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The performing arts are arts such as music, dance, and drama which are performed for an audience. It is different from visual arts, which is the use of paint, canvas or various materials to create physical or static art objects. Performing arts include a range of disciplines which are performed in front of a live audience, including theatre, music, and dance.
Ballet is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways.
A stripper or exotic dancer is a person whose occupation involves performing striptease in a public adult entertainment venue such as a strip club. At times, a stripper may be hired to perform at a bachelor party or other private event.
Giddha is a popular folk dance of women in the Punjab region. The dance is often considered derived from the ancient dance known as the ring dance and is just as energetic as bhangra; at the same time it manages to creatively display feminine grace, elegance and flexibility. It is a highly colourful dance form which has spread to all regions of India. Women perform this dance mainly at festive or social occasions. The dance is accompanied by rhythmic clapping, with a typical traditional folk song performed by elder women in the background.
The traditional music of Tuvalu consists of dances, including fatele, fakanau and fakaseasea. The influence of the Samoan missionaries sent to Tuvalu by the London Missionary Society from the 1860s resulted in the suppression of songs about the traditional religions or magic and many songs were lost. As the influence of the missionaries diminished in the 20th century the traditional dances were revived and the siva dance tradition from Samoa also became popular. The fatele, in its modern form, is performed at community events and to celebrate leaders and other prominent individuals.
Garba is a form of dance which originates from the state of Gujarati in India. The name is derived from the Sanskrit term Garbha. Many traditional garbas are performed around a centrally lit lamp or a picture or statue of the Goddess Shakti. Traditionally, it is performed during the nine-day Hindu festival Navarātrī. Either the lamp or an image of the Goddess, Durga is placed in middle of concentric rings as an object of veneration.
Raas or Dandiya Raas is the socio-religious folk dance originating from Indian state of Gujarat and popularly performed in the festival of Navaratri. The dance is performed in the Marwar region of Rajasthan too. The etymology of Dandiya-Raas is in Sanskrit. Dandiya-raas exists in the different forms, including the collegiate competitive form. The dance style is now in a competitive format and a traditional format.
African dance refers to the various dance styles of Sub-Saharan Africa. These dances are closely connected with the traditional rhythms and music traditions of the region. Music and dancing is an integral part of many traditional African societies. Songs and dances facilitate teaching and promoting social values, celebrating special events and major life milestones, performing oral history and other recitations, and spiritual experiences. African dance utilizes the concepts of polyrhythm and total body articulation. African dances are a collective activity performed in large groups, with significant interaction between dancers and onlookers in the majority of styles.
Dance in Cambodia consists of three main categories: classical dance of the royal court, folk dance which portrays cultural traditions, and social dances performed in social gatherings.
Sousta is a Greek folk dance, performed at weddings as an activity of courtship between husband and wife. It originates from Ancient Greece, and holds prominence in Dodecanese Islands, and broader Aegean region. It is the second most common Greek dance, after the Syrtos, with many Greek islands and villages adopting their own version. The performance of the dance reflects various gender roles, inter-played with values of romance and marriage. The Sousta acted as a socialisation process between the youth of a village, evolving into a dance central to these youth as they grew up and formed relationships with others. Socially, the Sousta also functioned as a visible verification of courtship, namely paying respects to the wife and her family. The Sousta is most commonly performed as a three-step dance, with a 'hopping' motion and crossed-over hands.
Dabke is a Levantine folk dance mainly seen in Syria, Lebanon, Palestine, and Jordan. Dabke combines circle dance and line dancing and is widely performed at weddings and other joyous occasions. The line forms from right to left and leader of the dabke heads the line, alternating between facing the audience and the other dancers. In English, it can be transcribed as dabka, dabki, dabkeh.
Dance in Kiribati includes various styles unique to the island nation. The uniqueness of Kiribati dance when compared with other forms of Pacific Islands dance is its emphasis on the outstretched arms of the dancer and the sudden birdlike movement of the head. The Frigate bird on the Kiribati flag refers to this bird-like style of Kiribati dancing. Most dances are in the standing or sitting position with movement limited and staggered.
Ghoomar or ghumar is a traditional folk dance of Rajasthan. It was the Bhil tribe who performed it to worship Goddess Sarasvati which was later embraced by other Rajasthani communities. The dance is chiefly performed by veiled women who wear flowing dresses called ghaghara. The dance typically involves performers pirouetting while moving in and out of a wide circle. The word ghoomna describes the twirling movement of the dancers and is the basis of the word ghoomar.
Azerbaijani dances are traditional dances developed and performed in the Republic of Azerbaijan. These dances are known for their quick tempo and the dancers' traditional clothing.
Hungarian dance refers to the folk dances practised and performed by the Hungarians, both amongst the populations native to Hungary and its neighbours, and also amongst the Hungarian diaspora.
Georgian dance is the traditional dance of Georgia. It has its roots in the military moves, sports games, and dances celebrated during holidays in the Middle Ages.
BhaṅgṛāIPA: [ˈpə̀ŋɡɽaː](listen)) is a type of traditional folk dance of Punjab, originating in the Sialkot area of Punjab. It is done in the season of harvesting. According to Manual (2001), bhangra is especially associated with the vernal Vaisakhi festival.
The important place of women in dance can be traced back to the very origins of civilization. Cave paintings, Egyptian frescos, Indian statuettes, ancient Greek and Roman art and records of court traditions in China and Japan all testify to the important role women played in ritual and religious dancing from the start. In the Middle Ages, what has become known as ballet had its beginnings in Italian court festivals when women frequently played the parts of men. It was however in late 17th-century France that the Paris Opera produced the first celebrated ballerinas. While women began to dominate the ballet scene in the 18th century, it was with the advent of Romantic ballet in the 19th century that they became the undisputed centre of attraction with stars playing the leading roles in the works of Marius Petipa, appearing in theatres across Europe from Milan's La Scala to the Mariinsky Theatre in Saint Petersburg. More recently, women have played a leading role in developing various forms of modern dance including flamenco and expressionist dance.
Arab folk dances, also referred to as Oriental dance, Middle-Eastern dance and Eastern dance, are the traditional folk dances of the Arabs in Arab world. Arab dance has many different styles, including the three main types of folklore, classical, and contemporary. It is enjoyed and implemented throughout the Arab region, from North Africa to the Middle East.
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