|From Enslavement to Obliteration|
|Studio album by|
|Released||16 September 1988|
|Studio||Birdsong Studios, Worcester|
|Producer|| Napalm Death |
|Napalm Death chronology|
From Enslavement to Obliteration is the second studio album by grindcore band Napalm Death, released in 1988. It is the final studio album with vocalist Lee Dorrian and guitarist Bill Steer, and the first to feature bassist Shane Embury, the band's longest-tenured member. A remastered version was released on 2 April 2012.
Grindcore is an extreme fusion genre of heavy metal and hardcore punk that originated in the mid-1980s, drawing inspiration from abrasive-sounding musical styles, such as: thrashcore, crust punk, hardcore punk, extreme metal, and industrial. Grindcore is characterized by a noise-filled sound that uses heavily distorted, down-tuned guitars, grinding overdriven bass, high speed tempo, blast beats, and vocals which consist of growls and high-pitched shrieks. Early groups like Napalm Death are credited with laying the groundwork for the style. It is most prevalent today in North America and Europe, with popular contributors such as Brutal Truth and Nasum. Lyrical themes range from a primary focus on social and political concerns, to gory subject matter and black humor.
Napalm Death are a British extreme metal band formed in Meriden, West Midlands, England, in 1981. While none of its original members remain in the group since December 1986, the lineup of vocalist Mark "Barney" Greenway, bassist Shane Embury, guitarist Mitch Harris and drummer Danny Herrera has remained consistent of the band's career since 1992's Utopia Banished, although, from 1989 to 2004, Napalm Death were a five-piece band after they added Jesse Pintado as the replacement of one-time guitarist Bill Steer; following Pintado's departure, the band reverted to a four-piece rather than replace him.
Lee Dorrian is an English singer, best known as a former member of Napalm Death and later frontman of Cathedral.
The album's lyrical themes cover a variety of social and political topics, including misogyny/sexism ("It's a M.A.N.S World" and "Inconceivable?"), animal rights ("Display to Me…"), racism ("Unchallenged Hate" and "From Enslavement to Obliteration"), materialism ("Private Death"), and anti-capitalism ("Make Way!"). The album calls for social change, as seen in the song "Uncertainty Blurs the Vision," quoting Rudimentary Peni at the song's conclusion.
Misogyny is the hatred of, contempt for, or prejudice against women or girls. Misogyny manifests in numerous ways, including social exclusion, sex discrimination, hostility, androcentrism, patriarchy, male privilege, belittling of women, disenfranchisement of women, violence against women, and sexual objectification. Misogyny can be found within sacred texts of religions, mythologies, and Western philosophy and Eastern philosophy.
Sexism is prejudice or discrimination based on a person's sex or gender. Sexism can affect anyone, but it primarily affects women and girls. It has been linked to stereotypes and gender roles, and may include the belief that one sex or gender is intrinsically superior to another. Extreme sexism may foster sexual harassment, rape, and other forms of sexual violence. Gender discrimination may encompass sexism, and is discrimination toward people based on their gender identity or their gender or sex differences. Gender discrimination is especially defined in terms of workplace inequality. It may arise from social or cultural customs and norms.
Animal rights is the idea in which some, or all, non-human animals are entitled to the possession of their own existence and that their most basic interests—such as the need to avoid suffering—should be afforded the same consideration as similar interests of human beings.
Shane Embury retrospectively commented on the band's progression up until From Enslavement to Obliteration in Kerrang! magazine:
Kerrang! is a British weekly magazine devoted to hard rock and heavy metal music, currently published by Wasted Talent. It was first published on 6 June 1981 as a one-off supplement in the Sounds newspaper. Named after the onomatopoeic word that derives from the sound made when playing a power chord on a distorted electric guitar, Kerrang! was initially devoted to the new wave of British heavy metal and the rise of hard rock acts. In the early 2000s it became the best-selling British music weekly.
It was a good experience but it was a brief one. Back in those days albums were recorded very quickly – we recorded the album in about six days and I think it cost about £800. In the early days in the very beginning before I joined, it was more of a crust punk band really but it was a natural progression, I think, to get faster and faster. Scum created a buzz and by the time we did FETO, we just wanted to push it as far as we could and as fast as possible. We weren't really consciously trying to break any rules but we weren't paying any attention to them either. If we wanted to do a song that was going to be 20 seconds long then we'd do it – we didn't think there was any reason not to. The vocals for us went hand-in-hand with the distorted bass guitar, distorted guitars and hyper-fast drumming".
Crust punk is a form of music influenced by English punk rock and extreme metal. The style, which evolved in the early-1980s in England, often has songs with dark and pessimistic lyrics that linger on political and social ills. The term "crust" was coined by Hellbastard on their 1986 Ripper Crust demo.
In 2009 From Enslavement to Obliteration was ranked number 1 in Terrorizer's list of essential European grindcore albums.Writer Jonathan Horsley described it as marking "the genre's perilous rite of passage through Britain's post-industrial urban landscape." Classic Rock reviewer remarked how the stable line-up brought "new maturity and coherence" and reminded that "for an all-too-brief moment in time, this album could lay claim to being the most extreme collection of songs ever recorded".
Classic Rock is a British magazine dedicated to rock music, published by Future, who are also responsible for its "sister" publications Metal Hammer and Prog. Although firmly focusing on key bands from the 1960s through early 1990s, it also includes articles and reviews of contemporary and upcoming artists it deems worthy of note. Despite starting as an on-off project it became one of the UK's best selling music magazines. In September 2010 it published its 150th issue.
In 2017, Rolling Stone ranked From Enslavement to Obliteration as 59th on their list of 'The 100 Greatest Metal Albums of All Time.'
Rolling Stone is an American monthly magazine that focuses on popular culture. It was founded in San Francisco, California, in 1967 by Jann Wenner, who is still the magazine's publisher, and the music critic Ralph J. Gleason. It was first known for its musical coverage of rock music and for political reporting by Hunter S. Thompson. In the 1990s, the magazine broadened and shifted its focus to a younger readership interested in youth-oriented television shows, film actors, and popular music. It has returned to its traditional mix of content, including music, entertainment, and politics.
|1.||"Evolved as One"||3:13|
|2.||"It's a M.A.N.S World!"||0:54|
|7.||"Uncertainty Blurs the Vision"||0:40|
|9.||"Retreat to Nowhere"||0:30|
|10.||"Think for a Minute"||1:42|
|11.||"Display to Me…"||2:43|
|12.||"From Enslavement to Obliteration"||1:35|
|13.||"Blind to the Truth"||0:21|
|16.||"Practice What You Preach"||1:23|
|Label||Earache (7MOSH 8)|
The Curse is a free 7-inch extended play by the grindcore band Napalm Death, included in the initial copies of the From Enslavement to Obliteration LP, which was released through Earache Records in September 1988.
The cover uses the famous photograph of Phan Thi Kim Phuc fleeing a napalm attack, taken by Nick Ut.
Some LPs had a sticker with the following line printed on it: "We wanted to be the biggest rock band in the world and you don't do that sounding like Napalm Death" Joe Elliot (Def Leppard)
Grindcore band Sore Throat included a track called "From Off License to Obliteration" on their 101-track 1988 album Disgrace to the Corpse of Sid , also released on Earache Records.
|UK Indie Chart||1|
Scum is the debut studio album by English grindcore band Napalm Death. It was released on 1 July 1987 through Earache Records. It is widely considered a formative influence on the grindcore genre.
Mentally Murdered is an EP by the English band Napalm Death, originally released in 1989. It was later included on the Harmony Corruption CD and the Death by Manipulation compilation album. On this EP the band's migration to death metal territory is more readily evident than in its previous album. It is the final recording with Bill Steer and Lee Dorrian, who simultaneously departed the band due to musical and personality differences.
Mass Appeal Madness is an EP by Napalm Death. It was released in 1991 on Earache Records and is dedicated to the memory of Roger Patterson, a member of the death metal band Atheist who died in the same year.
Cathedral were a doom metal band from Coventry, England. The group gained attention upon release of its debut album, Forest of Equilibrium (1991), which is considered a classic of the genre. However, the band's sound evolved quickly and began to adopt characteristics of 1970s metal, hard rock and progressive rock. After releasing ten full-length albums and touring extensively for over two decades, Cathedral broke up after the release of The Last Spire in 2013.
Earache Records is an independent record label, music publisher and management company founded by Digby Pearson, based in Nottingham, England with offices in London and New York. It helped to pioneer extreme metal by releasing early grindcore and death metal records between 1988 and 1994. The label roster has since diversified into more mainstream guitar music, working with bands such as Rival Sons, The Temperance Movement, Blackberry Smoke and The White Buffalo. The company also hosted the 'Earache Express' stage at Glastonbury Festival in 2017 and will be hosting 'The Earache Factory' at Boomtown Fair 2018.
Shane Embury is a British bassist and, since 1987, a member of grindcore and death metal band Napalm Death.
Venomous Concept is a hardcore punk band formed by Kevin Sharp of Brutal Truth and Shane Embury of Napalm Death in 2004. Sharp and Embury were joined by Danny Herrera and Buzz Osborne, who was later replaced by Danny Lilker. They have released three albums: Retroactive Abortion (2004), Poisoned Apple (2008), and Kick Me Silly VCIII (2016). They have also released two split albums: one with Japanese grindcore band 324 (2006), and the other with Australian extreme metal band Blood Duster (2008). The band's name is a play on Poison Idea, in the style of name-mangling Japanese hardcore acts.
Jesus "Jesse" Ernesto Pintado Andrade was a lead guitar player born in Mexico who at an early age moved to the US. He started in the grindcore band Terrorizer where he recorded the album World Downfall, the first album to feature Pete Sandoval who would later leave the band to join Morbid Angel. It was Jesse Pintado who coined the term "grindcore" for the first time, to describe a musical mixture of "noise and chaos" which he was developing at that time.
"You Suffer" is a song by the British grindcore band Napalm Death, from their debut album, Scum. It is precisely 1.316 seconds long. The song was written by Nicholas Bullen, Justin Broadrick, and Mick Harris during the March 1986 demo sessions for From Enslavement to Obliteration (1988), and is featured on the band's debut album, Scum (1987).
Noise for Music's Sake is a double-disc compilation by British band Napalm Death. It was released on 8 July 2003 on Earache Records. This album is a retrospective of the band's entire career. The first disc is a best-of compilation; the second disc contains rarities. The booklet includes 20 pages with interviews of band members Shane Embury and Mark "Barney" Greenway. It also includes a guide to all the songs from the second disc, and a complete "Family Tree" detailing every person who was ever in the band.
Unseen Terror was a British extreme metal band formed by Mitch Dickinson (Heresy) and Shane Embury, and played extreme metal with a technical edge along with elements of hardcore punk. Their most notable feat took place in March 1988, when they recorded tracks for John Peel's BBC Radio 1 program.
Fear, Emptiness, Despair is the fifth studio album by British grindcore band Napalm Death, released on 31 May 1994. Napalm Death's inclusion on the Mortal Kombat soundtrack brought significant exposure to the band and this album, alongside the fact that the band's label Earache had formed a partnership with Columbia Records which allowed the album to disseminate to a wider audience. RAW magazine listed Fear, Emptiness, Despair as one of the essential album of the 1990s.
Words from the Exit Wound is the eighth studio album by British extreme metal band Napalm Death, released in 1998 by Earache. It was issued only on CD. It is considered the final album of the band's "experimental" period, while simultaneously foreshadowing the band's return to a more traditional death metal and grindcore sound.
World Downfall is the debut album by American grindcore band Terrorizer. It was released by Earache Records on November 13, 1989.
Pleasures Pave Sewers is the debut album of grindcore band Lock Up, a side project of Napalm Death, featuring Peter Tägtgren on vocals. According to engineer Andy Sneap, the album was recorded in a day and was never mixed.
Helvete is an album by the Swedish grindcore band Nasum, released in 2003. The album's title is Swedish for Hell.
Napalm Death: Thrash to Death is a short heavy metal music documentary aired on British channel BBC. Thrash to Death centers around grindcore pioneers Napalm Death. An interview with its four members is conducted at their hometown, interspersed with footage from their live show at the ULU, also featured on Arena's "Heavy Metal" documentary.