Naked Africa | |
---|---|
Directed by | Ray Phoenix |
Produced by | Cedric Worth |
Production company | Jaywall Productions |
Distributed by | American International Pictures |
Release date |
|
Country | United States |
Language | English |
Naked Africa is a 1957 American documentary film about Africa released under the pretense of being an educational ethnographic film. It was released on a double bill with White Huntress . [1] The film was later re-rereleased under the title Mondo Africana to exploit the shockumentaries Mondo Cane and Africa Addio .
Naked Lunch is a 1991 surrealist science fiction drama film written and directed by David Cronenberg and starring Peter Weller, Judy Davis, Ian Holm, and Roy Scheider. It is an adaptation of William S. Burroughs's 1959 novel of the same name, and an international co-production of Canada, Britain, and Japan.
Cannibal Holocaust is a 1980 Italian cannibal film directed by Ruggero Deodato and written by Gianfranco Clerici. It stars Robert Kerman as Harold Monroe, an anthropologist who leads a rescue team into the Amazon rainforest to locate a crew of filmmakers that have gone missing while filming a documentary on local cannibal tribes.
Mondo films are a subgenre of exploitive documentary films. Many mondo films are made in a way to resemble a pseudo-documentary and usually depicting sensational topics, scenes, or situations. Common traits of mondo films include portrayals of foreign cultures, an emphasis on taboo subjects such as death and sex, and staged sequences presented as genuine documentary footage. Over time, the films have placed increasing emphasis on footage of the dead and dying.
Mondo Trasho is a 1969 American 16mm mondo black comedy film by John Waters. The film stars Divine, Mary Vivian Pearce, David Lochary and Mink Stole. It contains very little dialogue, the story being told mostly through musical cues.
Cannibal films, alternatively known as the cannibal genre or the cannibal boom, are a subgenre of horror films made predominantly by Italian filmmakers during the 1970s and 1980s. This subgenre is a collection of graphically violent movies that usually depict cannibalism by primitive, Stone Age natives deep within the Asian or South American rainforests. While cannibalism is the uniting feature of these films, the general emphasis focuses on various forms of shocking, realistic and graphic violence, typically including torture, rape and genuine cruelty to animals. This subject matter was often used as the main advertising draw of cannibal films in combination with exaggerated or sensational claims regarding the films' reputations.
Goodbye Uncle Tom is a 1971 Italian mondo docudrama co-directed and co-written by Gualtiero Jacopetti and Franco Prosperi with music by Riz Ortolani. Based on true events, the filmmakers explore antebellum America, using period documents to examine in graphic detail the racist ideology and degrading conditions faced by Africans under slavery. Due to the use of published documents and materials from the public record, it is labeled a documentary, though all footage is re-staged using actors.
Hans Ruesch was a Swiss racing driver, a novelist, and an internationally prominent activist against animal experiments and vivisection. Ruesch has been described as a pioneer of the anti-vivisection movement.
Black Emanuelle is a softcore sexploitation film from 1975 directed by Bitto Albertini. The film was set in Africa and shot mostly in Kenya. The music was composed by Nico Fidenco. Black Emanuelle was followed by a number of sequels, all revolving around the erotic adventures of Mae Jordan, a globe-trotting, hedonistic investigative journalist and photographer known to her readers as "Emanuelle". Her character has been described as "a strong and independent woman, sexually proactive, at the centre of wealthy young and old white men of power, and involved in any sort of depraved set and situation."
The Naked Prey is a 1965 American adventure film directed and co-produced by Cornel Wilde, who also stars in the lead role. Set in the South African veldt, the film's plot centers around a safari guide trying to survive in the veldt's harsh environment, while trying to avoid death at the hands of vengeful African warriors. The story is loosely based on the experiences of American explorer John Colter. The acclaimed screenplay earned writers Clint Johnson and Don Peters an Academy Award nomination for Best Original Screenplay.
Massimo Serato, born Giuseppe Segato, was an Italian film actor with a career spanning over 40 years.
Africa Addio is a 1966 Italian mondo documentary film co-directed, co-edited and co-written by Gualtiero Jacopetti and Franco E. Prosperi with music by Riz Ortolani. Jacopetti and Prosperi had gained fame as the directors of Mondo Cane in 1962.
Ultime grida dalla savana, also known as by its English title Savage Man Savage Beast, is a 1975 Italian mondo documentary film co-produced, co-written, co-edited and co-directed by Antonio Climati and Mario Morra. Filmed all around the world, its central theme focuses on hunting and the interaction between man and animal. Like many mondo films, the filmmakers claim to document real, bizarre and violent behavior and customs, although some scenes were actually staged. It is narrated by the Italian actor and popular dubber Giuseppe Rinaldi and the text was written by Italian novelist Alberto Moravia.
The Naked and the Dead is a 1958 World War II film directed by Raoul Walsh, and based on the 1948 novel of the same name by Norman Mailer. The screenplay was written by brothers Denis and Terry Sanders, and the film was shot in Panama on Technicolor film. The movie adds a strip tease and an action scene to the story in the novel. It is one of the last films produced by RKO before the studio's closure. The film was released by Warner Bros. It was the last film that Walsh directed for Warner Bros.
Naked Paradise is a 1957 drama film directed by Roger Corman. It stars Richard Denning and Beverly Garland.
"Goona-goona epic" refers to a particular type of native-culture exploitation film set in remote parts of the Far East, Southeast Asia, Africa, South America, and the South Pacific. These include documentaries and dramas, both of which rely heavily on travelogue and stock footage scenes of semi-nude native peoples performing exotic rituals and customs.
Mondo Cane is a 1962 Italian mondo documentary film and directed by the trio of Gualtiero Jacopetti, Paolo Cavara, and Franco E. Prosperi, with narration by Stefano Sibaldi. The film consists of a series of travelogue scenes that provide glimpses into cultural practices around the world with the intention to shock or surprise Western film audiences. These scenes are presented with little continuity, as they are intended as a kaleidoscopic display of shocking content rather than presenting a structured argument. Despite its claims of genuine documentation, certain scenes are either staged or creatively manipulated to enhance this effect.
Paolo Cavara was an Italian screenwriter and film director. He is best known for collaborating with Gualtiero Jacopetti and Franco E. Prosperi on the 1962 mondo film Mondo Cane, and for directing the fiction film The Wild Eye (1967) and two giallo films, Black Belly of the Tarantula (1971) and Plot of Fear (1976).
The Naked Country is a 1985 Australian film. It was based on the 1957 novel by Morris West.
Distributors Corporation of America (DCA) was an American film distribution company which distributed 60 films in the US between 1952 and 1959. DCA distributed the 1956 re-releases of The Naked City (1948) and Brute Force (1947), both produced by Mark Hellinger and directed by Jules Dassin.
Follie di notte is an Italian erotic-documentary film directed by Joe D'Amato and released in 1978.