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Nancy Armstrong (born 1938) is a scholar, critic and professor of English at Duke University.
Before moving to Duke, Armstrong was the Nancy Duke Lewis Professor of Comparative Literature, English, Modern Culture & Media, and Gender Studies at Brown University. She is currently the Gilbert, Louis & Edward Lehrman Professor of English at Duke. She is interested in eighteenth- and nineteenth-century British and American fiction, empire and sexuality, narrative and critical theory, visual culture, and scientific discourses at work in literary forms. She is best known for her groundbreaking book on the relationship between subjectivity and the novel, Desire and Domestic Fiction.
Armstrong's most influential book is Desire and Domestic Fiction: A Political History of the Novel (Oxford University Press, 1987), a work of scholarship still relevant thirty years after its publication. As one reviewer put it, the book "changed the ways in which feminist critics of these novels saw the work these texts did; it changed the way we thought about public and private, agency and oppression, writing and action, giving us a far broader sense of the cultural work that novels do, as they translate political information into narratives about sex, gender, and desire." [1]
Over the course of her career, Armstrong has published many books and nearly one hundred articles and chapters. [1] Her two recent books are How Novels Think: British Fiction and the Limits of Individualism (Columbia University Press, 2005), which is about the relationship between the formation of the modern individual and the genre of the novel, and Fiction in the Age of Photography: The Legacy of British Realism (Harvard University Press, 1999), which lays out a theory of realism that connects visual culture and fiction.
In 1992, Armstrong published, together with Leonard Tennenhouse, "a pioneer[ing] study in the field of transatlantic literary relations", The Imaginary Puritan: Literature, Intellectual Labor, and the Origins of Personal Life (University of California Press, 1992), which looks at the relationship between the author and the emerging nation-state. [1]
Armstrong is currently working on a project provisionally titled Gothic Remains. She is also managing editor of Novel: A Forum on Fiction and co-editor of Encyclopedia of British Literary History. [1]
Armstrong received her B.A. in 1966 from the State University of New York at Buffalo and her Ph.D. from the University of Wisconsin–Madison in 1977. She is a past president of the Semiotic Society of America (1992).
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Magic realism, magical realism, or marvelous realism is a style or genre of fiction and art that presents a realistic view of the world while incorporating magical elements, often blurring the lines between speculation and reality. Magical realism is the most commonly used of the three terms and refers to literature in particular. Magic realism often refers to literature in particular, with magical or supernatural phenomena presented in an otherwise real-world or mundane setting, commonly found in novels and dramatic performances. In his article "Magical Realism in Spanish American Literature", Luis Leal explains the difference between magic literature and magical realism, stating that, "Magical realism is not magic literature either. Its aim, unlike that of magic, is to express emotions, not to evoke them." Despite including certain magic elements, it is generally considered to be a different genre from fantasy because magical realism uses a substantial amount of realistic detail and employs magical elements to make a point about reality, while fantasy stories are often separated from reality. The two are also distinguished in that magic realism is closer to literary fiction than to fantasy, which is instead a type of genre fiction. Magical realism is often seen as an amalgamation of real and magical elements that produces a more inclusive writing form than either literary realism or fantasy.
Carolyn Heilbrun was an American academic at Columbia University, the first woman to receive tenure in the English department, and a prolific feminist author of academic studies. In addition, beginning in the 1960s, she published numerous popular mystery novels with a woman protagonist, under the pen name of Amanda Cross. These have been translated into numerous languages and in total sold nearly one million copies worldwide.
Larissa Lai is an American-born Canadian novelist and literary critic. She is a recipient of the 2018 Lambda Literary Award for Lesbian Fiction and Lambda Literary Foundation's 2020 Jim Duggins, PhD Outstanding Mid-Career Novelist Prize.
Jack Halberstam, also known as Judith Halberstam, is an American academic and author, best known for his book Female Masculinity (1998). His work focuses largely on feminism and queer and transgender identities in popular culture. Since 2017, Halberstam has been a professor in the department of English and Comparative Literature and the Institute for Research on Women, Gender, and Sexuality at Columbia University. Previously, he worked as both director and professor at The Center for Feminist Research at University of Southern California (USC). Halberstam was the associate professor in the Department of Literature at the University of California at San Diego before working at USC.
The sentimental novel or the novel of sensibility is an 18th- and 19th-century literary genre which presents and celebrates the concepts of sentiment, sentimentalism, and sensibility. Sentimentalism, which is to be distinguished from sensibility, was a fashion in both poetry and prose fiction beginning in the eighteenth century in reaction to the rationalism of the Augustan Age.
Cristina Pantoja-Hidalgo is a Filipina fictionist, critic and pioneering writer of creative nonfiction. She is currently Professor Emeritus of English & Comparative Literature at the University of the Philippines Diliman and Director of the University of Santo Tomas (UST) Center for Creative Writing and Literary Studies. She was given the S.E. Write Award for Literature in 2020 by the Royal Family of Thailand.
Pamela; or, Virtue Rewarded is an epistolary novel first published in 1740 by the English writer Samuel Richardson. Considered one of the first true English novels, it serves as Richardson's version of conduct literature about marriage.
Work: A Story of Experience, originally serialized and first published in book form in 1873, is a semi-autobiographical novel by Louisa May Alcott, the author of Little Women. It is set in the times before and after the American Civil War. The protagonist, Christie Devon, leaves her home to make a living on her own. She goes from job to job, eventually marries, and becomes a social activist when her husband dies. Alcott wrote the book over the course of several years and based it in part on her own experiences as a young woman in the workforce. Following publication, contemporary critical reviews were mixed, with some reviewers praising the plot's execution and others criticizing it. The novel's themes include women's participation in the workforce, domesticity and equality, personal independence, social reform, and mental health.
American literary regionalism, often used interchangeably with the term "local color", is a style or genre of writing in the United States that gained popularity in the mid-to-late 19th century and early 20th century. In this style of writing, which includes both poetry and prose, the setting is particularly important and writers often emphasize specific features, such as dialect, customs, history and landscape, of a particular region, often one that is "rural and/or provincial". Regionalism is influenced by both 19th-century realism and Romanticism, adhering to a fidelity of description in the narrative but also infusing the tale with exotic or unfamiliar customs, objects, and people.
Elleke Boehmer, FRSL, FRHistS is Professor of World Literature in English at the University of Oxford, and a Professorial Governing Body Fellow at Wolfson College. She is an acclaimed novelist and a founding figure in the field of Postcolonial Studies, internationally recognised for her research in colonial and postcolonial literature, history and theory. Her main areas of interest include the literature of empire and resistance to empire; sub-Saharan African and South Asian literatures; modernism; migration and diaspora; feminism, masculinity, and identity; nationalism; terrorism; J. M. Coetzee, Katherine Mansfield, and Nelson Mandela; and life writing.
Naomi Schor was an American literary critic and theorist. A pioneer of feminist theory for her generation, she is regarded as one of the foremost scholars of French literature and critical theory of her time. Naomi's younger sister is the artist and writer Mira Schor.
Jane Austen's (1775–1817) distinctive literary style relies on a combination of parody, burlesque, irony, free indirect speech and a degree of realism. She uses parody and burlesque for comic effect and to critique the portrayal of women in 18th-century sentimental and Gothic novels. Austen extends her critique by highlighting social hypocrisy through irony; she often creates an ironic tone through free indirect speech in which the thoughts and words of the characters mix with the voice of the narrator. The degree to which critics believe Austen's characters have psychological depth informs their views regarding her realism. While some scholars argue that Austen falls into a tradition of realism because of her finely executed portrayal of individual characters and her emphasis on "the everyday", others contend that her characters lack a depth of feeling compared with earlier works, and that this, combined with Austen's polemical tone, places her outside the realist tradition.
The Time: Night is a novella by Russian author Lyudmila Petrushevskaya. It was originally published in Russian in the literary journal Novy Mir in 1992 and translated into English by Sally Laird in 1994. In 1992 it was shortlisted for the Russian Booker Prize.
Kathy Alexis Psomiades is an American literary critic and an associate professor of English at Duke University.
Karla Francesca Holloway is an American academic. She is James B. Duke Professor of English & Professor of Law at Duke University, and holds appointments in the Duke University School of Law as well as the university's Department of English, Department of African & African American Studies, and Program in Women's Studies. Holloway is a member of The Wintergreen Women Writers Collective
Jenny Sharpe is a professor of English and Comparative Literature at UCLA. Her research focuses on issues of postcolonial studies, Caribbean literature, theories of allegory, the novel, rethinking models of memory and the archive, and the effect of the Middle Passage. In 2020, she began serving as the Chair of Graduate Studies in UCLA's English Department.
Ann Luja Cvetkovich is a Professor and former Director of the Feminist Institute of Social Transformation at Carleton University in Ottawa. Until 2019, she was the Ellen Clayton Garwood Centennial Professor of English and Professor of Women's and Gender Studies at the University of Texas at Austin, where she had been the founding director of the LGBTQ Studies Program, launched in 2017. She has published three books: Mixed Feelings: Feminism, Mass Culture, and Victorian Sensationalism (1992); An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Cultures (2003); and Depression: A Public Feeling (2012). She has also co-edited Articulating the Global and Local: Globalization and Cultural Studies (1996) with Douglas Kellner, as well as Political Emotions: New Agendas in Communication (2010) with Janet Staiger and Ann Reynolds. Furthermore, Cvetkovich has co-edited a special issue of Scholar and Feminist Online, entitled "Public Sentiments" with Ann Pellegrini. She is also a former co-editor of GLQ: A Journal of Lesbian and Gay Studies with Annamarie Jagose.
Joanne Schultz Frye is a Professor Emerita of English and Women's Studies at the College of Wooster. Frye is known for her feminist literary criticism and interdisciplinary inquiry into motherhood. She specializes in research on fiction by and about women, such as the work of Virginia Woolf, Tillie Olsen, and Jane Lazarre.
Emma Pérez is an American author and professor, known for her work in queer Chicana feminist studies.
Caroline Levine is an American literary critic. She is the David and Kathleen Ryan Professor of Humanities at Cornell University. Her published works are in the fields of Victorian literature, literary theory, literary criticism, formalism, television, and climate change.
