Mr. Jericho is a comic opera in one act with words by Harry Greenbank and music by Ernest Ford.
The work was first performed at the Savoy Theatre, London, on 18 March 1893 as a curtain raiser to Arthur Sullivan's Haddon Hall in March and April 1893, and to Ford's Jane Annie in June and July 1893, for a total of 45 performances.
A production of the work was given by Glimmerglass Opera in 1989. [1] A recording (omitting the spoken dialogue) was issued by Dutton Epoch in 2020 [2] together with the first professional recording of Haddon Hall, featuring the BBC Singers and BBC Concert Orchestra, conducted by John Andrews. [3]
When the Gilbert and Sullivan partnership disbanded after the production of The Gondoliers in 1889, impresario Richard D'Oyly Carte needed new works to fill the Savoy Theatre. He asked Sullivan to write additional operas, and one of these was Haddon Hall. The fashion in the late Victorian era was to present long evenings in the theatre, and so producer Richard D'Oyly Carte preceded his Savoy operas with curtain raisers. [4] W. J. MacQueen-Pope commented, concerning such curtain raisers:
Mr. Jericho was successful enough as a curtain raiser to Haddon Hall that it was selected again to precede Jane Annie. To create the piece, Carte had selected a composer that he knew could get the job done: Ford had studied under Arthur Sullivan and written several operas up to that point. Greenbank was also a known quantity, having supplied the theatre with another curtain raiser, Captain Billy . Greenbank also collaborated on A Gaiety Girl in 1893, a piece that would become a hit and establish his reputation.
Note: Edith Farrow began playing the role of Winifred in April when Easton took over the role of Dorothy in Haddon Hall. The other two cast changes occurred when the piece played with Jane Annie.
Michael de Vere, the Earl of Margate, has squandered his money, and so he lives in a small cottage and must do his own gardening, while his son Horace, Viscount Ramsgate, is reduced to working incognito as an omnibus driver. [6] After he crashes his bus one day, he and his father commiserate over their troubles. Horace believes that he will never be able to win the love of Winifred, Lady Bushey's daughter, one of his regular passengers. Winifred arrives at the cottage and reveals to Horace that she loves him too. Lady Bushey appears and, seeing the humble cottage, is appalled that Winifred loves "a commoner", although she acknowledges Horace's good looks. She drags Winifred away, and Horace is heartbroken.
A world-famous jam manufacturer, Mr. Jericho, shows up looking for a lady friend whom he hasn't seen for a long time. Horace tells him that his father is very fond of Jericho's Jams. Jericho offers to pay Horace's father handsomely for this customer testimonial, to use it in advertising the jams. Jericho's lady friend turns out to be Lady Bushey. Now it is Winifred's turn to be appalled. Jericho encourages Lady Bushey to look favourably upon the romance of Horace and Winifred, but Lady Bushey repeats that her daughter must marry a peer. When they meet, Jericho recognizes the Earl and is delighted to offer him a generous allowance in return for his statement about his love for the jam. Jericho also suggests that Horace become a partner in the jam firm, giving Horace the financial means to marry Winifred, and all ends happily as Jericho and Lady Bushey come to a very satisfactory arrangement.
Savoy opera was a style of comic opera that developed in Victorian England in the late 19th century, with W. S. Gilbert and Arthur Sullivan as the original and most successful practitioners. The name is derived from the Savoy Theatre, which impresario Richard D'Oyly Carte built to house the Gilbert and Sullivan pieces, and later those by other composer–librettist teams. The great bulk of the non-G&S Savoy Operas either failed to achieve a foothold in the standard repertory, or have faded over the years, leaving the term "Savoy Opera" as practically synonymous with Gilbert and Sullivan. The Savoy operas were seminal influences on the creation of the modern musical.
Utopia, Limited; or, The Flowers of Progress, is a Savoy opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It was the second-to-last of Gilbert and Sullivan's fourteen collaborations, premiering on 7 October 1893 for a run of 245 performances. It did not achieve the success of most of their earlier productions.
Harry Greenbank was an English author and dramatist best known for contributing lyrics to the successful series musicals produced at Daly's Theatre by George Edwardes in the 1890s.
Haddon Hall is an English light opera with music by Arthur Sullivan and a libretto by Sydney Grundy. The opera, set at the eponymous hall, dramatises the legend of Dorothy Vernon's elopement with John Manners, resetting the tale in the 17th century.
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François Arsène Cellier, often called Frank, was an English conductor and composer. He is known for his tenure as musical director and conductor of the D'Oyly Carte Opera Company during the original runs and early revivals of the Savoy operas.
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Old Sarah is a one-act comic opera composed by François Cellier with a libretto by Harry Greenbank.
Captain Billy is a one-act comic opera with a libretto by Harry Greenbank and music by François Cellier. It was first performed at the Savoy Theatre on 24 September 1891 until 16 January 1892, as a curtain raiser to The Nautch Girl, and from 1 February 1892 to 18 June 1892, as a curtain raiser to The Vicar of Bray, for a total of 217 performances.
The Vicar of Bray is a comic opera by Edward Solomon with a libretto by Sydney Grundy which opened at the Globe Theatre, in London, on 22 July 1882, for a run of only 69 performances. The public was not amused at a clergyman's being made the subject of ridicule, and the opera was regarded by some as scandalous. An 1892 revival at the Savoy Theatre was more successful, lasting for 143 performances, after public perceptions had changed.
Jane Annie, or The Good Conduct Prize is a comic opera written in 1893 by J. M. Barrie and Arthur Conan Doyle, with music by Ernest Ford, a conductor and occasional composer.
Florence Easton was a British singer and actress who sang with the D'Oyly Carte Opera Company in the early 1890s.
Emily Owen was an English opera singer and actress, best known for her performances in soprano roles of the Savoy Operas with the D'Oyly Carte Opera Company. Beginning as a child actress, she performed for two decades before falling ill on tour and dying at age 33.
Albert Ernest Alsor Clair Ford was an English composer of operas and ballet music and a conductor.
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Jessie Kate Rose was an English opera singer and actress primarily known for her performances as principal mezzo-soprano in the Gilbert and Sullivan comic operas with the D'Oyly Carte Opera Company. From 1896 to 1899 she originated several mostly smaller roles in Savoy operas and then continued to play a variety of smaller and larger roles in repertory with the company. She was its principal mezzo-soprano from 1904 to 1909.
Rudolph Lewis was a bass-baritone known for creating several small roles in the Gilbert and Sullivan operas including Go-To in The Mikado (1885) and Old Adam Goodheart in Ruddigore (1887).