Natalie King OAM | |
---|---|
Born | 1966 (age 57–58) Melbourne, Australia |
Nationality | Australian |
Occupation(s) | Curator, writer |
Years active | 1991–present |
Known for | Australian Contemporary Art |
Natalie King OAM (born 1966) is an Australian curator and writer working in Melbourne, Australia. She specializes in Australian and international programs for contemporary art and visual culture. This includes exhibitions, publications, workshops, lectures and cultural partnerships across contemporary art and indigenous culture. [1]
King was formerly Chief Curator of Melbourne Biennial Lab, [2] [3] the Creative Associate of MPavilion [4] and curator of Tracey Moffatt for the Australian Pavilion at the 57th International Art Exhibition, Venice Biennale 2017. [2] [5]
As from 2017, she is a senior research fellow at the Victorian College of the Arts, University of Melbourne, Australia [5] and was recently appointed to the role of enterprise professor at the VCA. [6] In that role she was named in The Australian Financial Review 100 Women of Influence awards for Arts, Culture and Sport in October 2018. [7] In September 2019, King was appointed as curator of the first Pacific and transgender artist, Yuki Kihara, to represent Aotearoa New Zealand at the 59th Venice Biennale 2022. [8]
Natalie King grew up in North Balwyn, Melbourne Victoria, in a conventional Jewish household. [9] From a young age she had an interest in the indigenous history of the city, including the work of Aboriginal artist Destiny Deacon and long-time collaborator Virginia Fraser. [9]
Natalie King curated Tracey Moffatt for the Australian pavilion at the 57th International Art Exhibition, Venice Biennale 2017. [4] [10]
King curated the first Pasifika and Samoan artist, Yuki Kihara for the New Zealand pavilion at the 59th International Art Exhibition, Venice Biennale 2022. [11]
In 2024, King curated the inaugural Timor-Leste pavilion, Maria Madeira: Kiss and Don’t Tell at the 60th International Art Exhibition, Venice Biennale 2024. [12]
Her previous roles include Chief Curator of Melbourne Biennial Lab, City of Melbourne; senior research fellow, Victorian College of the Arts, The University of Melbourne and Creative Associate of MPavilion. [1] [4]
In 2018, Natalie King was selected as a finalist for the Australian Financial Review 100 Women of Influence. The award was established to recognize the achievements of Australian women across a broad range of professions and disciplines. [13]
In the 2020 Queen's Birthday Honours, King was awarded the Medal of the Order of Australia (OAM) for "service to the contemporary visual arts". [14]
In 2023 King won the Best Artist-Led Publication AWAPA award by the Art Association of Australia & New Zealand for editing the publication Paradise Camp by Yuki Kihara. (Thames and Hudson, 2022) [15]
King completed a Master of Arts (M.A.), Visual Arts & Museum Studies at Monash University in Victoria Australia, between 1991 and 1993. [16]
Natalie King is co-editor (with Professor Larissa Hjorth and Mami Kataoka) of the anthology Art in the Asia Pacific: Intimate Publics, Routledge, 2014. [1] She is also editor/curator of Up Close: Carol Jerrems with Larry Clark, Nan Goldin and William Yang, Heide Museum of Modern Art. [1] King also co-edited a publication on biennial curator Hou Hanru. [4] She is widely published in arts media including LEAP, Photofile and Flash Art. [1] She is also a member of the International Association of Art Critics, Paris. [2]
Natalie King has conducted a number of public lectures and published interviews with leading international artists and curators including: [2]
In the art world, a Biennale, Italian for "biennial" or "every other year", is a large-scale international contemporary art exhibition. The term was popularised by the Venice Biennale, which was first held in 1895, but the concept of such a large scale, and intentionally international event goes back to at least the 1851 Great Exhibition in London.
Janet Laurence is an Australian artist, based in Sydney, who works in photography, sculpture, video and installation art. Her work is an expression of her concern about environment and ethics, her "ecological quest" as she produces art that allows the viewer to immerse themselves to strive for a deeper connection with the natural world. Her work has been included in major survey exhibitions, nationally and internationally and is regularly exhibited in Australia, Japan, Germany, Hong Kong and the UK. She has exhibited in galleries and outside in site-specific projects, often involving collaborations with architects, landscape architects and environmental scientists. Her work is held in all major Australian galleries as well as private collections in Australia and overseas.
Carol Jerrems was an Australian photographer/filmmaker whose work emerged just as her medium was beginning to regain the acceptance as an art form that it had in the Pictorial era, and in which she newly synthesizes complicity performed, documentary and autobiographical image-making of the human subject, as exemplified in her Vale Street.
Hou Hanru is an international art curator and critic based in San Francisco, Paris and Rome. He was Artistic Director of the National Museum MAXXI in Rome, Italy, from 2013 to 2023.
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Alexie Glass-Kantor is an Australian curator. Since 2013, she has held the position of Executive Director of Artspace Visual Arts Centre in Sydney.
Robert Owen is an Australian artist and curator. He lives and works in Melbourne, Australia.
TarraWarra Museum of Art is an art museum in Tarrawarra, Victoria, 45 kilometres northeast of Melbourne. Founded by philanthropists and art collectors Eva and Marc Besen, it is the first museum of art in Australia supported by a significant private endowment.
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Djon Mundine is an Aboriginal Australian artist, curator, activist and writer. He is a member of the Bundjalung people of northern New South Wales. He is known for having conceived the 1988 work Aboriginal Memorial, on display at the National Gallery of Art in Canberra.
Abdul Abdullah is a Sydney-based Australian multidisciplinary artist, the younger brother of Abdul-Rahman Abdullah, also an artist. Abdul Abdullah has been a finalist several times in the Archibald, Wynne and Sulman Prizes. He creates provocative works that make political statements and query identity, in particular looking at being a Muslim in Australia, and examines the themes of alienation and othering.
Abdul-Rahman Abdullah is an Australian artist based in Western Australia, an elder brother of artist Abdul Abdullah. He works mainly in sculpture and installations.
Heather B. Swann is an Australian contemporary artist known for her expressive surrealist sculptural objects, often combined with installation, performance and drawings. Her work draws on artisanal traditions, carving, modelling and tailoring materials to stretch, twist and manipulate her creaturely forms that are at once whimsical and darkly ambiguous. She has received numerous recognition for her work, and her pieces are held in prominent collections, including the National Gallery of Australia, Dubbo Regional Gallery and the Ian Potter Museum of Art.
" My work is a way of holding on to the world. My sculptures and drawings are figurative and modernist in expression, with curved forms, an insistent use of black and a marked surrealist accent."
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