Author | Hugh MacColl |
---|---|
Language | English |
Genre | Science fiction |
Publisher | Chatto & Windus |
Publication date | 1889 |
Media type | Print (Hardcover and Paperback) |
Mr. Stranger's Sealed Packet is a short novel by Hugh MacColl. It was first published in English in 1889. This novel is now out of print.
The novel deals with a journey to Mars in a flying machine and describes the history and customs of the Martians, depicting a scientifically advanced utopian society.
Mars, the fourth planet from the Sun, has appeared as a setting in works of fiction since at least the mid-1600s. Trends in the planet's portrayal have largely been influenced by advances in planetary science. It became the most popular celestial object in fiction in the late 1800s when it became clear that there was no life on the Moon. The predominant genre depicting Mars at the time was utopian fiction. Around the same time, the mistaken belief that there are canals on Mars emerged and made its way into fiction, popularized by Percival Lowell's speculations of an ancient civilization having constructed them. The War of the Worlds, H. G. Wells's novel about an alien invasion of Earth by sinister Martians, was published in 1897 and went on to have a major influence on the science fiction genre.
Thuvia, Maid of Mars is a science fantasy novel by American writer Edgar Rice Burroughs, the fourth of the Barsoom series. The principal characters are Carthoris and Thuvia of Ptarth, each of whom appeared in the previous two novels.
The planet Venus has been used as a setting in fiction since before the 19th century. Its impenetrable cloud cover gave science fiction writers free rein to speculate on conditions at its surface—a "cosmic Rorschach test", in the words of science fiction author Stephen L. Gillett. The planet was often depicted as warmer than Earth but still habitable by humans. Depictions of Venus as a lush, verdant paradise, an oceanic planet, or fetid swampland, often inhabited by dinosaur-like beasts or other monsters, became common in early pulp science fiction, particularly between the 1930s and 1950s. Some other stories portrayed it as a desert, or invented more exotic settings. The absence of a common vision resulted in Venus not developing a coherent fictional mythology, in contrast to the image of Mars in fiction.
The Warlord of Mars is a science fantasy novel by American writer Edgar Rice Burroughs, the third of his Barsoom series. Burroughs began writing it in June, 1913, going through five working titles; Yellow Men of Barsoom, The Fighting Prince of Mars, Across Savage Mars, The Prince of Helium, and The War Lord of Mars.
The Moon has appeared in fiction as a setting since at least classical antiquity. Throughout most of literary history, a significant portion of works depicting lunar voyages has been satirical in nature. From the late 1800s onwards, science fiction has successively focused largely on the themes of life on the Moon, first Moon landings, and lunar colonization.
The Master Mind of Mars is a science fantasy novel by American writer Edgar Rice Burroughs, the sixth of his Barsoom series. Burroughs' working titles for the novel were A Weird Adventure on Mars and Vad Varo of Barsoom. It was first published in the magazine Amazing Stories Annual vol. 1, on July 15, 1927. The first book edition was published by A. C. McClurg in March, 1928.
Hugh MacColl was a Scottish mathematician, logician and novelist.
Jupiter, the largest planet in the Solar System, has appeared in works of fiction across several centuries. The way the planet has been depicted has evolved as more has become known about its composition; it was initially portrayed as being entirely solid, later as having a high-pressure atmosphere with a solid surface underneath, and finally as being entirely gaseous. It was a popular setting during the pulp era of science fiction. Life on the planet has variously been depicted as identical to humans, larger versions of humans, and non-human. Non-human life on Jupiter has been portrayed as primitive in some works and more advanced than humans in others.
Saturn has made appearances in fiction since the 1752 novel Micromégas by Voltaire. In the earliest depictions, it was portrayed as having a solid surface rather than its actual gaseous composition. In many of these works, the planet is inhabited by aliens that are usually portrayed as being more advanced than humans. In modern science fiction, the Saturnian atmosphere sometimes hosts floating settlements. The planet is occasionally visited by humans and its rings are sometimes mined for resources.
Pluto has appeared in fiction as a setting since shortly after its 1930 discovery, albeit infrequently. It was initially comparatively popular as it was newly discovered and thought to be the outermost object of the Solar System, and made more fictional appearances than either Uranus or Neptune, though still far fewer than other planets. Alien life, sometimes intelligent life and occasionally an entire ecosphere, is a common motif in fictional depictions of Pluto. Human settlement appears only sporadically, but it is often either the starting or finishing point for a tour of the Solar System. It has variously been depicted as an originally extrasolar planet, the remnants of a destroyed planet, or entirely artificial. Its moon Charon has also appeared in a handful of works.
Neptune has appeared in fiction since shortly after its 1846 discovery, albeit infrequently. It initially made appearances indirectly—e.g. through its inhabitants—rather than as a setting. The earliest stories set on Neptune itself portrayed it as a rocky planet rather than as having its actual gaseous composition; later works rectified this error. Extraterrestrial life on Neptune is uncommon in fiction, though the exceptions have ranged from humanoids to gaseous lifeforms. Neptune's largest moon Triton has also appeared in fiction, especially in the late 20th century onwards.
Uranus has been used as a setting in works of fiction since shortly after its 1781 discovery, albeit infrequently. The earliest depictions portrayed it as having a solid surface, whereas later stories portrayed it more accurately as a gaseous planet. Its moons have also appeared in a handful of works. Both the planet and its moons have experienced a slight trend of increased representation in fiction over time.
Richard James Bleiler is an American bibliographer of science fiction, fantasy, horror, crime, and adventure fiction. He was nominated for the Bram Stoker Award for Best Non-Fiction in 2002 and for the Munsey Award in 2019. He is the son of Everett F. Bleiler.
Scoops was a weekly British science fiction magazine published by Pearson's in tabloid format in 1934, edited by Haydn Dimmock. Scoops was launched as a boy's paper, and it was not until several issues had appeared that Dimmock discovered there was an adult audience for science fiction. Circulation was poor, and Dimmock attempted to change the magazine's focus to more mature material. He reprinted Arthur Conan Doyle's The Poison Belt, improved the cover art, and obtained fiction from British science fiction writers such as John Russell Fearn and Maurice Hugi, but to no avail. Pearson's cancelled the magazine because of poor sales; the twentieth issue, dated 23 June 1934, was the last. The failure of the magazine contributed to the belief that Britain could not support a science fiction magazine, and it was not until 1937, with Tales of Wonder, that another attempt was made.
Amazing Stories Annual was a pulp magazine which published a single issue in July 1927. It was edited by Hugo Gernsback, and featured the first publication of The Master Mind of Mars, by Edgar Rice Burroughs, which had been rejected by several other magazines, perhaps because the plot included a satire on religious fundamentalism. The other stories in Amazing Stories Annual were reprints, including two stories by A. Merritt, and one by H.G. Wells. The magazine sold out, and its success led Gernsback to launch Amazing Stories Quarterly the following year.
Two Complete Science-Adventure Books was an American pulp science fiction magazine, published by Fiction House, which lasted for eleven issues between 1950 and 1954 as a companion to Planet Stories. Each issue carried two novels or long novellas. It was initially intended to carry only reprints, but soon began to publish original stories. Contributors included Isaac Asimov, Robert A. Heinlein, Arthur C. Clarke, Poul Anderson, John Brunner, and James Blish. The magazine folded in 1954, almost at the end of the pulp era.
Aleriel, or A Voyage to Other Worlds is an 1883 science fiction novel by Wladislaw Somerville Lach-Szyrma, a Polish-English curate, author, and historian.
Flash Gordon Strange Adventure Magazine was a pulp magazine which was launched in December 1936. It was published by Harold Hersey, and was an attempt to cash in on the growing comics boom, and the popularity of the Flash Gordon comic strip in particular. The magazine contained a novel about Flash Gordon and three unrelated stories; there were also eight full-page color illustrations. The quality of both the artwork and the fiction was low, and the magazine only saw a single issue. It is now extremely rare.
The Sun has appeared as a setting in fiction since at least classical antiquity, but for a long time it received relatively sporadic attention. Many of the early depictions viewed it as a basically Earth-like and thus potentially habitable body—a once-common belief about celestial objects in general known as the plurality of worlds—and depicted various kinds of solar inhabitants. Once more became known about the Sun through advances in astronomy, in particular its temperature, solar inhabitants fell out of favour save for the occasional more exotic alien lifeforms. Instead, many stories focused on the eventual death of the Sun and the havoc it would wreak on life on Earth. Before it was understood that the Sun is powered by nuclear fusion, the prevailing assumption among writers was that combustion was the source of its heat and light and it was expected to run out of fuel relatively soon. Even after the true source of the Sun's energy was discovered in the 1920s, the dimming or extinction of the Sun remained a recurring theme in disaster stories. The theme of averting disaster by reigniting the Sun appears occasionally. Another common way for the Sun to cause destruction is by exploding, and other mechanisms such as solar flares also appear on occasion.
A Narrative of the Travels and Adventures of Paul Aermont among the Planets is an 1873 science fiction novel published under the pseudonym "Paul Aermont", the story's fictional main character who travels the Solar System in a balloon. After its initial publication, the book largely fell into obscurity and did not see a reprint until 2018.