roberts, who gave the DDT its famous name, the earliest known practitioner of the move was Mexican wrestler Black Gordman, who frequently performed it during the 1970s before Roberts popularized it nationwide.
In professional wrestling, a neckbreaker is any throw or slam that focuses its attack on the opponent's neck. One type of neckbreaker involves the wrestler slamming an opponent's neck against a part of the wrestler's body, usually the knee, head or shoulder. The other type of neckbreaker is a slam technique in which the wrestler throws an opponent to the ground by twisting the opponent's neck. This also refers to a "back head slam" where a wrestler drops to the mat while holding an opponent by their neck.
A brainbuster is a professional wrestling throw in which a wrestler puts the opponent in a front facelock, hooks their pants or thigh, and lifts them up as if they were executing a vertical suplex. The wrestler then falls onto their back so that the opponent lands on their head while remaining vertical. This move is a version of the DDT. It was innovated by Killer Karl Kox. In Japanese puroresu, the term "brainbuster" refers to a regular vertical suplex, while the move elsewhere known as a brainbuster is referred to as a "sheer drop brainbuster" or a "vertical (drop) brainbuster".
A leg drop or legdrop refers to an attack used in professional wrestling in which an attacking wrestler will jump and land his leg across a fallen opponent's chest, throat, face or head or in some cases, the groin/lower-abdominal area.
A facebuster, also known as a faceplant, is generally a takedown move in professional wrestling in which an attacking wrestler forces their opponent down to the mat face-first without involving a headlock or facelock. A standard facebuster, also known as a jumping facebuster, involves the wrestler grabbing hold of the opponent's head/hair and dropping down to their knees, forcing the opponent's face into the mat.
A Powerslam or simply Slam is a professional wrestling body slam move in which the wrestler performing the slam falls face-down on top of the opponent. The use of the term "powerslam" usually refers to the front powerslam or the scoop powerslam.
In professional wrestling, a cutter is a 3⁄4 facelockbulldog maneuver. This move sees an attacking wrestler first apply a 3⁄4 facelock before falling backwards to force the opponent face-first to the mat below.
A stunner is a professional wrestling move, also a common term in professional wrestling referring to the ¾ facelock jawbreaker maneuver. The innovator of the move has been disputed, as both Mikey Whipwreck and Michael P.S. Hayes have both claimed to be behind the origin of the move. The move was named for Stone Cold Steve Austin's Stone Cold Stunner finisher, a finisher suggested to him by Hayes. It involves an attacking wrestler applying a three-quarter facelock before falling to a seated position and forcing the opponent's jaw to drop down on the shoulder of the attacking wrestler. The free hand is sometimes used to hold the top of the head.
Doomsday device is a term used in professional wrestling to reference a tandem move in which one wrestler hoists the opponent on their shoulders so that they are facing in the same direction in what is known as the electric chair position, while another wrestler climbs the ring post to the top turnbuckle and delivers a flying attack on the opponent.
Super J-Cup: 1st Stage was the first Super J-Cup professional wrestling tournament hosted by New Japan Pro-Wrestling (NJPW). The event took place on April 16, 1994, at Sumo Hall in Tokyo, Japan. The tournament featured fourteen junior heavyweight wrestlers and was created by Jushin Thunder Liger and was the first NJPW event to feature only junior heavyweight wrestlers. The event received critical acclaim and commercial success, leading to Japanese promotions hosting more editions of the tournament, leading to the event being renamed the Super J-Cup: 1st Stage in later years.
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