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The Soul Stirrers were an American gospel music group, whose career spans over eighty years. The group was a pioneer in the development of the quartet style of gospel, and a major influence on Soul, Doo wop, and the Motown sound, some of the secular music that owed much to gospel.
Mahalia Jackson was an American gospel singer, widely considered one of the most influential vocalists of the 20th century. With a career spanning 40 years, Jackson was integral to the development and spread of gospel blues in black churches throughout the U.S. During a time when racial segregation was pervasive in American society, she met considerable and unexpected success in a recording career, selling an estimated 22 million records and performing in front of integrated and secular audiences in concert halls around the world.
Gospel music is a traditional genre of Christian music, and a cornerstone of Christian media. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context. Gospel music is composed and performed for many purposes. Including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music is characterized by dominant vocals and strong use of harmony with Christian lyrics. Gospel music can be traced to the early 17th century.
Sister Rosetta Tharpe was an American singer, songwriter and guitarist. She gained popularity in the 1930s and 1940s with her gospel recordings, characterized by a unique mixture of spiritual lyrics and electric guitar. She was the first great recording star of gospel music, and was among the first gospel musicians to appeal to rhythm and blues and rock and roll audiences, later being referred to as "the original soul sister" and "the Godmother of rock and roll". She influenced early rock-and-roll musicians including Little Richard, Johnny Cash, Carl Perkins, Chuck Berry, Elvis Presley, Jerry Lee Lewis, and Eric Clapton.
The Five Blind Boys of Mississippi was an American post-war gospel quartet. They started with lead singer Archie Brownlee, their single "Our Father" reached number ten on the Billboard R&B charts in early 1951. Then the screams of their new lead singer Big Henry Johnson captivated audiences all over the world. Jimmy was the heart of the group and the longest standing member. It was one of the first gospel records to do so.
Bessie Griffin was an American gospel singer. From junior high into the late 1940s, she sang with the Southern Harps, who were better known later as the Southern Revivalists of New Orleans, then performed with The Caravans for a year and toured with W. Herbert Brewster Jr. Mentored by Mahalia Jackson, she moved to Chicago in the early 1950s and then relocated to Los Angeles at the end of the decade. She performed in theaters and night clubs, and appeared on popular televisions shows like The Ed Sullivan Show and The Dinah Shore Show.
"Take My Hand, Precious Lord" is a gospel song. The lyrics were written by Thomas A. Dorsey, who also adapted the melody.
Jackie Verdell was an American gospel singer, born in Philadelphia, Pennsylvania, United States.
Samuel Blythe Price was an American jazz, boogie-woogie and jump blues pianist and bandleader. Price's playing is dark, mellow, and relaxed rather than percussive, and he was a specialist at creating the appropriate mood and swing for blues and rhythm and blues recordings.
Traditional black gospel is music that is written to express either personal or a communal belief regarding African American Christian life, as well as to give a Christian alternative to mainstream secular music. It is a form of Christian music and a subgenre of black gospel music.
"Just a Closer Walk with Thee" is a traditional gospel song and jazz standard that has been performed and recorded by many artists. Performed as either an instrumental or vocal, "A Closer Walk" is perhaps the most frequently played number in the hymn and dirge section of traditional New Orleans jazz funerals. The title and lyrics of the song allude to the Biblical passage from 2 Corinthians 5:7 which states, "We walk by faith, not by sight" and James 4:8, "Come near to God and He will come near to you."
"Up Above My Head" is a gospel song of traditional origin, first recorded in 1941 by The Southern Sons, a vocal group formed by William Langford of the Golden Gate Quartet. In the version that is now the best-known, it was recorded in 1947 by Sister Rosetta Tharpe and Marie Knight as a duo.
The Selah Jubilee Singers were an American gospel vocal quartet, who appeared in public as a gospel group but who also had a successful recording career as a secular group in the 1930s & 1940s.
Thurman Ruth, who got his start in vaudeville in 1927, was a gospel singer, deejay and concert promoter, and a forefather of such rhythm and blues (R&B) producers as Ralph Bass. Ruth had organized the Selah Jubilee Singers, a gospel group drawn from the membership of a church choir, leaving it in 1949 to pursue more secular interests in music.
Marie Knight was an American gospel and R&B singer.
"Down by the Riverside" is an African-American spiritual. Its roots date back to before the American Civil War, though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. The song has alternatively been known as "Ain' go'n' to study war no mo'", "Ain't Gwine to Study War No More", "Down by de Ribberside", "Going to Pull My War-Clothes" and "Study war no more". The song was first recorded by the Fisk University jubilee quartet in 1920, and there are at least 14 black gospel recordings before World War II.
The Harmonizing Four was an American black gospel quartet organized in 1927 and reaching peak popularity during the decades immediately following World War II.
The song known as both "Gospel Boogie" and "A Wonderful Time Up There" was written by Lee Roy Abernathy, and first recorded by him in 1947 under the former name. This release, for the label White Church Record, credits the performance with variant spelling to "Leroy Abernathy Homeland Harmony Quartet".
"This Train", also known as "This Train Is Bound for Glory", is a traditional American gospel song first recorded in 1922. Although its origins are unknown, the song was relatively popular during the 1920s as a religious tune, and it became a gospel hit in the late 1930s for singer-guitarist Sister Rosetta Tharpe. After switching from acoustic to electric guitar, Tharpe released a more secular version of the song in the early 1950s.
"Stand by Me" should not be confused with "Stand by Me Father", by Sam Cooke and J. W. Alexander.
References
- 1 2 Oliver, Paul; Russell, Tony; Dixon, Robert M. W.; Godrich, John; Rye, Howard (2001-02-22). Yonder Come the Blues: The Evolution of a Genre. Cambridge University Press. p. 47. ISBN 978-0-521-78777-2.
- ↑ "My Lord's gonna move this wicked race". University of Arkansas Libraries & Digital Collections. Retrieved 20 August 2022.
- ↑ "Askew, F. M." Discography of American Historical Recordings. University of California. Retrieved 20 August 2022.
- ↑ Catalog of Copyright Entries: Musical compositions. Vol. 3. Library of Congress. 1926. p. 1317.
- ↑ Lornell, Kip (2001). "One hundred years of black gospel quartet singing". In Rubin, Rachel; Melnick, Jeffrey (eds.). American popular music: New approaches to the twentieth century. Amherst, MA: University of Massachusetts Press. p. 158. ISBN 9781558492684.
- ↑ Heilbut, Anthony (1985). The gospel sound: Good news and bad times. New York: Hal Leonard Corporation. p. 42. ISBN 9780879100346.
- ↑ Dodge, Timothy (2013). The school of Arizona Dranes. Lexington Books. p. 123. ISBN 9780739167120.
- ↑ "The Mayo Williams era". 78 Quarterly. Vol. 1, no. 4. 1989. p. 12.
- 1 2 Allen, Ray (1991). Singing in the spirit: African-American sacred quartets in New York City. Philadelphia: University of Pennsylvania Press. p. 33. ISBN 9780812230505.
- ↑ Malcolm X (March 1967). "Afro-American History". International Socialist Review. Vol. 28, no. 2.
- ↑ My Lord's gonna move this wicked race (Media notes). New York Recording Laboratories. 1923. Retrieved 20 August 2022.
- ↑ Heilbut, Anthony (1985). The Gospel Sound: Good News and Bad Times. Hal Leonard Corporation. p. 42. ISBN 978-0-87910-034-6.
- ↑ "My Lord's gonna move this wicked race". August 20, 1934 – via Internet Archive.
- ↑ "OKeh matrix S-72804". Discography of American Historical Recordings. University of California. Retrieved 20 August 2022.
- ↑ "Complete Sister Rosetta Tharpe, Volume 3: 1947-1951". Internet Archive. 2003. Retrieved 20 August 2022.
- ↑ RCA Victor 48-0485