Alice Faye was an American actress and singer. A musical star of 20th Century-Fox in the 1930s and 1940s, Faye starred in such films as On the Avenue (1937) and Alexander's Ragtime Band (1938). She is often associated with the Academy Award–winning standard "You'll Never Know", which she introduced in the 1943 musical film Hello, Frisco, Hello.
42nd Street is a 1933 American pre-Code musical film directed by Lloyd Bacon, and a script by Rian James and James Seymour, adapted from the 1932 novel of the same name by Bradford Ropes. Starring an ensemble cast of Warner Baxter, Bebe Daniels, George Brent, Ruby Keeler, Dick Powell and Ginger Rogers, the film revolved around the rehearsals of a Broadway show at the height of the Great Depression, and its cast and crew. The film was choreographed by Busby Berkeley, with music by Harry Warren and lyrics by Al Dubin.
Richard Armstrong Whiting was an American composer of popular songs, including the standards "Hooray for Hollywood", "Ain't We Got Fun?" and "On the Good Ship Lollipop". He also wrote lyrics occasionally, and film scores most notably for the standard "She's Funny That Way".
The Gang's All Here is a 1943 American Twentieth Century Fox Technicolor musical film starring Alice Faye, Carmen Miranda and James Ellison. The film, directed and choreographed by Busby Berkeley, is known for its use of musical numbers with fruit hats. Included among the 10 highest-grossing films of that year, it was at that time Fox's most expensive production.
"You're Getting to Be a Habit with Me" is a 1932 popular song with music by Harry Warren and the lyrics by Al Dubin, which became a standard. The lyrics of the song were noted for its references to addiction.
Rose of Washington Square is a 1939 American musical drama film, featuring the already well-known popular song with the same title. Set in 1920s New York City, the film focuses on singer Rose Sargent and her turbulent relationship with con artist Barton DeWitt Clinton, whose criminal activities threaten her professional success in the Ziegfeld Follies.
You Were Meant for Me is a 1948 musical film directed by Lloyd Bacon and starring Dan Dailey and Jeanne Crain as a bandleader and his wife. It was released by 20th Century Fox. The film includes performances of "You Were Meant for Me", "I'll Get By ", and "Ain't Misbehavin'".
"Climb Ev'ry Mountain" is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. It is sung at the close of the first act by the Mother Abbess. It is themed as an inspirational piece, to encourage people to take every step toward attaining their dreams.
"Mon Homme" ,also known by its English translation, "My Man", is a popular song first published in 1920. The song was originally composed by Maurice Yvain with French lyrics by Jacques-Charles and Albert Willemetz. The English lyrics were written by Channing Pollock.
Week-End in Havana is a 1941 20th Century Fox Technicolor musical film directed by Walter Lang and starring Alice Faye and Carmen Miranda. It was the second of three pictures the two stars made together and the second Faye film to have a Latin-American theme, typical of Fox musicals of the early 1940s. Faye was pregnant during filming.
The Hard Way is a 1943 Warner Bros. musical drama film directed by Vincent Sherman and starring Ida Lupino. The film was based on a story by Irwin Shaw which was reportedly based on Ginger Rogers' relationship with her first husband, Jack Pepper and her own mother, Lela.
Elsie Randolph was an English actress, singer and dancer. Randolph was born and died in London.
Nice People is a lost 1922 American silent drama film directed by William C. deMille and starring Wallace Reid and Bebe Daniels. The movie is based on the 1921 Broadway play of the same name by Rachel Crothers that had starred Tallulah Bankhead, Francine Larrimore, and Katharine Cornell. Vincent Coleman played Reid's part of the Captain.
Anita Louise Combe is an Australian actress, singer, dancer who has worked extensively in the entertainment industry all around the world. Combe attended the Gwen Mackay School of Dancing and trained in the Cechetti method of ballet with Jennifer Pollard in Adelaide, South Australia before making her first professional appearance on stage as Sillabub in the Australian Premiere Production of Cats at the Theatre Royal in Sydney. She is one of the few people in the world to date who has played both roles of Roxie Hart and Velma Kelly in the production of Chicago in the West End. Anita created the role of Stephanie Mangano in the World Premiere Production of Saturday Night Fever opposite fellow Australian, Adam Garcia and produced by Adelaide born, Robert Stigwood.
Take Me Home is a 1928 silent comedy produced by Famous Players-Lasky and distributed by Paramount Pictures. The film was directed by Marshall Neilan and starred Bebe Daniels and Neil Hamilton.
Love Comes Along is a 1930 American romantic film directed by Rupert Julian, written by Wallace Smith, based on the uncompleted play Conchita by Edward Knoblock. It was a vehicle specifically picked to highlight the vocal talents of Bebe Daniels, which also starred Lloyd Hughes and Montagu Love. It made a profit of $258,000.
Tanned Legs is a 1929 American Pre-Code musical comedy directed by Marshall Neilan and written by Thomas J. Geraghty based on a story by Louis Sarecky. The film starred Ann Pennington, Arthur Lake, June Clyde, Dorothy Revier, Sally Blane and Albert Gran. In its first year of operations, RKO attempted to take advantage of musicals as much as possible, and so the music of Oscar Levant and Sidney Clare was awkwardly inserted into this simple comedy script.
Oh, Lady, Lady is a lost 1920 American silent comedy romance film directed by Major Maurice Campbell and starring Bebe Daniels. It is based on a popular 1918 Broadway stage musical, Oh, Lady! Lady!!
The Crowded Hour is a 1925 American silent drama film directed by E. Mason Hopper and starring Bebe Daniels. It was produced by Famous Players-Lasky and distributed by Paramount Pictures. It is based on the 1918 Broadway play, The Crowded Hour, by Channing Pollock and Edgar Selwyn.
The Stage Door Canteen was an entertainment venue for American and Allied servicemen that operated in the Broadway theatre district of New York City throughout World War II. Founded by the American Theatre Wing (ATW) in 1942, the entertainers were largely unpaid; volunteering their talents as a way of supporting the morale of American troops during the war. Several women in leadership with the ATW played a critical role in establishing the Stage Door Canteen, including actress Nedda Harrigan and ATW co-founders Louise Heims Beck and Antoinette Perry. The canteen opened March 2, 1942 and operated seven nights a week in the previously unoccupied Little Club under the 44th Street Theatre at 216 West 44th Street in Manhattan.
