Museum of Typography

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Cast-iron printing presses from the 19th century behind a replica of a wooden press from the days of Gutenberg in the Museum of Typography Museum of typography.jpg
Cast-iron printing presses from the 19th century behind a replica of a wooden press from the days of Gutenberg in the Museum of Typography

The Museum of Typography is a Greek museum of typography and printing located near Chania, Crete, at the Park of Small Industries in Souda. It was founded by Yannis Garedakis, owner and founder of the local newspaper Haniotika Nea, with the support of his wife Eleni. The museum started as a small private collection next to the newspaper's printing facilities and first opened its doors to the public in 2005.

Contents

A few years later, in 2012, a new wing was added, presenting various techniques related to typography. In 2015 another hall was inaugurated, along with the museum shop and a small coffee shop. At the last hall, through selected rare books, newspapers, engravings and lithographs from the 16th–19th centuries, visitors have the opportunity to see and learn more about the turbulent history of Crete. Now, the museum covers an area of about 1.400 square meters.

Through the interactive tour, visitors come to understand the course of typography from the Middle Ages up to today. Αll visitors are encouraged to print at printing presses of the 19th century, while videos explain how many of the techniques in the exhibits operate.

Alongside, the museum organises and hosts cultural events all year long, such as conferences, book presentations, theatrical plays, musical events, and an international poster contest about typography.

Since 2012 the Typography Museum has been a member of the Association of European Printing Museums (AEPM) and in 2017 it hosted the annual general meeting and conference of the association. [1] In 2016 the Museum of Typography was nominated for the European Museum of the Year Award. [2] In 2020 it became a member of the European Route of Industrial Heritage, by the Council of Europe. [3]

The collections

The main hall of the museum contains two elaborate cast-iron printing presses of the beginning of the 19th century; a copy of Gutenberg’s wooden printing press; foot-operated printing presses from Germany, the Netherlands, Switzerland and Greece; and smaller, hand-operated Boston-type printing presses. There are typesetting benches from Gutenberg's time to the beginning of the 20th century, with two examples of linotype and monotype typesetting machines. Printing techniques such as lithography, offset, wood engraving, copper engraving and silk screen printing are presented in detail in specially designed showcases; another special exhibit is the presentation of the Braille writing method for the blind, a donation by the Lighthouse for the Blind of Greece organization.

Large flatbed printing presses of the 19th century dominate the area of the new wing and the amphitheatre, while another one, dating from the middle of the 20th century, is located in the main hall.

Two exhibitions showing the history of writing and the evolution of typography, through the artistic view of the graphic designer and printer Antonis Papantonopoulos, are housed in the semi-floor and the ground floor of the new wing. Traditional workshops for lithography, silk screen, bookbinding and stamp making are also in the new wing, as are more modern exhibits presenting the development of graphic arts.

Rare editions from the 16th century onwards – especially from Venice – Greek and foreign newspapers from the early 19th century, maps, lithographs, woodcuts and etchings are presented in the last hall of the museum, leaving visitors an aftertaste that connects typography with the turbulent history of Crete.

More rare books and periodicals, as well as precious Greek and foreign books about typography, printing, the Press and graphic arts can be found in the museum library, along with a collection of old typewriters and polygraphs.

All the exhibits have explanatory texts in English and in Greek regarding their use, origin and date of manufacture or operation.

Education

Every year, more than 5,000 students of primary and secondary schools, universities and colleges from all over Greece visit the museum – especially those studying such subjects as art and design, graphic arts, history, and typography. These "young printers" have the opportunity to print on the authentic 19th-century printing presses and discover the secrets of printing. The educational programmes are approved by the Greek Ministry of Education.

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<span class="mw-page-title-main">Printer (publishing)</span> Printing terminology

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<span class="mw-page-title-main">Typography</span> Art of arranging type

Typography is the art and technique of arranging type to make written language legible, readable and appealing when displayed. The arrangement of type involves selecting typefaces, point sizes, line lengths, line-spacing (leading), and letter-spacing (tracking), as well as adjusting the space between pairs of letters (kerning). The term typography is also applied to the style, arrangement, and appearance of the letters, numbers, and symbols created by the process. Type design is a closely related craft, sometimes considered part of typography; most typographers do not design typefaces, and some type designers do not consider themselves typographers. Typography also may be used as an ornamental and decorative device, unrelated to the communication of information.

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<span class="mw-page-title-main">History of Western typography</span> Aspect of history

Modern typographers view typography as a craft with a very long history tracing its origins back to the first punches and dies used to make seals and coinage currency in ancient times. The basic elements of typography are at least as old as civilization and the earliest writing systems—a series of key developments that were eventually drawn together into one systematic craft. While woodblock printing and movable type had precedents in East Asia, typography in the Western world developed after the invention of the printing press by Johannes Gutenberg in the mid-15th century. The initial spread of printing throughout Germany and Italy led to the enduring legacy and continued use of blackletter, roman, and italic types.

Michael Twyman is a Professor Emeritus of the Department of Typography & Graphic Communication at the University of Reading. He joined the university staff in 1959. He established a BA (Hons) course in Typography & Graphic Communication which eventually grew into its own department in 1974. Both the programme and the department are widely acknowledged to be the first of their kind in the world. He retired from full-time teaching in 1998 but still teaches postgraduate students and is also the Director of the Centre for Ephemera Studies.

<span class="mw-page-title-main">History of printing</span>

The history of printing starts as early as 3000 BCE, when the proto-Elamite and Sumerian civilizations used cylinder seals to certify documents written in clay tablets. Other early forms include block seals, hammered coinage, pottery imprints, and cloth printing. Initially a method of printing patterns on cloth such as silk, woodblock printing for texts on paper originated in China by the 7th century during the Tang dynasty, leading to the spread of book production and woodblock printing in other parts of Asia such as Korea and Japan. The Chinese Buddhist Diamond Sutra, printed by woodblock on 11 May 868, is the earliest known printed book with a precise publishing date. Movable type was invented by Chinese artisan Bi Sheng in the 11th century during the Song dynasty, but it received limited use compared to woodblock printing. Nevertheless, the technology spread outside China, as the oldest printed book using metal movable type was the Jikji, printed in Korea in 1377 during the Goryeo era.

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<span class="mw-page-title-main">History of sentence spacing</span> Evolution of sentence spacing conventions from the introduction of movable type in Europe

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<span class="mw-page-title-main">Book illustration</span> Illustration which appears in books

The illustration of manuscript books was well established in ancient times, and the tradition of the illuminated manuscript thrived in the West until the invention of printing. Other parts of the world had comparable traditions, such as the Persian miniature. Modern book illustration comes from the 15th-century woodcut illustrations that were fairly rapidly included in early printed books, and later block books. Other techniques such as engraving, etching, lithography and various kinds of colour printing were to expand the possibilities and were exploited by such masters as Daumier, Doré or Gavarni.

<span class="mw-page-title-main">Nikolaos Ventouras</span> Greek artist and engraver

Nikolaos Ventouras was a Greek artist and engraver.

<span class="mw-page-title-main">Israeli printmaking</span>

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References

  1. "2017: Making history".
  2. European Museum of the Year Award 2016
  3. https://www.erih.net/

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