The National Photographic Index of Australian Wildlife was founded as a project of the Australian Museum on 3 June 1969 (as the National Photographic Index of Australian Birds) to compile a comprehensive collection of photographs of Australian bird species. The founder, Donald Trounson, served as the project’s chief executive officer until 1981, when he was succeeded by Ronald Strahan. It was established in association with the National Library of Australia under the direction of a trust chaired by Sir Percy Spender and was the first systematic attempt to compile a comprehensive photographic record of the birds of any country. In 1977 it was expanded to include mammals and, in 1984, reptiles and frogs, with the aim of progressively including other animal groups to become the most comprehensive possible archive of photographs of Australian wildlife and to provide an expanding service to the public, to photographers and to biological science. In November 1980 the Index was incorporated as a part of the Australian Museum and the trust dissolved. [1] [2]
During the first ten years of the project some 20,000 photographs of birds alone were submitted to the Index. Images were evaluated by independent selection panels and assessed under three criteria: scientific value, technical quality and artistic appeal. The existence of the Index collections has stimulated the production of high quality illustrated books on the Australian fauna, including the Reader's Digest Complete Book of Australian Birds in 1976, The Australian Museum Complete Book of Australian Mammals in 1983, and Jim Flegg's Photographic Field Guide: Birds of Australia in 1995.
The publication principally associated with the Index is a series of ten volumes on Australian birds published from 1982 to 1996. It was conceived by Donald Trounson as a photographic equivalent of John Gould’s Birds of Australia . Ronald Strahan, who was editor-in-chief of Volumes 3-10 says in his editorial foreword to the third volume:
”So many books are published on the avifauna of Australia that one needs a good excuse for adding to the list. I have no difficulty or misgivings in justifying our publications, for they are a means of bringing to the public some of the treasures of the Australian Museum’s National Photographic Index of Australian Wildlife. Established sixteen years ago as a primarily scientific reference, the Index has become a unique collection of the best work of Australia’s most distinguished wildlife photographers and, almost inevitably, its informative content is inextricable from beauty. In deliberate emulation of John Gould who, more than a century ago, based The Birds of Australia upon a collection of elegant lithographs, our books are based upon illustrations of birds that have been captured in action by the camera. The illustrations come first and the text is a digressive commentary aimed at readers who may have no commitment to birds. This is not to say that we eschew detail or accuracy; merely that we put details aside into synopses for consultation by those who require such information. Our “Twentieth-century Gould” is designed as much for dipping into as for reading.” [3]
Strahan says in his foreword to the final volume in the series:
”In addition to creating an administrative basis for the project, Trounson’s main contribution was to recruit a uniquely comprehensive photographic coverage of the birds of Australia, calling upon the resources of virtually every wildlife photographer – professional or amateur – in the nation.” [4]
”Altogether, some 40 people have been responsible for the creation of the series, which comprises almost 4000 pages. Vincent Serventy edited the first two volumes, while I have had the honour, and travail, of supervising the remainder.” [4]
”Donald Trounson was highly skilled in raising funds from government and corporate sources. He also obtained support from individual donors by introducing an arrangement whereby illustrations could be sponsored in return for tax-exempt donations. The project remains indebted to these sponsors, many of whom expressed their faith more than a decade ago and have had the patience to see it gradually come to fruition. With the conclusion of this enterprise, it can be said with some confidence that nothing of its size and scope, based on photographs, is likely to be produced for a long while.” [4]
Australia and its offshore islands and territories have 898 recorded bird species as of 2014. Of the recorded birds, 165 are considered vagrant or accidental visitors, of the remainder over 45% are classified as Australian endemics: found nowhere else on earth. It has been suggested that up to 10% of Australian bird species may go extinct by the year 2100 as a result of climate change.
The squirrel glider is a nocturnal gliding possum. The squirrel glider is one of the wrist-winged gliders of the genus Petaurus.
The hoary-headed grebe is a member of the grebe family. It breeds in southern parts of Australia; it winters throughout the island of Tasmania. The bird takes its name from the silvery-white streaking on its black head. It is common in Australia, with a population of about 500,000. Its habitat is similar to that of the Australasian grebe.
Clifford Brodie Frith is an Australian ornithologist and wildlife photographer. He and his wife Dawn Whyatt Frith have studied and published on Australian birds for many years, and publish books as Frith & Frith.
The yellow-bellied glider, also known as the fluffy glider, is an arboreal and nocturnal gliding possum that lives in native eucalypt forests in eastern Australia, from northern Queensland south to Victoria.
Swinhoe's snipe,, also known as forest snipe or Chinese snipe, is a medium-sized, long-billed, migratory wader.
The comb-crested jacana, also known as the lotusbird or lilytrotter, is the only species of jacana in the genus Irediparra. Like other jacana species, it is adapted to the floating vegetation of tropical freshwater wetlands.
The black-faced sheathbill, also known as the lesser sheathbill or paddy bird, is one of only two species of sheathbills, aberrant shorebirds which are terrestrial scavengers of subantarctic islands.
The oriental plover, also known as the oriental dotterel, is a medium-sized plover closely related to the Caspian plover. It breeds in parts of Mongolia and China, migrating southwards each year to spend its non-breeding season in Indonesia, New Guinea and northern Australia.
The red-kneed dotterel is a species of plover in a monotypic genus in the subfamily Vanellinae. It is often gregarious and will associate with other waders of its own and different species, even when nesting. It is nomadic and sometimes irruptive.
Western pebble-mound mouse or Ngadji is a burrowing and mound building rodent in the family Muridae. They occur in the Pilbara, a remote region in the northwest of Australia.
The rufous songlark is a species in the family Locustellidae endemic to Australia.
Eric Arthur Frederic Worrell (MBE), was an Australian naturalist, herpetologist, science writer and zoo founder and director, known for establishing the Australian Reptile Park at Wyoming on the NSW Central Coast in 1959.
A Field Guide to the Birds of Australia was first published in 1980 by Collins, Sydney. It was authored by Graham Pizzey with illustrations by Roy B. Doyle. The first edition was issued in octavo format, 220 mm in height by 140 mm width, with a foreword by D.L. Serventy. It contained 460 pages of text with 32 black-and-white and 56 colour plates illustrating nearly all species of birds recorded in Australia at the time of publication. The plates were bunched between pages 300 and 301, while there were 725 maps of breeding distribution on pages 411-442 between the main text and the indexes, as well as maps of Australia in the end papers. Its success was such that it was followed by several further editions.
The Reader's Digest Complete Book of Australian Birds is a book first published by Reader's Digest Services Pty Ltd of Sydney, Australia in 1976 and reprinted several times, with a completely revised edition issued in 1986.
Alfred Donald Trounson OAM was a British diplomat and amateur photographer who settled in Australia in his retirement to become a bird photographer and the founder of the National Photographic Index of Australian Wildlife.
Darrell John Kitchener is a biologist who has been active in mammalian research in Western Australia and Indonesia. He is the author of over one hundred papers, published while employed as the senior research biologist at the Western Australian Museum, and described many new species of mammals during his 28 years in that position. Kitchener was born on 9 June 1943 in Victoria, Australia. He obtained degrees in botany and zoological sciences at the University of Tasmania and completed his Ph.D. at the University of Western Australia. His works include contributions to the Australian Museum's Complete book of Australian mammals.
Triodia basedowii, commonly known as lobed spinifex, is a species of tussock-forming grass-like plant found in Australia.
Ronald Strahan (1922–2010) was a zoologist, historian and author of works on the fauna of Australia.
Furred Animals of Australia is a general reference book, first published in 1931, that gives accounts of Australian mammals, the continent's often unique marsupial and placental mammal fauna. The text and research for the book was undertaken by the mammologist and museum curator Ellis Le Geyt Troughton. Colour plates for the work were produced by Neville W. Cayley, whose popular standard guide What Bird is That? inspired Troughton's working title What Mammal is That?. The second edition of the work, while dated 1943 on the title page, was issued by Angus and Robertson in 1944. It remained the only authoritative treatment of the continent's mammals to be readily available during the mid-twentieth century.