Mukhammas (Arabic مخمس 'fivefold') refers to a type of Persian or Urdu cinquain or pentastich with Sufi connections based on a pentameter.And have five lines in each paragraph.
Persian literature comprises oral compositions and written texts in the Persian language and it is one of the world's oldest literatures. It spans over two-and-a-half millennia. Its sources have been within Greater Iran including present-day Iran, Iraq, Afghanistan, the Caucasus, and Turkey, regions of Central Asia and South Asia where the Persian language has historically been either the native or official language. For instance, Rumi, one of best-loved Persian poets born in Balkh or Vakhsh, wrote in Persian and lived in Konya, then the capital of the Seljuks in Anatolia. The Ghaznavids conquered large territories in Central and South Asia and adopted Persian as their court language. There is thus Persian literature from Iran, Mesopotamia, Azerbaijan, the wider Caucasus, Turkey, western parts of Pakistan, India, Tajikistan and other parts of Central Asia. Not all Persian literature is written in Persian, as some consider works written by ethnic Persians in other languages, such as Greek and Arabic, to be included. At the same time, not all literature written in Persian is written by ethnic Persians or Iranians, as Turkic, Caucasian, and Indic poets and writers have also used the Persian language in the environment of Persianate cultures.
Shayari,Urdu poetry is a rich tradition of poetry and has many different forms. Today, it is an important part of the cultures of South Asia. Meer, Dard, Ghalib, Anees, Daag Dehlvi, Dabeer, Iqbal, Zauq, Josh, Akbar, Premchand, Jigar, Faiz, Firaq, Shakeb Jalali, Ahmad Nadeem Qasmi, Shair, Mohsin, Faraz, Faizi and Firaq are among the greatest poets of Urdu. The language of Urdu got its pinnacle under the British Raj, and it received official status. All famous writers of Urdu language including Ghalib and Iqbal were given British scholarships. Following the Partition of India in 1947, it found major poets and scholars were divided along the nationalistic lines. However, Urdu poetry is cherished in both the nations. Both the Muslims and Hindus from across the border continue the tradition.
Cinquain is a class of poetic forms that employ a 5-line pattern. Earlier used to describe any five-line form, it now refers to one of several forms that are defined by specific rules and guidelines.
It is one of the more popular verse forms in Tajik Badakhshan, occurring both in madoh and in other performance-genres. [1]
The mukhammas represents a stanza of two distichs and a hemistich in monorhyme, the fifth line being the “bob” or burden: each succeeding stanza affects a new rhyme, except in the fifth line, e.g., aaaab + ccccb + ddddb and so forth.
A couplet is a pair of successive lines of metre in poetry. A couplet usually consists of two successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on couplet, the meaning of the first line continues to the second.
A hemistich is a half-line of verse, followed and preceded by a caesura, that makes up a single overall prosodic or verse unit. In Classical poetry, the hemistich is generally confined to drama. In Greek tragedy, characters exchanging clipped dialogue to suggest rapidity and drama would speak in hemistichs. The Roman poet Virgil employed hemistichs in the Aeneid to indicate great duress in his characters, where they were incapable of forming complete lines due to emotional or physical pain.
Monorhyme is a passage, stanza, or entire poem in which all lines have the same end rhyme. The term "monorhyme" describes the use of one (mono) type of repetitious sound (rhyme). This is common in Arabic, Latin and Welsh works, such as The Book of One Thousand and One Nights, e.g. qasida and its derivative kafi. Monorhyme is also used in the third verse of the American rapper Jay-Z's song "Already Home".
Every stanza of a mukhammas includes five lines.
A recurrent theme of the mukhammas is praise of Imam Ali and his companions but other themes also occur.
Ali ibn Abi Talib was the cousin and son-in-law of Muhammad, the last prophet of Islam. He ruled as the fourth caliph from 656 to 661, but is regarded as the rightful immediate successor to Muhammad as an Imam by Shia Muslims.
Many Urdu poets have contributed to the mukhammas. The important among them include:
Bahadur Shah Zafar was the last Mughal emperor. He was the second son of and became the successor to his father, Akbar II, upon his death on 28 September 1837. He was a nominal Emperor, as the Mughal Empire existed in name only and his authority was limited only to the walled city of Old Delhi (Shahjahanbad). Following his involvement in the Indian Rebellion of 1857, the British exiled him to Rangoon in British-controlled Burma, after convicting him on conspiracy charges.
Wali Muhammad Wali (1667–1707) (Urdu: ولی محمد ولی , also known as Wali Deccani, Urdu: ولی دکنی, Wali Gujarati and Wali Aurangabadi, was a classical Urdu poet from India.
Poets who have written the mukhammas in other languages include:
Poetry is a form of literature that uses aesthetic and rhythmic qualities of language—such as phonaesthetics, sound symbolism, and metre—to evoke meanings in addition to, or in place of, the prosaic ostensible meaning.
The pantoum is a poetic form derived from the pantun, a Malay verse form: specifically from the pantun berkait, a series of interwoven quatrains.
A sonnet is a poem in a specific form which originated in Italy; Giacomo da Lentini is credited with its invention.
A sestina is a fixed verse form consisting of six stanzas of six lines each, normally followed by a three-line envoi. The words that end each line of the first stanza are used as line endings in each of the following stanzas, rotated in a set pattern.
A villanelle, also known as villanesque, is a nineteen-line poetic form consisting of five tercets followed by a quatrain. There are two refrains and two repeating rhymes, with the first and third line of the first tercet repeated alternately until the last stanza, which includes both repeated lines. The villanelle is an example of a fixed verse form. The word derives from Latin, then Italian, and is related to the initial subject of the form being the pastoral.
A limerick is a form of verse, usually humorous and frequently rude, in five-line, predominantly anapestic meter with a strict rhyme scheme of AABBA, in which the first, second and fifth line rhyme, while the third and fourth lines are shorter and share a different rhyme. The following example is a limerick of unknown origin:
The Spenserian stanza is a fixed verse form invented by Edmund Spenser for his epic poem The Faerie Queene (1590–96). Each stanza contains nine lines in total: eight lines in iambic pentameter followed by a single 'alexandrine' line in iambic hexameter. The rhyme scheme of these lines is ABABBCBCC.
In prosody, alliterative verse is a form of verse that uses alliteration as the principal ornamental device to help indicate the underlying metrical structure, as opposed to other devices such as rhyme. The most commonly studied traditions of alliterative verse are those found in the oldest literature of the Germanic languages, where scholars use the term 'alliterative poetry' rather broadly to indicate a tradition which not only shares alliteration as its primary ornament but also certain metrical characteristics. The Old English epic Beowulf, as well as most other Old English poetry, the Old High German Muspilli, the Old Saxon Heliand, the Old Norse Poetic Edda, and many Middle English poems such as Piers Plowman, Sir Gawain and the Green Knight, and the Alliterative Morte Arthur all use alliterative verse.
Rhyme royal is a rhyming stanza form that was introduced to English poetry by Geoffrey Chaucer.
The ballade is a form of medieval and Renaissance French poetry as well as the corresponding musical chanson form. It was one of the three formes fixes and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries.
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other.
The ghazal is a form of amatory poem or ode, originating in Arabic poetry. A ghazal may be understood as a poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain.
"Do not go gentle into that good night" is a poem in the form of a villanelle, and the most famous work of Welsh poet Dylan Thomas (1914–1953). Though first published in the journal Botteghe Oscure in 1951, it was written in 1947 when Thomas was in Florence with his family. It was published, along with other stories previously written, as part of Thomas' In Country Sleep, And Other Poems of 1952. The poem was also included in Collected Poems, 1934–1952, first published by Dent in 1952.
Musaddas is a genre of Urdu poetry in which each unit consists of 6 lines-sestain- (misra). Famous early writers employing this form are Mir Anis and Dabeer. Maulana Altaf Husain Hali and Waheed Akhtar are other well-known poets to find expression in this form of poetry. Particularly iconic is Hali's Madd-o-Jazr-e-Islam as an exemplary of this form.
The yadu is a Burmese form of poetry which consists of up to three stanzas of five lines. The first four lines of a stanza have four syllables each, but the fifth line can have 5, 7, 9, or 11 syllables. A yadu should contain a reference to a season.
The canso or canson or canzo was a song style used by the troubadours; it was, by far, the most common genre used, especially by early troubadours; only in the second half of the 13th century would its dominance be challenged by a growing number of poets writing coblas esparsas.
On the Morning of Christ's Nativity is a nativity ode written by John Milton in 1629 and published in his Poems of Mr. John Milton (1645). The poem describes Christ's Incarnation and his overthrow of earthly and pagan powers. The poem also connects the Incarnation with Christ's Crucifixion.
"The Man He Killed" is a poem written by Thomas Hardy. Written in 1902, it was first published in Harper's Weekly, Nov. 8 1902. The first book publication was in his Time's Laughingstocks and Other Verses.