Lyric Opera of Chicago is one of the leading opera companies in the United States. It was founded in Chicago in 1954, under the name 'Lyric Theatre of Chicago' by Carol Fox, Nicola Rescigno and Lawrence Kelly, with a season that included Maria Callas's American debut in Norma. The company was re-organized by Fox in 1956 under its present name and, after her 1981 departure, it has continued to be of one of the major opera companies in the United States. The Lyric is housed in a theater and related spaces in the Civic Opera Building. These spaces are now owned by the Lyric.
A View from the Bridge is a play by American playwright Arthur Miller. It was first staged on September 29, 1955, as a one-act verse drama with A Memory of Two Mondays at the Coronet Theatre on Broadway. The run was unsuccessful, and Miller subsequently revised and extended the play to contain two acts; this version is the one with which audiences are most familiar. The two-act version premiered in the New Watergate theatre club in London's West End under the direction of Peter Brook on October 11, 1956.
Michael Andreas Gielen was an Austrian conductor and composer known for promoting contemporary music in opera and concert. Principally active in Europe, his performances are characterized by precision and vivacity, aiding his ability to interpret the complex contemporary music he specialized in.
Michael Korie is an American librettist and lyricist whose writing for musical theater and opera includes the musicals Grey Gardens and Far From Heaven, and the operas Harvey Milk and The Grapes of Wrath. His works have been produced on Broadway, Off-Broadway, and internationally. His lyrics have been nominated for the Tony Award and the Drama Desk Award, and won the Outer Critics Circle Award. In 2016, Korie was awarded the Marc Blitzstein Award from the American Academy of Arts and Letters.
Ricky Ian Gordon is an American composer of art song, opera and musical theatre.
Gustav Strube was a German-born conductor and composer. He was the founding conductor of the Baltimore Symphony Orchestra in 1916, and taught at the Peabody Conservatory. He wrote two operas, Ramona, which premiered in 1916, and The Captive, which premiered at the Lyric Theatre in Baltimore in February 1938. He was also a member of Baltimore's famous Saturday Night Club with H. L. Mencken.
Stephanie Blythe is an American mezzo-soprano who has had an active international career in operas and concerts since the early 1990s. She is particularly associated with the Metropolitan Opera in New York City, with whom she has performed annually since her debut with the company in 1995. In 2014 she starred as Gertrude Stein in the world premiere of 27, an opera composed by Ricky Ian Gordon with libretto by Royce Vavrek, and commissioned for her by the Opera Theatre of Saint Louis.
The Grapes of Wrath is an opera in three acts composed by Ricky Ian Gordon to a libretto by Michael Korie based on John Steinbeck’s 1939 novel of the same title. It premiered on February 10, 2007 at the Ordway Center for the Performing Arts in Saint Paul, Minnesota in a production by Minnesota Opera. The work has been revised in subsequent years and has also been performed as a two-act concert version.
Joseph Carl Breil was an American lyric tenor, stage director, composer and conductor. He was one of the earliest American composers to compose specific music for motion pictures. His first film was Les amours de la reine Élisabeth (1912) starring Sarah Bernhardt. He later composed and arranged scores for several other early motion pictures, including such epics as D. W. Griffith's The Birth of a Nation (1915) and Intolerance (1916), as well as scoring the preview version of The Phantom of the Opera (1925), a score that is now lost. His love theme for "Birth of a Nation", titled "The Perfect Song", was published by Chappell & Co. in an arrangement for voice and keyboard. It was later used as the theme for the radio show "Amos and Andy".
Daniel Okulitch is a Canadian bass-baritone. He first came to attention on Broadway as Schaunard in Baz Luhrmann's production of La bohème in 2002/03 – a role he repeated when the production traveled to Los Angeles the following year, for which he received the Ovation Award for Best Ensemble Performance from the Los Angeles Stage Alliance. He has since begun an international career with opera companies and orchestras throughout Europe and North America, and is admired for both his singing and powerful stage presence. He is sought after for many contemporary operas and world premieres, as well as the roles of Mozart, including Figaro and Don Giovanni.
Jonathan Stinson is an American singer and composer of opera. His voice is a baritone.
Cincinnati Opera is an American opera company based in Cincinnati, Ohio and the second oldest opera company in the United States. Beginning with its first season in 1920, Cincinnati Opera has produced operas in the summer months of June and July with the Cincinnati Symphony Orchestra's providing orchestral accompaniment.
Marina Gordon was a Belarusian-born American singer and coloratura soprano. She has been known as a performer of popular songs written to lyrics by contemporaneous authors in Yiddish, Russian, and Belarusian in the USSR and in the United States.
Jennifer Zetlan is an American operatic soprano who has sung leading roles with many opera companies in the United States, including the Metropolitan Opera, the Seattle Opera, and the Santa Fe Opera among others. She has performed in the world premieres of operas by composers Matthew Aucoin, Daron Hagen, Nico Muhly, and Ricky Ian Gordon.
Mátti Kovler is a Russian-born Israeli-American composer and creator of new music theatre. Called by Steve Smith of The New York Times “a potentially estimable operatic composer in the making,” his music has been compared to Leonard Bernstein's.
Bel Canto is an opera by Peruvian composer Jimmy López. Based on the 2001 novel of the same name by Ann Patchett, the work uses a libretto by Pulitzer Prize-winning playwright Nilo Cruz. The libretto is sung in Spanish, English, Japanese, Russian, German, French, Latin, Italian, and Quechua. It was commissioned by the Lyric Opera of Chicago as part of the Renée Fleming initiative. Sir Andrew Davis conducted, and director Kevin Newbury staged the work. The cast included Danielle de Niese as Roxane Coss, J’Nai Bridges as Carmen, Jeongcheol Cha as Hosokawa, and Andrew Stenson as Gen.
A Coffin in Egypt is a chamber opera in one act by composer Ricky Ian Gordon. The work uses an English language libretto by Leonard Foglia which is based on a 1980 play by Horton Foote. Set in Egypt, Texas, the work tells the story of Myrtle Bledsoe, an embittered 90-year-old woman who sifts through the memories of her past in a quest for self-forgiveness. The opera had its world premiere at the Houston Grand Opera (HGO) in March 2014.
Fellow Travelers is an opera in 16 scenes composed by Gregory Spears to a libretto by Greg Pierce, based on Thomas Mallon's 2007 novel Fellow Travelers. A co-commission by Cincinnati Opera and G. Sterling Zinsmeyer, the opera was developed by Opera Fusion: New Works, a collaboration between Cincinnati Opera and the University of Cincinnati College-Conservatory of Music which focuses on the creation of new American operas. Fellow Travelers premiered at Cincinnati Opera in June 2016 and was presented by the Lyric Opera of Chicago in March 2018, the Minnesota Opera in June 2018, and Boston Lyric Opera in November 2019.
Opera Fusion: New Works (OF:NW) is a partnership between Cincinnati Opera and the University of Cincinnati College-Conservatory of Music (CCM) dedicated to fostering the development of new American operas. This collaboration is jointly led by Evans Mirageas, the Harry T. Wilks Artistic Director at Cincinnati Opera, as well as Robin Guarino, Professor of Opera at CCM. Since its founding in 2011, OF:NW has developed fourteen new American operas. From the program’s inception in 2011 through 2018, co-founders Marcus Küchle and Guarino served as co-artistic directors.
Samuel Achillos Lieberson was a physician, award winning composer and professor of music theory.
