Moshekwa Langa

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Moshekwa Langa
Born1975
Bakenberg, South Africa
NationalitySouth African
Alma mater Rijksakademie van Beeldende Kunsten

Moshekwa Langa (born 1975) is a South African visual artist whose work includes painting, drawing, sculpture, performance, video, and photography. [1]

Contents

Biography

Moshekwa Langa was born in Bakenburg, Limpopo, South Africa in 1975. He began studying art history around the age of 15, which made him want to become an artist. Some time after high school, he came to view making art as an opportunity to become part of an "ongoing story." [2] He studied at the Rijksakademie van Beeldende Kunsten (the State Academy of Fine Arts) in Amsterdam. [3] As of 2021, Langa was based in Amsterdam and had work on permanent exhibition at MoMA, The Art Institute of Chicago, and the Tate Modern, among others. [4]

Career

Langa has said about his work, "If I had to explain what I do to someone, I would say I make kind of dreamscapes…I try to record aspects of waking and sleeping time." [5] One critic said his work "has interrogated land and public and personal politics through the mapping of territory and cultural environments." [6] Langa's work has also been described as "poetic" and deals with a variety of psychological themes, such as the "elusiveness of meaning." [7] Langa's extensive practice is frequently philosophical in nature, and he has stated belonging, longing, desire, and separation as some themes he has explored. [8]

Langa's 1995 installation ("empty, ripped-open, creosote-smeared detergent bags hung on a line like flayed skins") was shown again in 2003 at Brandeis' Rose Gallery and was noted for the interest it caused in Johannesburg and Europe surrounding its undefined meanings. [9] Langa works largely with abstraction and frequently with language/writings and collage. [10] Other notable projects include his November-December 2021 multi-media installation titled The Sweets of Sin, at Andrew Kreps in Tribeca, which featured paintings, as well as (on the floor of the gallery) a scramble of de-contextualized, yet familiar objects of leisure or waiting, such as records, burnt logs, and coffee table books. [11] He also recently had a residency at the Cite Internationale des Arts in Paris. During the 1990's he was frequently shown around the world in what is now described as the golden age of biennales. [12]

Selected solo exhibitions

Selected group exhibitions

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References

  1. Haye, Christian. "On Moshekwa Langa". Revista Atlantica. Retrieved 21 August 2020.
  2. "Moshekwa Langa at Fondation Louis Vuitton". YouTube. Retrieved 31 August 2020.
  3. "MOSHEKWA LANGA". Stevenson. Retrieved 31 August 2020.
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  5. 1 2 "Relatives". Wall Street International Magazine. 27 July 2018. Retrieved 31 August 2020.
  6. 1 2 "Moshekwa Langa: Fugitive". Contemporary And. Retrieved 31 August 2020.
  7. "MOSHEKWA LANGA - Artists - Andrew Kreps Gallery". www.andrewkreps.com. Retrieved 10 November 2023.
  8. arts, Cité internationale des. "The recipients - Moshekwa Langa". Cité internationale des arts. Retrieved 15 December 2023.
  9. Cotter, Holland (25 April 2003). "ART REVIEW; Forms That Seem Alive And Can Stir the Pulse". The New York Times. ISSN   0362-4331 . Retrieved 10 November 2023.
  10. "MOSHEKWA LANGA - Artists - Andrew Kreps Gallery". www.andrewkreps.com. Retrieved 10 November 2023.
  11. Langa, Moshekwa (1 May 1998). "PROJECT: WORLD WITHOUT BOUNDARIES". Nka Journal of Contemporary African Art. 1998 (8): 38–39. doi:10.1215/10757163-8-1-38. ISSN   1075-7163.
  12. arts, Cité internationale des. "The recipients - Moshekwa Langa". Cité internationale des arts. Retrieved 15 December 2023.
  13. "COUNTERPOINTS / MOSHEKWA LANGA: MOGALAKWENA". University of Illinois. Retrieved 31 August 2020.
  14. Moloi, Nkgopoleng (13 December 2019). "Dust, beauty and geography combine in Moshekwa Langa's Tropic of Capricorn". Mail & Guardian. Retrieved 31 August 2020.
  15. 1 2 3 "Moshekwa Langa". Museum of Modern Art. Retrieved 21 August 2020.
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