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Music Waste | |
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Genre | Indie rock, alternative rock, experimental rock, singer-songwriter, electronica, underground hip-hop, folk, punk |
Dates | May, June |
Location(s) | Vancouver, British Columbia, Canada |
Years active | 1994–present |
Website | musicwaste.ca |
Music Waste is an annual music, art, and comedy festival held in Vancouver, British Columbia, Canada.
It began in 1994 as a protest against the entry fees of the corporate-sponsored New Music West festival. [1] Since the initial one night stand against the corporate-sponsored New Music West festival, Music Waste has become an integral part of the Vancouver music scene, highlighting the most innovative and exciting bands of Vancouver and surrounding areas. To make the festival as accessible as possible, all of the shows cost a maximum of $5 and are held at venues within walking distance.
From 2004 to 2008, Music Waste had been organized by Only, who also printed a festival guide featuring absurd, tongue-in-cheek write-ups about the bands performing. Discorder (magazine) has since taken over printing the festival guide. Since 2008, Music Waste has remained entirely non-profit, and is organized by a group of dedicated volunteers.
Music Waste's "flipping-the-bird" logo and the "goofball" logo were designed by Vancouver artist Sean Maxey.
Music Waste was voted 3rd Best Festival in Vancouver by readers of the Georgia Straight in 2007.
Music Waste 2012 took place 7 to 10 June 2012. It featured over 100 comedy and musical acts at 24 different venues.
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Sound Tribe Sector 9 (STS9) is an instrumental band whose sound is based heavily on instrumental rock and electronic music, funk, jazz, drum and bass, psychedelia, and hip hop, originating in Georgia, United States. Self-described as "post-rock dance music," the band mixes standard live rock instrumentation with electronics, favoring group rhythm over individual solos.
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Vancouver, British Columbia, is one of Canada's largest cities and foremost cultural centers.
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The Skinny is a monthly free magazine distributed in venues throughout the cities of Dundee, Edinburgh and Glasgow in Scotland. Founded in 2005, the magazine features interviews and articles on music, art, film, comedy and other aspects of culture across Scotland and beyond.
The Homegrown Music Festival is Duluth, Minnesota's annual showcase of local music from the Arrowhead region, which includes Minnesota's Iron Range and communities on the north and south shores of Lake Superior. It happens every year during the first week of May. The 26th annual Homegrown is scheduled for April 28 to May 5, 2024.
Noise Pop is an independent music promoter founded in San Francisco in 1993. The Noise Pop Festival, organized by Noise Pop, has showcased a variety of artists including the White Stripes, Modest Mouse, Death Cab for Cutie, The Flaming Lips, The Shins, Fleet Foxes, Bright Eyes, and Yoko Ono.
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35 Denton was an annual 3-day music festival that took place in the burgeoning arts corridor of downtown Denton, Texas. The festival was programmed each March the week prior to the music portion of SXSW in Austin, Texas.
Rifflandia Music Festival is a four-day multi-venue music festival held at the Royal Athletic Park in Victoria, British Columbia. With no fixed date, the festival has occurred in the month-long span between the last weekend of August and the last weekend of September. Rifflandia was first launched on August 29, 2008. In 2019 it was canceled due to "economic instability in the festival market," with the hope of returning in 2020 which did not happen either due to coronavirus.
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S.C.E.N.E. Music Festival was a music festival founded by Chris "Cashmere" Wojtowicz, singer/songwriter of Revenge Of The Egg People/Rumble Devils, held in downtown St. Catharines, Ontario, Canada. The event was held annually beginning in 1995, usually in late June or early July. Originally a one-day event, the last event to date, in 2014, was extended to two days. The acronym "S.C.E.N.E." stands for Saint Catharines Event for New Music Entertainment, and is a play on words for "being scene", meaning being "with the trend". The festival was booked at several venues throughout St. Catharines, where bands of all genres performed, though it was known to showcase mostly hardcore groups. The first 2000 people to enter the festival received a compilation CD free of charge featuring songs by bands performing in the festival that year.