Throes of Joy in the Jaws of Defeatism | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 18 September 2020 | |||
Recorded | August 2017 – April 2020 | |||
Studio | Parlour Studios in Kettering, England | |||
Genre | ||||
Length | 42:26 | |||
Label | Century Media | |||
Producer | Russ Russell | |||
Napalm Death chronology | ||||
| ||||
Singles from Throes of Joy in the Jaws of Defeatism | ||||
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 8.2/10 [4] |
Metacritic | 86/100 [5] |
Review scores | |
Source | Rating |
AllMusic | [6] |
Blabbermouth.net | 10/10 [7] |
Consequence | A– [8] |
Decibel | 10/10 [9] |
Exclaim! | 8/10 [10] |
Kerrang! | 4/5 [11] |
Metal Hammer | [12] |
PopMatters | 8/10 [13] |
Throes of Joy in the Jaws of Defeatism is the sixteenth studio album by British grindcore band Napalm Death. It was released on 18 September 2020 through Century Media. [14]
It is the band's first full-length studio album since 2015's Apex Predator – Easy Meat , making it their longest gap between albums.
Metal Hammer named it as the second best metal album of 2020. [15]
All lyrics are written by Barney Greenway, except where noted; all music is composed by Shane Embury, except where noted.
No. | Title | Lyrics | Music | Length |
---|---|---|---|---|
1. | "Fuck the Factoid" | 2:27 | ||
2. | "Backlash Just Because" | 2:56 | ||
3. | "That Curse of Being in Thrall" | 3:36 | ||
4. | "Contagion" | Embury | 4:05 | |
5. | "Joie de Ne Pas Vivre" |
| 2:28 | |
6. | "Invigorating Clutch" | 4:05 | ||
7. | "Zero Gravitas Chamber" | 4:03 | ||
8. | "Fluxing of the Muscle" | 4:33 | ||
9. | "Amoral" | Embury | 3:05 | |
10. | "Throes of Joy in the Jaws of Defeatism" | 2:55 | ||
11. | "Acting in Gouged Faith" | 3:37 | ||
12. | "A Bellyful of Salt and Spleen" |
| 4:36 | |
Total length: | 42:26 |
No. | Title | Lyrics | Music | Length |
---|---|---|---|---|
12. | "Feral Carve-Up" | 2:49 | ||
13. | "A Bellyful of Salt and Spleen" |
| 4:36 | |
14. | "White Kross" (Sonic Youth cover) | Thurston Moore | 4:06 | |
15. | "Blissful Myth" (Rudimentary Peni cover) | Grant Matthews |
| 1:52 |
Total length: | 51:13 |
No. | Title | Music | Length |
---|---|---|---|
12. | "Air's Turned Foul in Here" | 2:59 | |
13. | "A Bellyful of Salt and Spleen" |
| 4:36 |
Total length: | 45:25 |
No. | Title | Lyrics | Music | Length |
---|---|---|---|---|
12. | "Air's Turned Foul in Here" | 2:59 | ||
13. | "Feral Carve-Up" | 2:49 | ||
14. | "A Bellyful of Salt and Spleen" |
| 4:36 | |
15. | "White Kross" (Sonic Youth cover) | Moore |
| 4:06 |
16. | "Blissful Myth" (Rudimentary Peni cover) | Matthews |
| 1:52 |
Total length: | 54:12 |
Credits are adapted from the album's liner notes. [16]
Chart (2020) | Peak position |
---|---|
Austrian Albums (Ö3 Austria) [19] | 37 |
Czech Albums (ČNS IFPI) [20] | 83 |
Finnish Albums (Suomen virallinen lista) [21] | 35 |
French Albums (SNEP) [22] | 120 |
German Albums (Offizielle Top 100) [23] | 18 |
Norwegian Vinyl Albums (VG-lista) [24] | 31 |
Scottish Albums (OCC) [25] | 33 |
Swiss Albums (Schweizer Hitparade) [26] | 26 |
Napalm Death are an English grindcore band formed in Meriden, West Midlands in 1981. None of the band's original members have been in the group since 1986, but since Utopia Banished (1992), the lineup of bassist Shane Embury, guitarist Mitch Harris, drummer Danny Herrera and lead vocalist Mark "Barney" Greenway has remained consistent through most of the band's career. From 1989 to 2004, Napalm Death were a five-piece band after they added Jesse Pintado and Mitch Harris as replacements for guitarist Bill Steer. Following Pintado's departure, the band reverted to a four-piece.
Diatribes is the sixth studio album by English grindcore band Napalm Death, originally released on 22 January 1996 on Earache Records. It was released as double 10" vinyl, regular CD, special digipak CD with space for the Greed Killing EP and MC. In 2010, Earache issued a re-release of Diatribes in a box set that also included the Greed Killing EP and the live album Bootlegged in Japan.
Earache Records is a British independent record label, music publisher and management company founded by Digby Pearson in 1985, based in Nottingham, England, with offices in London and New York. The label helped to pioneer extreme metal by releasing early grindcore and death metal records between the late 1980s and mid-1990s. Its roster has since diversified into more mainstream guitar music, working with bands such as Rival Sons, the Temperance Movement, Blackberry Smoke, Scarlet Rebels and the White Buffalo. The company also hosted the 'Earache Express' stage at Glastonbury Festival in 2017 and 'The Earache Factory' at Boomtown 2018. The label's logo is a homage to Thrasher magazine, as Pearson was a skateboard culture enthusiast.
Mark Andrew "Barney" Greenway is a British extreme metal vocalist who is the current lead singer and primary lyricist of Napalm Death and a former member of Extreme Noise Terror and Benediction.
Shane Thomas Embury is a British musician, who is widely known as bassist and primary songwriter of the grindcore and death metal band Napalm Death since 1987—the longest-serving member of the band.
Utopia Banished is the fourth studio album by the British grindcore band Napalm Death. The album was released in 1992 by Earache Records. It is the first album featuring Danny Herrera on drums following the departure of Mick Harris. Metal Hammer put it on the list of the 20 best metal album of 1992.
Enemy of the Music Business is the ninth studio album by the British band Napalm Death, released in 2000. This album, along with Words from the Exit Wound, are the only Napalm Death studio albums that were released only on CD until 2013. London-based Secret Records has re-issued the album on CD and 180g LP. This is the last release that has Jesse Pintado actually performing. Kerrang put it on the list of the best 50 albums of the 2000, at the position number 19.
Leaders Not Followers: Part 2 is a cover album by British grindcore band Napalm Death, released in 2004 by Century Media. It contains covers of various hardcore punk and heavy metal songs. Although Jesse Pintado is credited for playing guitars, guitarist Mitch Harris revealed in an interview with The Metal Forge in 2005 that Pintado did not contribute to Leaders Not Followers: Part 2.
Noise for Music's Sake is a double-disc compilation by British band Napalm Death. It was released on 8 July 2003 on Earache Records. This album is a retrospective of the band's entire career. The first disc is a best-of compilation; the second disc contains rarities. The booklet includes 20 pages with interviews of band members Shane Embury and Mark "Barney" Greenway. It also includes a guide to all the songs from the second disc, and a complete "Family Tree" detailing every person who was ever in the band.
Fear, Emptiness, Despair is the fifth studio album by British grindcore band Napalm Death, released on 9 May 1994. Napalm Death's inclusion on the Mortal Kombat soundtrack brought significant exposure to the band and this album, alongside the fact that the band's label Earache had formed a partnership with Columbia Records which allowed the album to disseminate to a wider audience. RAW magazine listed Fear, Emptiness, Despair as one of the essential album of the 1990s.
Bootlegged in Japan is a live album from British extreme metal band Napalm Death, released in June 1998 through Earache.
Words from the Exit Wound is the eighth studio album by British extreme metal band Napalm Death, released in 1998 by Earache. It was issued only on CD. It is considered the final album of the band's "experimental" period, while simultaneously foreshadowing the band's return to a more traditional death metal and grindcore sound.
Punishment in Capitals is a live CD and DVD-release by the band Napalm Death. It was recorded at the London ULU on 12 April 2002 at a benefit gig for animal rights organization Stop Huntingdon Animal Cruelty. This is the last release with Jesse Pintado.
A Matter of Life and Death is the fourteenth studio album by English heavy metal band Iron Maiden. It was released on 25 August 2006 in Italy and Finland and 28 August worldwide—excluding the US, Canada and Japan, where it was released on 5 September. It is the first album in Iron Maiden's career to enter the US Billboard charts in the top 10, achieving significant chart success in many other countries as well.
Time Waits for No Slave is the thirteenth studio album by the British grindcore band Napalm Death. It was released through Century Media on 23 January 2009.
Beyond Hell/Above Heaven is the fourth studio album by Danish rock band Volbeat. The album was released on 10 September 2010 on EMI in Denmark, on Vertigo in the rest of Europe, and on Republic in the United States.
Utilitarian is the fourteenth studio album by British grindcore band Napalm Death. It was released in the UK on 27 February 2012 and globally on 28 February 2012.
Apex Predator – Easy Meat is the fifteenth studio album by British grindcore band Napalm Death, released on 23 January 2015 through Century Media. Since the band recorded the album in segments, recording took almost a year. In advance of the release, Napalm Death issued details of the then upcoming album such as artwork and track listing as well as two new songs. The first video clip taken from Apex Predator coincided with the release. Reviews of Apex Predator were overwhelmingly positive, while it also entered a number of American and European charts.
Coded Smears and More Uncommon Slurs is a compilation album by British grindcore band Napalm Death, released on 30 March 2018 through Century Media. It contains previously unreleased material from various album recording sessions, b-sides, limited edition bonus tracks and split recordings. A music video for "Standardization", the compilation's opening track, was released on 8 May 2018.
Too Mean to Die is the sixteenth studio album by German heavy metal band Accept, released on 29 January 2021. It is the first Accept album to feature Martin Motnik, who replaced original bassist Peter Baltes in 2019, and rhythm guitarist Philip Shouse, who joined the band that same year. As the band had signed to Napalm Records in February 2022, this is their last album to be released on Nuclear Blast.
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