Nancy E. Spector | |
---|---|
Born | 1959 (age 64–65) |
Nationality | American |
Education | Sarah Lawrence College (BA) Williams College (MA) City University of New York (MPhil) |
Occupation | Curator |
Employer(s) | Brooklyn Museum, Solomon R. Guggenheim Museum |
Nancy Spector is an American museum curator who has held positions at the Solomon R. Guggenheim Museum in New York City and the Brooklyn Museum. [1] [2]
Spector graduated with a B.A. in Philosophy from Sarah Lawrence College in 1981. She received an M.A. from Williams College in 1984 and a Master of Philosophy degree in Art History from City University Graduate Center in 1997. [3]
Spector was appointed as a Guggenheim curator in 1989. [4]
Spector was adjunct curator of the 1997 Venice Biennale and a co-curator of the first Berlin Biennale in 1998. [5] At the Deutsche Guggenheim, Berlin, she has overseen commissions by Andreas Slominski (1999), Hiroshi Sugimoto (2000), Lawrence Weiner (2000), and Gabriel Orozco (2012), as well as organized the exhibitions Douglas Gordon’s The Vanity of Allegory (2005) and All in the Present Must be Transformed: Matthew Barney and Joseph Beuys (2006). [6]
Nancy Spector was one of the curators of Monument to Now, an exhibition of the Dakis Joannou Collection, which premiered in Athens in 2004 as an official part of the Olympics program. [6]
In 2007 she was the U.S. Commissioner for the Venice Biennale, where she presented an exhibition of work by Felix Gonzalez-Torres. [5]
In 2013 she was nominated as "Deputy Director and Jennifer and David Stockman Chief Curator". [6]
In 2017, when the White House requested the loan of a Vincent van Gogh painting, from the Guggenheim collection, Landscape With Snow , Spector suggested instead, America - a sculpture of a gold toilet by Maurizio Cattelan. [7]
In 2019, the Guggenheim hired Chaédria LaBouvier to present her exhibition "Basquiat's Defacement: The Untold Story." [8] At the conclusion of the show, LaBouvier accused Spector and the larger institution of creating "the most racist professional experience of my life" and criticized her on social media. [9] [10]
In 2020, the Guggenheim hired an external firm to investigate her claims. It ultimately found "no evidence that Ms. LaBouvier was subject to adverse treatment on the basis of her race." However, while the investigation was under way, museum employees submitted a public letter to the board, calling for them to "replace those members of the executive cabinet who have repeatedly proven that they are not committed to decisive, anti-racist action and do not act in good faith with BIPOC leaders." [11]
In October 2020, after the investigation's conclusion, Spector parted ways with the museum. [12] [13] An investigative article in The Atlantic, exploring the circumstances of her departure, revealed that she was scapegoated by the museum. [14] Reflecting on the situation in 2023, the International Committee for Museums and Collections of Modern Art (CiMAM) criticized the museum, stating that Spector was "a notable museum professional with a strong track record of representing and enhancing diversity." [15]
At the Solomon R. Guggenheim Museum in New York, Spector organized exhibitions and retrospectives. They include: [3] [6]
She also organized the group exhibitions
Under the Deutsche Guggenheim in Berlin, Spector initiated special commissions by Andreas Slominski in 1999, Hiroshi Sugimoto and Lawrence Weiner in 2000 as well as Gabriel Orozco in 2012. [16] [6]
At the Deutsche Guggenheim Spector organized the exhibitions for [6]
Spector has written catalogue essays for exhibitions on Maurizio Cattelan, Luc Tuymans, Douglas Gordon, Tino Sehgal and Anna Gaskell among others. [3]
The Cremaster Cycle is a series of five feature-length films, together with related sculptures, photographs, drawings, and artist's books, created by American visual artist and filmmaker Matthew Barney.
Events from the year 1996 in art.
Matthew Barney is an American contemporary artist and film director who works in the fields of sculpture, film, photography and drawing. His works explore connections among geography, biology, geology and mythology as well as notable themes of sex, intercourse, and conflict. His early pieces were sculptural installations combined with performance and video. Between 1994 and 2002, he created The Cremaster Cycle, a series of five films described by Jonathan Jones in The Guardian as "one of the most imaginative and brilliant achievements in the history of avant-garde cinema." He is also known for his projects Drawing Restraint 9 (2005), River of Fundament (2014) and Redoubt (2018).
Maurizio Cattelan is an Italian visual artist. Known primarily for his hyperrealistic sculptures and installations, Cattelan's practice also includes curating and publishing. His satirical approach to art has resulted in him being frequently labelled as a joker or prankster of the art world. Self-taught as an artist, Cattelan has exhibited internationally in museums and Biennials. Maurizio Cattelan created his most important works of art at Viale Bligny 42 in Milan, where he lived for many years.
Dakis Joannou is a Greek Cypriot industrialist and art collector. He is considered to be one of the leading collectors of contemporary art in the world and is famous for acquisitions such as the Jeff Koons-designed yacht 'Guilty'.
Flash Art is a contemporary art magazine, and an Italian and international publishing house. Originally published bilingually, both in Italian and in English, since 1978 is published in two separate editions, Flash Art Italia (Italian) and Flash Art International (English). Since September 2020, the magazine is seasonal, and said editions are published four times a year.
Andro Wekua is a Georgian artist based in Zurich, Switzerland, and Berlin, Germany.
Aperto ’93 is the title of an exhibition of contemporary art conceived by Helena Kontova and Giancarlo Politi, and organized by Helena Kontova for the XLV edition of the Venice Biennale, directed by Achille Bonito Oliva in 1993. It reprised and expanded the concept of the exhibition Aperto, a new section in the Biennale for young artists ideated by Bonito Oliva and Harald Szeemann in 1980.
Landscape with Snow is a painting by Vincent van Gogh in 1888, believed to be one of the first paintings that he made in Arles. It is one of at least ten 1882 to 1889 oil and watercolor van Gogh paintings of a snowy landscape. The painting reflects the La Crau plains set against Montmajour and hills along the horizon.
Richard Armstrong is an American museum director. Since 2008, Armstrong has been the director of the Solomon R. Guggenheim Foundation, including the Solomon R. Guggenheim Museum in New York City and its other museums throughout the world. Before joining the Guggenheim, he was a curator at, and then director of, Carnegie Museum of Art in Pittsburgh, Pennsylvania. From 1981 to 1992, he had been a curator at the Whitney Museum of American Art.
Massimiliano Gioni is an Italian curator and contemporary art critic based in New York City, and artistic director at the New Museum. He is the artistic director of the Nicola Trussardi Foundation in Milan as well as the artistic director of the Beatrice Trussardi Foundation. Gioni was the curator of the 55th Venice Biennale in 2013.
Francesco Bonami is an Italian art curator and writer who is currently Honorary Director of Fondazione Sandretto Re Rebaudengo in Turin. He lives in Milan and Manhattan, New York.
Matthew Joseph Williams Drutt is an American curator and writer who specializes in modern and contemporary art and design. Based in New York, he has owned and operated his independent consulting practice Drutt Creative Arts Management (DCAM) since 2013l. He is currently working with the Lee Ufan Foundation in Arles on an exhibition of non-objective art foor Fall 2024. More recently, he worked with the Nationalmuseum Stockholm on an exhibition and publication of modern and contemporary American crafts gifted from artists and collectors in the United States to the museum, originally organized by his mother, Helen Drutt. He has worked more recently with the Eckbo Foundation in Oslo on the first major monograph of Thorwald Hellesen published in English and Norwegian in by Arnoldsche Art Publishers. He is currently also developing several other titles with the publisher. Formerly, he worked with the Beyeler Foundation in Switzerland (2013–2016) and the State Hermitage Museum in Russia (2013–2014), consulting on exhibitions, publications, and collections. He continues to serve as an Advisory Curator to the Hermitage Museum Foundation Israel. In 2006, the French Government awarded him the Chevalier de l'Ordre des Arts et des Lettres, and in 2003, his exhibition Kazimir Malevich: Suprematism won Best Monographic Exhibition Organized Nationally from the International Association of Art Critics.
America is a sculpture created in 2016 by the Italian artist Maurizio Cattelan. An example of satirical participatory art, it is a fully functioning toilet made of 18-karat solid gold. It was stolen in 2019 from Blenheim Palace, where it was exhibited on loan from the permanent collection of the Solomon R. Guggenheim Museum.
Toiletpaper is a biannual magazine co-created by Italian artist Maurizio Cattelan and photographer Pierpaolo Ferrari. Founded in 2010, the magazine is presented as a limited edition book and its website offers a post-internet collaged exhibition of animated and video content.
The year 2019 in art involved various significant events.
Chaédria LaBouvier is an American curator and writer. In 2019, LaBouvier became the first person of Cuban descent to curate an exhibition in the Guggenheim's 80-year history, as well as the first black author of a Guggenheim catalogue, for the exhibition, "Basquiat's Defacement: The Untold Story". Her public allegations of racist treatment by the Guggenheim were not substantiated by an outside investigation, but were followed by the resignation of its chief curator and artistic director, as well as the hiring of its first full-time black curator.
The Death of MichaelStewart, known as Defacement, is a painting created by American artist Jean-Michel Basquiat in 1983. The artwork is Basquiat's response to anti-Black racism and police brutality. It memorializes the death of Michael Stewart at the hands of New York City Transit Police for allegedly writing graffiti in the subway. No graffiti was found, according to Stewart's girlfriend at the time of his death.
Maurizio Cattelan: Be Right Back is a 2016 documentary about the Italian contemporary artist Maurizio Cattelan It was directed by Maura Axelrod. It premiered at the Tribeca Film Festival as a special presentation of the Guggenheim Museum.
Blind is a 2021 sculptural work by the Italian multi-media artist Maurizio Cattelan that memorializes the September 11 attacks of September 11, 2001.