"My One and Only" is a song written by Lynsey de Paul and first recorded by the female vocal trio Bones. [1] [2] It was released as a single in 1974 in the UK on Jet Records (the second release from the label), [3] and on Polydor in France, Germany and Italy. [4] The recording was produced by de Paul. [5] The song is about a summer holiday romance and is influenced by the style of 1960s girl groups such as the Shangri-Las. [6] Bones performed the song on British television as guests on the Granada TV programme, Rock On With 45, on 16 January 1975. The B-side of the single, “Baby Don’t Make Me Cry”, was a doo-wop sounding song co-written by de Paul and Barry Blue, [7] and again it was produced by de Paul. [5]
Bones had three members – American Jacquie Sullivan, Suzanne Lynch (born Sue Donaldson, originally half of the Chicks duo with sister Judy) and Joy Yates (the latter two both from New Zealand). [8] They performed with Neil Sedaka at the Royal Festival Hall in his 1970s comeback concert, which was later released as a live album. [5] Bones provided back-up vocals on the UK pop TV programme Get It Together for some of the UK's biggest stars of the 1970s, and they appeared on the show singing the song. [6] De Paul also recorded a version of the song for her shelved 1976 album, Before You Go Tonight , [9] and it was finally released on this album in 1990, [10] as well as on her album Best of Lynsey de Paul. [11]
Lynsey de Paul was an English singer-songwriter and record producer. After initially writing hits for others, she had her own chart hits in the UK and Europe in the 1970s, starting with UK top 10 single "Sugar Me", and became the first British female artist to achieve a number one with a self-written song. She represented the UK in the 1977 Eurovision Song Contest, coming second and scoring another chart-topping hit in Switzerland, and had a successful career as a songwriter, record producer, actress and television celebrity.
Jet Records was a British record label started by Don Arden in 1974, featuring musicians such as Lynsey de Paul, Electric Light Orchestra (ELO), Roy Wood, Gary Moore, Ozzy Osbourne, Alan Price, Adrian Gurvitz, Riot and Magnum.
"Rock Bottom" was the British entry in the Eurovision Song Contest 1977, performed in English by Lynsey de Paul and Mike Moran. It was also written and produced by de Paul and Moran and released on the Polydor record label. Originally it was written for the group Blue Mink; and submitted unbeknown to de Paul and Moran as an entry for A Song For Europe by the publishers; when it was selected, de Paul agreed to perform the song if Moran would join her. On 9 March 1977, "Rock Bottom" was selected to represent the UK at the A Song for Europe 1977 event held at the New London Theatre, presented by Terry Wogan.
Taste Me...Don't Waste Me is the third album by the English singer-songwriter Lynsey de Paul but the second album of completely new material and de Paul also was the producer for all of the songs. It was released in the UK in November 1974 and was the first album on Don Arden's then new label, Jet Records, and initially distributed by Polydor, although Island Records was soon contracted by Arden to take over distribution and this confusion may have negatively affected sales. Releases in all other countries, such as Spain, Germany, Australia, Japan and South America, were on the Polydor label in early 1975. The album was generally well received by music critics from leading magazines of the day. AllMusic journalist Craig Harris stated that "one of the first successful female singer-songwriters in England, de Paul has had an illustrious career" and lists this as one of her best albums. The Sunday Sun reviewed the album and wrote "Lynsey de Paul has shown her fine smoochy new album "Taste Me Don’t Waste Me" that she consistent song-writing talent". It was also de Paul's personal favourite album and she wrote on her music store website some years later "The Taste Me... Don't Waste Me album was a romantic collection of songs that I wrote and recorded as a relaxing, late night album", echoing earlier comments to the music press. The LP was listed as one of the best album releases of 1975 by journalist Judith Simons. It has stood the test of time in that it is listed as one of the top albums released in 1974 by online site "Best ever albums", as well as one of the top 1000 albums released in the 1970s.
"Storm in a Teacup" is a song written by Lynsey de Paul and Ron Roker, recorded by the British group The Fortunes and released as a single in 1972.
"My Man and Me" is a song written, recorded and produced by the British female singer-songwriter Lynsey de Paul for her second album, Taste Me... Don't Waste Me, and released as a single backed with de Paul's smoochy version of "Dancing on a Saturday Night" on 21 February 1975.
"There's No Place Like London" is a song co-written by Lynsey de Paul and Gerard Kenny, and held by the British Library. The song was published by Lynsey de Paul Music/Chelsea Publishing Co Ltd/Arlon Music/Chappell Music.
Tigers and Fireflies is an album recorded in 1978 and released by Lynsey de Paul in April 1979 on the Polydor record label in the UK, Europe, Japan, Hong Kong, Singapore, Malaysia and South America. It was launched at a special event at the Mayfair Club in London, with de Paul looking similar to the 1940s film star Veronica Lake. The album was recorded at Long View Farm Studios with additional recording at Mediasound Studios, New York and produced by Rupert Holmes. In his 1986 biography, Justin de Villeneuve, de Paul's manager at the time wrote "I gave Rupert Holmes a call in New York. He agreed to see me if I flew to America. Polydor, with the prospect of the involvement with Holmes, agreed to up the budget". The collaboration between de Paul and Holmes on Tigers and Fireflies was mentioned on the Ray Shasho Show, when Shasho interviewed Holmes on his BBS radio show on 7 August 2018. The story behind the recording of the album was also discussed in the book Dervish Dust: The Life and Words of James Coburn. Speaking to Music Week about the album, Jim Cook said "Throw away all of your preconceived ideas about Lynsey de Paul" and the Scottish press reported "Nifty production by Rupert Holmes has the petit blonde back on form Not a weak song on the album".
"If I Don't Get You The Next One Will" is a song written, recorded and produced by Lynsey de Paul and released in April 1976 in the UK as her seventh and final single on Jet Records. The B-side of the single was another de Paul song and fan favourite "Season to Season". A longer version of the song was recorded as a track for the 1976 album Take Your Time, but the album was shelved as part of a dispute between de Paul and Arden, and when it was finally released on CD in 1990 in Japan as Before You Go Tonight, the single version was included. This humorous and tongue in cheek song relates many of de Paul's negative dating experiences. One well known muse for the song was former boyfriend, Ringo Starr, who missed a dinner date with de Paul. De Paul herself described the song as being about revenge, after Starr missed a dinner appointment with her because he fell asleep in his office. Stylistically, it was quite a departure from previous releases, with prominent use of synthesiser and a sparse arrangement that received positive reviews. At the time, the Record Mirror wrote "Cleverly constructed song with Lynsey's voice playing leap-frog over itself. Uptempo rhythm that winds itself all over the place, following the intricate vocal patterns" with the Hammersmith & Shepherds Bush Gazette also praising the single.
Surprise is the first album released by Lynsey de Paul on the MAM record label in 1973. In Australia, the album name was changed to Sugar Me, after de Paul's first hit single. All of the songs on the album were written or co-written by de Paul. On the album, de Paul was accompanied by some of the UK's leading session musicians including Terry Cox, Ralph McTell, Ray Cooper, Jeff Daly, John Gustafson, Chris Rae, Danny Thompson, Gary Boyle, Barry de Souza, Dick Katz, Robert Kirby, Francis Monkman, John Richardson and violinist Johnny Van Derrick. The album front cover is a portrait photo of de Paul photographed by Clive Arrowsmith, and a gatefold sleeve with illustrations provided by de Paul, a nod to her previous career of designing album sleeves and song lyrics.
Before You Go Tonight also known as Take Your Time is a Lynsey de Paul album recorded in 1976 for Jet Records, but shelved out of spite by then manager Don Arden, and not released until 1990. Then it appeared as a CD release in Japan on Century Records, and again on the Vivid Sound under licence from Trojan Records. The album was originally called Singer-Songwriter and was finally released on de Paul's music store as Take Your Time, albeit with a slightly different track listing. All of the songs were written by de Paul, except the amusing "You've Either Got It or You Ain't", which was co-written with David Jordan. The album was produced by de Paul. The track "If I Don't Get You The Next One Will" was released as a single in 1976 and this version is included. "My One and Only" is de Paul's version of a song recorded and released in 1975 by her label mates at the time, the British female vocal trio Bones.
"Papa Do" is a song written by Lynsey de Paul and Barry Blue, who are credited as Rubin and Green. The song was released as a single performed by Barry Green in February 1972 backed with "Boomerang" on the Decca label and had a modicum of chart success in Spain, France and Sweden. It received a number of favourable reviews, including one from the BBC DJ Alan Freeman on his Sunday radio show Pick of the Pops. The Dutch group, Cardinal Point, recorded a version which was similar in style to that recorded by Green, as a track on their self-named album, and the Greek group, The Daltons, also released a version of the song as a single. The song was re-titled "Mama Do" and the text slightly modified for de Paul's own jazzed up version, that served as the opening track for her debut album, Surprise, which was released in 1973. In January 1974, Decca Records re-released the single to capitalize on Barry Blue's chart success and it again received positive reviews.
"Hollywood Romance" is a song written by Lynsey de Paul and David Jordan. It was released as a single on Polydor Records on 20 October 1978 in a picture sleeve, almost six years to the day after the release of their last hit collaboration "Getting a Drag", and it was play-listed on BBC Radio 1. The record label for this single was unusual in that it was printed in silver instead of the usual Polydor red label. The release was announced in a full page advert "Hollywood Romance - a new single from a very special lady" published in Music Week. In Japan, it was released in February 1979 in the same picture sleeve cover with the title in Japanese added, plus the lyrics were included on the back cover. It was listed as a major release in Hong Kong. It was also released as a track on the 1978 BBC transcription album Servicio Latinoamericano de la BBC vol. 44 together with "Don't Take Love for Granted" by Lulu and "Got to Get You into My Life" by Earth, Wind and Fire.
"House of Cards" is a song written by Lynsey de Paul and Barry Blue and is one of their most covered songs. It was first released as a single by Chris Kelly on the CBS label on 7 April 1972, credited as being written by Rubin and Green (Blue). The song was a radio hit in Italy, receiving multiple plays on national radio stations.
Into My Music - Anthology 1975-1979 is a digitally remastered double album, featuring songs written and performed by Lynsey de Paul, that was released on 18 March 2013 on Cherry Red's RPM Retrodisc label. All recordings have been remastered by de Paul and Simon Murphy from original tape sources and co-produced by de Paul and Mark Stratford. The album is packaged with photographs and memorabilia from de Paul's personal archive and text by Michael Robson.
Love Bomb is the fourth album released in 1975 by the British singer-songwriter Lynsey de Paul, and her second album released on Jet Records in the UK and Polydor in Germany, Australia and Japan. In the US and Canada, it was released in January 1976 on Mercury Records. The album was recorded at the Marquee Studios, London, England, produced by de Paul and arranged by Tony Hymas, with Terry Cox playing drums, John Dean percussion, Chris Rea guitar and Frank McDonald bass. The striking sleeve cover photo of de Paul in U.S. military style clothing was taken by Brian Aris.
"Hot Shot" is a song written by Barry Blue and Lynsey de Paul, that was released as a single on 2 September 1974 on the Bell Record label by Barry Blue. It was Blue's last chart entry with an original song, reaching no. 23 on the UK Singles Chart. Despite this, it is considered as one of Blue's best songs. The song was also his biggest hit in Sweden where it reached no. 1 on the Poporama singles chart, and in Zimbabwe where it peaked at no. 3. "Hot Shot" also reached no. 8 on the Hessischer Rundfunk Hitparade, and spent three weeks on the Dutch Tipparade in 1975.
"Rhythm and Blue Jean Baby" is a song that was written and produced by Lynsey de Paul, and released in July 1975 as her third single on the newly designed yellow Jet Record label in the UK, as a follow-up to the hit single "My Man and Me". It was released on Polydor in Belgium, France and Germany ; backed with another de Paul composition "Into My Music". The release of the single was also announced in the American music industry magazine Cashbox. The song as well as the lyrics and credits are listed on the Italian music resource "Rockol".
"All Night" is a song written by Lynsey de Paul and Ron Roker. De Paul released her version of the song on 27 April 1973 as her third single released on MAM Records, with arrangements by Martyn Ford and John Bell and produced by de Paul. The song is listed in the U.S. Library of Congress Catalog of Copyright Entries and in "The Directory of American 45 R.p.m. Records". It features an uncredited male vocal. A slinky, sexy song, it compares a love relationship to that of the spider and a fly. The single is backed by the more socially aware song "Blind Leading the Blind", composed and produced by de Paul. The song was an unusual release since neither the A-side or the B-side featured as tracks on her debut album. Surprise had been released a little more than a month earlier - presumably it was not included since "All Night" has a very different style than the tracks on Surprise.
"Taking It On" is a song written by Lynsey de Paul and Ron Roker, and originally published by ATV Music. Although de Paul recorded her own demo version of the song in 1972, her version of the song was not released until 2013 on her Anthology CD album Sugar and Beyond. De Paul also arranged and produced this recording.