 | This article relies largely or entirely on a single source .(September 2021) |
| Nativity of the Virgin | |
|---|---|
 | |
| Artist | Albrecht Altdorfer |
| Year | c. 1520 |
| Medium | Oil on panel |
| Dimensions | 140.7 cm× 130 cm(55.4 in× 51 in) |
| Location | Alte Pinakothek, Munich |
The Nativity of the Virgin is an oil-on-panel painting by the German Renaissance artist Albrecht Altdorfer, dating to c. 1520, which is now in the Alte Pinakothek in Munich.
The work uses a scenic composition typical of the Danube school of the time. The subject, the birth of Mary, is shown in a secondary location in the lower part of the painting. It includes St. Anne's bed, the midwives with the daughter and St. Joachim riding a stair with something in his hand.
The predominant part of the work is the church background, where angels fly to form a large circle: in the middle is a young angel with a thurible for incense.
The edifice, symbolizing the analogy between Mary and the Catholic church (a subject later abolished by the Protestant Reformation), is organized in a complicated and original fashion: the ambulatory and the column galleries are Romanesque, the ogival windows are Gothic, the vaults and the shell-shaped niches are in Renaissance style. This attention to architectural elements was typical of Altdorfer's work in the period he spent at the court of Maximilian I.
Albrecht Altdorfer was a German painter, engraver and architect of the Renaissance working in Regensburg, Bavaria. Along with Lucas Cranach the Elder and Wolf Huber he is regarded to be the main representative of the Danube School, setting biblical and historical subjects against landscape backgrounds of expressive colours. He is remarkable as one of the first artists to take an interest in landscape as an independent subject. As an artist also making small intricate engravings he is seen to belong to the Nuremberg Little Masters.
In art, a Madonna is a representation of Mary, either alone or with her child Jesus. These images are central icons for both the Catholic and Orthodox churches. The word is from Italian ma donna 'my lady' (archaic). The Madonna and Child type is very prevalent in Christian iconography, divided into many traditional subtypes especially in Eastern Orthodox iconography, often known after the location of a notable icon of the type, such as the Theotokos of Vladimir, Agiosoritissa, Blachernitissa, etc., or descriptive of the depicted posture, as in Hodegetria, Eleusa, etc.
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