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An amplifier, electronic amplifier or (informally) amp is an electronic device that can increase the power of a signal. It is a two-port electronic circuit that uses electric power from a power supply to increase the amplitude of a signal applied to its input terminals, producing a proportionally greater amplitude signal at its output. The amount of amplification provided by an amplifier is measured by its gain: the ratio of output voltage, current, or power to input. An amplifier is a circuit that has a power gain greater than one.
An audio power amplifier is an electronic amplifier that amplifies low-power electronic audio signals such as the signal from radio receiver or electric guitar pickup to a level that is high enough for driving loudspeakers or headphones. Audio power amplifiers are found in all manner of sound systems including sound reinforcement, public address and home audio systems and musical instrument amplifiers like guitar amplifiers. It is the final electronic stage in a typical audio playback chain before the signal is sent to the loudspeakers.
A valve amplifier or tube amplifier is a type of electronic amplifier that uses vacuum tubes to increase the amplitude or power of a signal. Low to medium power valve amplifiers for frequencies below the microwaves were largely replaced by solid state amplifiers in the 1960s and 1970s. Valve amplifiers can be used for applications such as guitar amplifiers, satellite transponders such as DirecTV and GPS, high quality stereo amplifiers, military applications and very high power radio and UHF television transmitters.
The pentagrid converter is a type of radio receiving valve with five grids used as the frequency mixer stage of a superheterodyne radio receiver.
12AX7 is a vacuum tube that is a miniature dual-triode 6AV6 with high voltage gain. Developed around 1946 by RCA engineers in Camden, New Jersey, under developmental number A-4522, it was released for public sale under the 12AX7 identifier on September 15, 1947.
The Williamson amplifier is a four-stage, push-pull, Class A triode-output valve audio power amplifier designed by D. T. N. Williamson during World War II. The original circuit, published in 1947 and addressed to the worldwide do it yourself community, set the standard of high fidelity sound reproduction and served a benchmark or reference amplifier design throughout the 1950s. The original circuit was copied by hundreds of thousands amateurs worldwide. It was an absolute favourite on the DIY scene of the 1950s, and in the beginning of the decade also dominated British and North American markets for factory-assembled amplifiers.
A beam tetrode, sometimes called a "beam power tube", is a type of tetrode vacuum tube with auxiliary beam-focusing plates designed to augment power-handling capability and help reduce unwanted emission effects. These tubes are usually used for power amplification, especially at audio-frequency.
Founded by David Hafler and Ed Laurent in Philadelphia, Pennsylvania in 1955, Dynaco was an American hi-fi audio system manufacturer popular in the 1960s and 1970s for its wide range of affordable, yet high quality audio components.. Its best known product was the ST-70 tube stereo amplifier. They also manufactured other tube and solid state amplifiers, preamplifiers, radio tuners and bookshelf loudspeakers. Dynaco was liquidated in 1980, and the trademark is now owned by Radial Engineering Ltd.
Hiwatt is a British company that manufactures amplifiers for electric guitars and electric basses. Starting in the late 1960s, together with Marshall and Vox, Hiwatt contributed to the sonic image popularly termed "British sound".
A single-ended triode (SET) is a vacuum tube electronic amplifier that uses a single triode to produce an output, in contrast to a push-pull amplifier which uses a pair of devices with antiphase inputs to generate an output with the wanted signals added and the distortion components subtracted. Single-ended amplifiers normally operate in Class A; push-pull amplifiers can also operate in Classes AB or B without excessive net distortion, due to cancellation.
The Mullard 5-10 was a circuit for a valve amplifier designed by the British valve company, Mullard in 1954 at the Mullard Applications Research Laboratory (ARL) in Mitcham Surrey UK, part of the New Road factory complex, to take advantage of their particular products. The circuit was first published in Practical Wireless magazine.
The EL84 is a thermionic valve of the power pentode type. It is used in the power output stages of audio amplifiers, most commonly now in guitar amplifiers, but originally in radios. The EL84 is smaller and more sensitive than the octal 6V6 that was widely used around the world until the 1960s. An interchangeable North American type is the 6BQ5.
A valve audio amplifier (UK) or vacuum tube audio amplifier is a valve amplifier used for sound reinforcement, sound recording and reproduction.
Ultra-linear electronic circuits are those used to couple a tetrode or pentode vacuum-tube to a load.
A valve RF amplifier or tube amplifier (U.S.), is a device for electrically amplifying the power of an electrical radio frequency signal.
Technical specifications and detailed information on the valve audio amplifier, including its development history.
A magic eye tube or tuning indicator, in technical literature called an electron-ray indicator tube, is a vacuum tube which gives a visual indication of the amplitude of an electronic signal, such as an audio output, radio-frequency signal strength, or other functions. The magic eye is a specific type of such a tube with a circular display similar to the EM34 illustrated. Its first broad application was as a tuning indicator in radio receivers, to give an indication of the relative strength of the received radio signal, to show when a radio station was properly tuned in.
The EF86 is a high transconductance sharp cutoff pentode vacuum tube with Noval (B9A) base for audio-frequency applications.
Tube sound is the characteristic sound associated with a vacuum tube amplifier, a vacuum tube-based audio amplifier. At first, the concept of tube sound did not exist, because practically all electronic amplification of audio signals was done with vacuum tubes and other comparable methods were not known or used. After introduction of solid state amplifiers, tube sound appeared as the logical complement of transistor sound, which had some negative connotations due to crossover distortion in early transistor amplifiers. The audible significance of tube amplification on audio signals is a subject of continuing debate among audio enthusiasts.