Nature Symphony is an orchestral work written by the American composer Arlene Sierra. The work was commissioned by the BBC Philharmonic and BBC Radio Three. It was first performed at Bridgewater Hall on November 25, 2017 with Ludovic Morlot conducting.
Nature Symphony was commissioned by the BBC Philharmonic and BBC Radio Three. [1] “Nature Symphony” takes its starting point from Sierra's earlier piano trio "Butterflies Remember a Mountain", opening with the same rhythmic material as the trio but expanded to large orchestral forces. [2]
Nature Symphony is a three-movement orchestral work with a duration of approximately twenty-one minutes.
The first movement "Mountain of Butterflies" expands on the idea of endless cycles of migration, year after year, via steadily accumulating loops of orchestral texture. [1] A sense of forward motion scaled up to a kind of stasis is achieved, until the movement's sudden arrival. [2]
The second movement "The Black Place: After O'Keeffe" is inspired by Georgia O'Keeffe's paintings of the austere landscapes of New Mexico, specifically the painting Black Place (1944) of the Bisti Badlands. Rhythmic, melodic and harmonic ingredients create a musical landscape with shades of color constantly shifting. [2]
The final movement "Bee Rebellion" is based on the phenomenon of hive collapse, when the insect society can suddenly break down into anarchy; the music features unpredictable cycles and accumulations, with taunting wind solos, all cut short by a brassy, percussion-driven ending that offers no escape. [1]
Nature Symphony calls for two flutes and piccolo, two oboes and English horn, two clarinets and bass clarinet, two bassoons, contrabassoon, four horns, three trumpets, three trombones, tuba, percussion (three players: marimba, vibraphone, bass drum, gong (large flat), triangle, claves, tam tam, tambourine, djembe, suspended cymbal, sandblocks, ratchet, large egg shaker), timpani, harp, piano, and strings
As part of his review of the world premiere, Andrew Clements wrote of Nature Symphony, "The title suggests something programmatic, and the symphony’s three movements all have evocative titles, but there is nothing in them that’s obviously descriptive. Lasting just over 20 minutes, the symphony does what Sierra sets out to do with impressive economy and a succession of striking orchestral ideas. " [2]
In a review of the U.S. premiere with the Utah Symphony, Rick Mortenson states, "Through repeated motives and ostinati — layered on top of one another and providing a backdrop to irregular swoons and swells — Nature Symphony imitates the inevitable but chaotic processes of nature. Listening to it unfold provides a fascination similar to watching birds or insects and puzzling over their behavior. The first movement, “Mountain of Butterflies,” flutters frenetically and occasionally swoops without warning. Though atonal, the piece has a strong rhythmic drive and a captivating sense of motion, and it creates tension and resolution in the development of its three and four note melodic cells. [3]
On January 21, 2022, Nature Symphony was a clue on Jeopardy! in the Symphonies category for its connection to the painting of Georgia O'Keeffe [4]
The Violin Concerto No. 1 in A minor, Op. 77, was originally composed by Dmitri Shostakovich in 1947–48. He was still working on the piece at the time of the Zhdanov Doctrine, and it could not be performed in the period following the composer's denunciation. In the time between the work's initial completion and the first performance, the composer, sometimes with the collaboration of its dedicatee, David Oistrakh, worked on several revisions. The concerto was finally premiered by the Leningrad Philharmonic under Yevgeny Mravinsky on 29 October 1955. It was well-received, Oistrakh remarking on the "depth of its artistic content" and describing the violin part as a "pithy 'Shakespearian' role."
Pyotr Ilyich Tchaikovsky's Symphony No. 4 in F minor, Op. 36, was written between 1877 and 1878. Its first performance was at a Russian Musical Society concert in Moscow on February 22, 1878, with Nikolai Rubinstein as conductor. In Central Europe it sometimes receives the nickname "Fatum", or "Fate".
Ralph Vaughan Williams composed his Symphony in E minor, published as Symphony No. 6, in 1944–47, during and immediately after World War II and revised in 1950. Dedicated to Michael Mullinar, it was first performed, in its original version, by Sir Adrian Boult and the BBC Symphony Orchestra on 21 April 1948. Within a year it had received some 100 performances, including the U.S. premiere by the Boston Symphony Orchestra under Serge Koussevitzky on 7 August 1948. Leopold Stokowski gave the first New York performances the following January with the New York Philharmonic and immediately recorded it, declaring that "this is music that will take its place with the greatest creations of the masters." However, Vaughan Williams, very nervous about this symphony, threatened several times to tear up the draft. At the same time, his programme note for the first performance took a defiantly flippant tone.
Kenneth Hesketh is a British composer of contemporary classical music in numerous genres including dance, orchestral, chamber, vocal and solo. He has also composed music for wind and brass bands as well as seasonal music for choir.
Arlene Sierra is an American composer of contemporary classical music, working in London, United Kingdom.
The Symphony No. 3 is a symphony in five movements composed between 1988 and 1995 by Krzysztof Penderecki. It was commissioned and completed for the centenary of the Munich Philharmonic. Its earliest version, Passacaglia and Rondo, premiered at the International Music Festival Week in Lucerne, Switzerland, on August 20, 1988. It was performed by the Lucerne Festival Orchestra and conducted by Penderecki. The full symphony premiered in Munich on 8 December 1995, performed by the Munich Philharmonic, again conducted by the composer.
The Symphony No. 7 by Peter Maxwell Davies was composed in 2000. It was written for and dedicated to the BBC Philharmonic Orchestra, by whom it was premiered on 19 June 2000 at the St Magnus Festival, in the Pickaquoy Centre, Kirkwall, Orkney, conducted by the composer.
Anna Sigríður Þorvaldsdóttir is an Icelandic composer. She has been called "one of Iceland's most celebrated composers", and was the 2012 winner of the Nordic Council Music Prize. Her music is frequently performed in Europe and in the United States, and is often influenced by landscapes and nature.
This England is a classical music album by the Oregon Symphony under the artistic direction of Carlos Kalmar, released by Dutch record label PentaTone Classics in November 2012. The album was recorded at the Arlene Schnitzer Concert Hall in Portland, Oregon, at five performances in February and May 2012. It contains works by three English 20th-century composers: Edward Elgar's Cockaigne , Ralph Vaughan Williams' Symphony No. 5, and "Four Sea Interludes" and "Passacaglia" from Benjamin Britten's opera Peter Grimes. The recording was the orchestra's second under Kalmar's leadership, following Music for a Time of War (2011), which also included works by Britten and Vaughan Williams. This England received positive critical reception but failed to chart.
L'Arbre des songes is a violin concerto written by Henri Dutilleux between 1983 and 1985. It is dedicated to Isaac Stern.
Become Ocean is an orchestral composition by American composer John Luther Adams. The Seattle Symphony Orchestra commissioned the work and premiered it at Benaroya Hall, Seattle, on 20 and 22 June 2013. The work won the 2014 Pulitzer Prize for Music and the 2015 Grammy Award for Best Classical Contemporary Composition. In 2019, writers of The Guardian ranked it the 10th greatest work of art music since 2000.
Foreign Bodies is an orchestral composition in three movements by the Finnish composer Esa-Pekka Salonen. The work was commissioned by the Finnish Broadcasting Company and was first performed at the Schleswig-Holstein Musik Festival on August 12, 2001 by the Finnish Radio Symphony Orchestra under the conductor Jukka-Pekka Saraste.
Métaboles is an orchestral work by Henri Dutilleux, commissioned by the conductor George Szell in 1959 to mark the fortieth anniversary of the Cleveland Orchestra. Métaboles was composed in 1963–64 and was first performed by Szell and the Cleveland Orchestra on 14 January 1965.
The Symphony No. 4 is an orchestral composition by the American composer John Harbison. The work was commissioned by the Seattle Symphony with contributions from the philanthropists Richard and Constance Albrecht. It was given its world premiere in Seattle on June 17, 2004 by the Seattle Symphony under the direction of Gerard Schwarz.
Two Episodes is a composition for orchestra by the Finnish composer Magnus Lindberg. The work was commissioned by the London Philharmonic Orchestra, for which Lindberg is composer-in-residence, and co-commissioned by The Proms, the Helsinki Festival, and the Casa da Música. It was first performed by the London Philharmonic Orchestra under the direction of Vladimir Jurowski in the Royal Albert Hall, London, on July 24, 2016.
Moler is an orchestral work written by the American composer Arlene Sierra. The work was commissioned by the Seattle Symphony, Ludovic Morlot, Music Director. It was first performed at Benaroya Hall on October 26, 2012.
Blood on the Floor is a suite in nine movements composed for orchestra and jazz trio by Mark-Anthony Turnage. It was composed over a span of three years (1993–1996) after a commission from the Ensemble Modern—a German music group—to produce a piece for an evening jazz event in 1994. After the performance, Turnage expanded the piece into a larger nine-movement suite. During this period of composition, Turnage's brother Andrew died of a drug overdose, shaping the music greatly. As a result, drug culture is one of the main themes in the suite. Blood on the Floor also draws influences from the paintings of Francis Bacon and Heather Betts; the suite's title is an adaptation of Bacon's painting Blood on Pavement.
Bird Symphony is an orchestral work written by the American composer Arlene Sierra. The work was commissioned by the Utah Symphony, Thierry Fischer, music director. It was first performed at Abravanel Hall on April 16, 2022.
Aquilo is an orchestral work written by the American composer Arlene Sierra. The work was first performed at Tokyo Opera City by the Tokyo Philharmonic Orchestra on May 27, 2001 with Susanna Mälkki conducting. A revised version of the work was published in 2001 by Cecilian Music and recorded by the BBC National Orchestra of Wales for Bridge Records in 2014.