Napalm Death: Thrash to Death | |
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Genre | Documentary |
Directed by | Hellen Gallacher |
Starring | Bill Steer Mick Harris Lee Dorrian Shane Embury |
Country of origin | United Kingdom |
Original language | English |
Production | |
Producers | Hellen Gallacher Janice Clift |
Production locations | Birmingham, UK London, UK |
Camera setup | John Adderley Rob Pascal Colin Waldeck Mike Shelton Ian Stone |
Running time | approx. 13 min. |
Original release | |
Network | BBC |
Release | 1989 |
Napalm Death: Thrash to Death is a short heavy metal music documentary aired on British channel BBC. Thrash to Death centers around grindcore pioneers Napalm Death. An interview with its four members is conducted at their hometown (Birmingham, UK), interspersed with footage from their live show at the ULU, also featured on Arena's "Heavy Metal" documentary.
The setlist of Napalm Death's ULU performance is focused on songs of their Scum (1987) and From Enslavement to Obliteration (1988) albums. Half of the songs have a slightly shorter length than their original studio counterparts. Also, they pay an impromptu homage to one of their early influences, Flint, Michigan band Repulsion, playing the first bars of "The Stench of Burning Death" as an intro to one of their songs, "Deceiver".
This section needs expansion. You can help by adding to it. (March 2015) |
Earache's Digby Pearson recalled:
I spent the entire gig stood next to the BBC's back cameraman and a gaggle of A-lister journalists because I had to cite the name of each song during the set, so the tapes were properly labelled and reviews were correct. It was annoying at the time because this gig was the bands biggest crowd ever, it was a defining moment and was basically a culmination of the grindcore scene's unbeleivable explosion into the Uk public's consciousness.It went from Peel to NME to BBC in 12 unreal months. The BBC is a remarkable broadcaster in that its funded by UK licence payers,which frees it up from purely commercial concerns- also part of its remit is to actively broadcast, promote and expose new UK music. Napalm Death were the hot new band at the time,plus thrash metal fans were unavoidable on the street - so what began as a documentary covering the Thrash scene became way more focused on Napalm Death, simply because the director of the documentary Helen Gallacher took a real shine to the youthful band. She was the reason that they got more screentime than say Black Sabbath. Remember also back then this was before Sky Tv, the hundreds of Digital channels didn't exist- the nation had a choice of just 4 channels to watch every night.The Arena show is highly influential, it legitmised the band as culturally relevant in the UK. The morning after it was broadcast,even taxi drivers knew what Napalm Death were all about.
Guitarist Bill Steer then explains the musical characteristics of death metal:
It always follows minor scales rather than major scales. It is just a traditional rock thing to go from E to A to D and all of these happy-sounding chord progressions; Slayer and early bands like Sabbath and Venom, they tried to avoid them.
No. | Title | Length |
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1. | "Scum" (Justin Broadrick, Nicholas Bullen) | 2:17 |
2. | "Cock-Rock Alienation" (Napalm Death) | 1:16 |
3. | "The Kill" (Broadrick, Bullen) | 0:23 |
4. | "Obstinate Direction" (Napalm Death) | 0:54 |
5. | "The Stench of Burning Death (Repulsion) / Deceiver" (Napalm Death) | 0:39 |
6. | "Control" (Broadrick, Bullen) | 1:26 |
Tracks #1, #3, the second half of #5 ("Deceiver") and #6 are taken from Napalm Death's debut, Scum. Tracks #2 and #4 are taken from the album From Enslavement to Obliteration. The first half of track #5 ("The Stench of Burning Death") is taken from Repulsion's 1986 demo tape, Horrified .
Grindcore is an extreme fusion genre of heavy metal and hardcore punk that originated in the mid-1980s, drawing inspiration from abrasive-sounding musical styles, such as thrashcore, crust punk, hardcore punk, extreme metal, and industrial. Grindcore is considered a more noise-filled style of hardcore punk while using hardcore's trademark characteristics such as heavily distorted, down-tuned guitars, grinding overdriven bass, high-speed tempo, blast beats, and vocals which consist of growls, shouts and high-pitched shrieks. Early groups like Napalm Death are credited with laying the groundwork for the style. It is most prevalent today in North America and Europe, with popular contributors such as Brutal Truth and Nasum. Lyrical themes range from a primary focus on social and political concerns, to gory subject matter and black humor.
A blast beat is a type of drum beat that originated in hardcore punk and grindcore, and is often associated with certain styles of extreme metal, namely black metal and death metal, and occasionally in metalcore. In Adam MacGregor's definition, "the blast-beat generally comprises a repeated, sixteenth-note figure played at a very fast tempo, and divided uniformly among the bass drum, snare, and ride, crash, or hi-hat cymbal." Blast beats have been described by PopMatters contributor Whitney Strub as, "maniacal percussive explosions, less about rhythm per se than sheer sonic violence".
"The 'original' or traditional blastbeat is a single-stroke roll played between your cymbal and snare, with your kick playing simultaneously with every cymbal hit."
Napalm Death are an English grindcore band formed in Meriden, West Midlands in 1981. None of the band's original members have been in the group since 1986, but since Utopia Banished (1992), the lineup of bassist Shane Embury, guitarist Mitch Harris, drummer Danny Herrera and lead vocalist Mark "Barney" Greenway has remained consistent through most of the band's career. From 1989 to 2004, Napalm Death were a five-piece band after they added Jesse Pintado and Mitch Harris as replacements for guitarist Bill Steer. Following Pintado's departure, the band reverted to a four-piece.
Scum is the debut studio album by English grindcore band Napalm Death, released on 1 July 1987 by Earache Records. The two sides of the record were recorded by two different lineups in sessions separated by about a year; the only musician in both incarnations was drummer Mick Harris. The two sides are very different, and the two taken together serve to bridge stylistic elements of heavy metal and punk rock. While the songs on the A-side are influenced heavily by hardcore punk and anarcho-punk, the vocals and lower-tuned electric guitars on the B-side anticipate subsequent developments in extreme metal. Loudwire put it in the list of the best 10 metal albums of 1987.
Thrashcore is a fast-tempo subgenre of hardcore punk that emerged in the early 1980s. Thrashcore is essentially sped-up hardcore, adopting a slightly more extreme style by means of its vocals, dissonance, and occasional use of blast beats. Songs are usually very brief, and thrashcore is in many ways a less dissonant, minimally metallic forerunner of grindcore. The genre is sometimes associated with the skateboarder subculture.
Terrorizer is an American grindcore band from Los Angeles, California. It was originally formed in 1985 as Unknown Death by vocalist Oscar Garcia and guitarist Jesse Pintado. They would rename themselves Terrorizer after recruiting drummer Pete Sandoval, who remains the band's sole constant member throughout their discography, in 1986. The band's current lineup consists of Sandoval, bassist David Vincent, vocalist Brian Werner and guitarist Richie Brown. They are currently signed to Earache Records.
From Enslavement to Obliteration is the second studio album by English grindcore band Napalm Death, released in 1988. It is the final studio album with vocalist Lee Dorrian and guitarist Bill Steer, and the first to feature bassist Shane Embury, the band's longest-tenured member. A remastered version was released on 2 April 2012. Loudwire put it on the list of the 10 best metal albums of 1988.
Discharge are an English hardcore punk band formed in 1977 in Stoke-on-Trent, England. The band is known for influencing several sub-genres of extreme music and their songs have been covered by some of the biggest names in heavy metal and other genres. The musical sub-genre of D-beat is named after Discharge and the band's distinctive drumbeat.
Pungent Stench is a death metal band from Vienna, Austria, formed in 1988. Their current lineup consists of Martin Schirenc (vocals/guitar), Jacek Perkowski (bass), and Mike G. Mayhem (drums). Pungent Stench achieved early on prominence in the death metal scene due to their unique style of extreme metal and their controversial lyrical content, a seamless blend of gore, paraphilia and black comedy. They dissolved in 1995, re-formed in 1999, then split up again 2007 after recording a final studio album, eventually released in 2018, and re-formed again in 2013 as “The Church Of Pungent Stench” and renamed themselves again as “Schirenc Plays Pungent Stench” in 2014”
Earache Records is a British independent record label, music publisher and management company founded by Digby Pearson in 1985, based in Nottingham, England, with offices in London and New York. The label helped to pioneer extreme metal by releasing early grindcore and death metal records between the late 1980s and mid-1990s. Its roster has since diversified into more mainstream guitar music, working with bands such as Rival Sons, the Temperance Movement, Blackberry Smoke, Scarlet Rebels and the White Buffalo. The company also hosted the 'Earache Express' stage at Glastonbury Festival in 2017 and 'The Earache Factory' at Boomtown 2018. The label's logo is a homage to Thrasher magazine, as Pearson was a skateboard culture enthusiast.
Michael John Harris is an English musician from Birmingham. He was the drummer for Napalm Death between 1985 and 1991, and is credited for coining the term "grindcore". After Napalm Death, Harris joined Painkiller with John Zorn and Bill Laswell. Since the mid-1990s, Harris has worked primarily in electronic and ambient music, his main projects being Scorn and Lull. He has also collaborated with musicians including James Plotkin and Extreme Noise Terror. According to AllMusic, Harris's "genre-spanning activities have done much to jar the minds, expectations, and record collections of audiences previously kept aggressively opposed."
Shane Thomas Embury is a British musician, who is widely known as bassist and primary songwriter of the grindcore and death metal band Napalm Death since 1987—the longest-serving member of the band.
Mortician is an American death metal band formed in Yonkers, New York, in 1989. They have released most of their albums since their House by the Cemetery EP with Relapse Records, but have released their latest album with their own label, Mortician Records. They have toured several times throughout America and Europe. The band is inspired by horror and slasher films, which is heavily expressed in the lyrics, artwork, and the uses of samples throughout their discography.
Lee Robert Dorrian is an English singer, best known as a former member of grindcore band Napalm Death and later frontman of doom metal band Cathedral.
Repulsion is an American grindcore band from Flint, Michigan, founded in 1984.
"You Suffer" is a song by English grindcore band Napalm Death, released on the band's debut studio album, Scum (1987). The song is precisely 1.316 seconds long. The song was written by Nicholas Bullen, Justin Broadrick and Mick Harris during the March 1986 demo sessions for From Enslavement to Obliteration.
The following is a comprehensive discography of Napalm Death, an influential English grindcore/death metal band.
Terrorizer was an extreme music magazine published by Dark Arts Ltd. in the United Kingdom. It was released every four weeks with thirteen issues a year and featured a "Fear Candy" covermount CD, a twice yearly "Fear Candy Unsigned" CD, and a double-sided poster.
Straight Ahead was an American straight edge hardcore punk band formed in Queens, New York City, in 1984, by drummer and vocalist Tommy Carroll, guitarist Gordon Ancis and bassist Tony Marc Shimkin.
Hardcore punk in the United Kingdom began in the late 1970s and early 1980s with the second wave of punk rock in the country. The scene produced many successful and influential hardcore punk bands throughout the 1980s such as Discharge, GBH and the Exploited and led to the pioneering of genres such as grindcore, street punk, crust punk and D-beat.