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Koodiyattam is a traditional performing art form in the state of Kerala, India. It is a combination of ancient Sanskrit theatre with elements of Koothu, an ancient performing art from the Sangam era. It is officially recognised by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity.
Nambiar may refer to:
Koothambalam or Kuttampalam meaning temple theatre is a closed hall for staging Koothu, Nangiar koothu and Koodiyattam, the ancient ritualistic art forms of Kerala, India. Koothambalams are said to be constructed according to the guide lines given in the chapter 2 of Nātyasāstra of Bharata Muni. The stage within the hall is considered to be as sacred as the temple sanctum. It is constructed within the cloister of the Temple; more precisely within the pancaprakaras of the temple. The prescribe location is between the prakaras of bahyahara and maryada. In Kerala tradition it is considered as one among the pancaprasadas of a temple complex. Its dimension vary from temple to temple. A square platform with a separate pyramidal roof supported by pillars in the center called natyamandapam is constructed as s separate structure within the large hall of Koothampalam. The floor of the hall is divided into two equal halves and one part is for performance and other half for seating audience. During the performance, the stage is decorated with fruit-bearing plantains, bunches of coconuts and fronds of the coconut palm. A para filled with rice is placed on the stage. A nilavilakku with three thiri is used for lighting. The mizhavu, a percussion instrument for accompanying Koothu, is placed within a railed enclosure, with a high seat for the drummer( belonging to nampiar community).
A mizhav or mizhavu is a big copper drum played as an accompanying percussion instrument in the Koodiyattam and Koothu, performing arts of Kerala. It is played by the Ambalavasi Nambiar community. After 1965, when started a mizhavu repertory in kalamandalam mizhavu break the caste barrier and nowadays anyone can play mizhavu in koodiyattam, nangiar koothu, chakyar koothu, and mizhavu thayambaka.
Marumakkathayam was a system of matrilineal inheritance prevalent in regions of the Indian state of Kerala.
Chakyar Koothu is a performance art from Kerala, India. It is primarily a type of highly refined monologue where the performer narrates episodes from Hindu epics and stories from the Puranas. Sometimes, however, it is also a traditional equivalent of the modern stand-up comedy act, incorporating commentary on current socio-political events.
Variyar is a Hindu Ambalavasi caste in Kerala, India.
Parayi Petta Panthirukulam, is a popular folktale in Kerala. According to this folktale, Vararuchi, one of the nine wise men of Emperor Vikramaditya’s court married Panchami, a girl belonging to Paraya, a lower caste. The couple set out on a long pilgrimage. On the way, they had 12 children. Upon each delivery, Vararuchi enquired whether the baby had a mouth. If the wife said "yes", he would say, "God will appease the one with mouth" and would ask the wife to abandon the baby then and there and proceed. Eleven children were deserted, since they had a mouth. The tale goes that after the 12th birth, when Vararuchi asked whether the child had a mouth, the wife said he didn't have a mouth in the hope that she may get to raise at least that child. But when she looked at the child after saying that, the child indeed was seen to have been born without a mouth. Vararuchi consecrated the 12th child as a deity on top of a hill, and they proceeded on the pilgrimage.
Jenmi or Janmi, plural Jenmimar, is the Malayalam term used to refer to the landed aristocracy of Kerala who traditionally held their lands as absolute and allodial owners, with such lands known as Jenmom or Janmam. They formed the landowning nobility as well as the landed gentry of the region in colonial times, and the majority of the estates and feudal properties were owned by this community. They predominantly belonged to the Nambudiri and Nair castes.
Malayali Brahmins or Kerala Brahmins are the group of Brahmins from the Indian state of Kerala. These groups include the Nambudiri, and the Potti.
Marar is the name given to the caste of hereditary temple musicians of Travancore, Cochin and Malabar region in the state of Kerala, whose primary duty was to provide the traditional temple Sopanam music. They belong to the Ambalavasi caste.
Nambiār, also known as Nambiyār, is a sub-group of the Indian Nair caste. Many were jenmi landlords in the Malabar region.
Ambalavasi, more properly Ampalavasi, is the generic name for a group of castes among Hindus in Kerala, India, who have traditionally rendered temple services.
Pushpaka Brahmin is a generic term that refers to a group of certain Hindu Ambalavasi castes in Kerala.
Nangiar koothu or Nangyar Koothu is an allied traditional art of Kutiyattam, an age-old Sanskrit drama tradition of India. It is performed traditionally by the women of the Ambalavasi Nambiar community of Kerala, known as Nangyaramma, but since the second half of the 20th century it's no longer the case.
Perumthachan is a 1991 Indian Malayalam-language period drama film directed by Ajayan and written by M. T. Vasudevan Nair. It is based on Perumthachan of the Parayi Petta Panthirukulam, a legend of the Kerala folklore. The problems caused by the generation gap are explored through the relationship between a skilled carpenter and his tradition-breaking son. The film won the National Film Award for Best First Film of a Director and Filmfare Award for Best Film - Malayalam. It was nominated for the Golden Leopard Award and is now considered as a classic in Malayalam cinema. The film marks the debut of Prashanth in Malayalam cinema.
There are numerous ceremonies and customs adopted by the Nair caste, which is prominent in the South Indian state of Kerala.
Nambidi is a caste of Kerala, India. The form a part of the Ambalavasi community. They are considered to be Malayali Brahmins and to have originated when a section of the Nambudiris was degraded. They also have the same rights and rituals of nambudiri's. The nambidi ladies are usually called Mandals / Atholammas used to wear the cheruthalis and are similar to Antharjanams. The nambidi's also had great economic and Societic importance and have the same grade of Nambudiris in the Society. They have no right to do Poojas in temples. Nambidis are divided into two: the ones who wear the sacred thread and perform the Upanayanam and the ones who do not. The former are Nambudiris who were degraded to the Lower status since their ancestors had committed a heinous act by murdering a ruler of Kerala. On their return the other Nambudiris welcomed them but they refused to seat themselves with the other Brahmins owing to the sin they committed and instead sat on the steps of the hall. They came to be known as Nom Padimels or those on the steps and this term was later corrupted into Nambidi. The latter are Nairs who were assigned the Nambidi title. Namboodiris will Join with nambidi's in all their functions and rituals.
Theeyattunni or Theeyadi Unni is a caste of Hindu Brahmins of Kerala, India. They are a part of the Pushpaka Brahmins and Ambalavasi community in Kerala. Theeyattunnis are traditionally the performers of an ancient art form called Theeyatt. Theeyattunnis have the right for Tantric Poojas and other privileges enjoyed by the Nambudiri caste.
Pathakam is a traditional temple art form of Kerala in which stories from Hindu Puranas are narrated.
References
- ↑ Sinha, Surajit (1993). Anthropology of Weaker Sections. Concept Publishing Company. ISBN 978-81-7022-491-4.
- Chakiar, Mani Madhava (1975), Nātyakalpadrumam , Sangeet Natak Akademi, New Delhi