Jacob Armstead Lawrence was an American painter known for his portrayal of African-American historical subjects and contemporary life. Lawrence referred to his style as "dynamic cubism," an art form popularized in Europe which drew great inspiration from West African and Meso-American art. For his compositions, Lawrence found inspiration in everyday life in Harlem. He brought the African-American experience to life using blacks and browns juxtaposed with vivid colors. He also taught and spent 16 years as a professor at the University of Washington.
An African American is a citizen or resident of the United States who has origins in any of the black populations of Africa. African American-related topics include:
Aaron Douglas was an American painter, illustrator and visual arts educator. He was a major figure in the Harlem Renaissance. He developed his art career painting murals and creating illustrations that addressed social issues around race and segregation in the United States by utilizing African-centric imagery. Douglas set the stage for young, African-American artists to enter the public-arts realm through his involvement with the Harlem Artists Guild. In 1944, he concluded his art career by founding the Art Department at Fisk University in Nashville, Tennessee. He taught visual art classes at Fisk until his retirement in 1966. Douglas is known as a prominent leader in modern African-American art whose work influenced artists for years to come.
Jonathan Eastman Johnson was an American painter and co-founder of the Metropolitan Museum of Art, New York City, with his name inscribed at its entrance. He was best known for his genre paintings, paintings of scenes from everyday life, and his portraits both of everyday people and prominent Americans such as Abraham Lincoln, Nathaniel Hawthorne, Ralph Waldo Emerson, and Henry Wadsworth Longfellow. His later works often show the influence of the 17th-century Dutch masters, whom he studied in The Hague in the 1850s; he was known as The American Rembrandt in his day.
William Traylor was an African-American self-taught artist from Lowndes County, Alabama. Born into slavery, Traylor spent the majority of his life after emancipation as a sharecropper. It was only after 1939, following his move to Montgomery, Alabama, that Traylor began to draw. At the age of 85, he took up a pencil and a scrap of cardboard to document his recollections and observations. From 1939 to 1942, while working on the sidewalks of Montgomery, he produced nearly 1,500 pieces of art.
Frances Benjamin Johnston was an early American photographer and photojournalist whose career lasted for almost half a century. She is most known for her portraits, images of southern architecture, and various photographic series featuring African Americans and Native Americans at the turn of the twentieth century.
Alma Woodsey Thomas was an African-American artist and teacher who lived and worked in Washington, D.C., and is now recognized as a major American painter of the 20th century. Thomas is best known for the "exuberant", colorful, abstract paintings that she created after her retirement from a 35-year career teaching art at Washington's Shaw Junior High School.
Laura Wheeler Waring was an American artist and educator, most renowned for her realistic portraits, landscapes, still-life, and well-known African American portraitures she made during the Harlem Renaissance. She was one of the few African American artists in France, a turning point of her career and profession where she attained widespread attention, exhibited in Paris, won awards, and spent the next 30 years teaching art at Cheyney University in Pennsylvania.
Thomas Satterwhite Noble was an American painter as well as the first head of the McMicken School of Design in Cincinnati, Ohio.
Mary Edmonson (1832–1853) and Emily Edmonson, "two respectable young women of light complexion", were African Americans who became celebrities in the United States abolitionist movement after gaining their freedom from slavery. On April 15, 1848, they were among the 77 slaves who tried to escape from Washington, DC on the schooner The Pearl to sail up the Chesapeake Bay to freedom in New Jersey.
Archibald John Motley, Jr., was an American visual artist. Motley is most famous for his colorful chronicling of the African-American experience in Chicago during the 1920s and 1930s, and is considered one of the major contributors to the Harlem Renaissance, or the New Negro Movement, a time in which African-American art reached new heights not just in New York but across America—its local expression is referred to as the Chicago Black Renaissance. He studied painting at the School of the Art Institute of Chicago during the 1910s, graduating in 1918.
A house slave was a slave who worked, and often lived, in the house of the slave-owner, performing domestic labor. House slaves performed essentially the same duties as all domestic workers throughout history, such as cooking, cleaning, serving meals, and caring for children; however, their slave status could expose them to more significant abuses, including physical punishments and use as a sexual slave.
Georgette Seabrooke, was an American muralist, artist, illustrator, art therapist, non-profit chief executive and educator. She is best known for her 1936 mural, Recreation in Harlem at Harlem Hospital in New York City, which was restored and put on public display in 2012 after being hidden from view for many years.
Freedom suits were lawsuits in the Thirteen Colonies and the United States filed by slaves against slaveholders to assert claims to freedom, often based on descent from a free maternal ancestor, or time held as a resident in a free state or territory.
A Visit from the Old Mistress is an 1876 painting by the prominent 19th-century American artist Winslow Homer. It was one of several works that Homer is thought to have created during a mid-1870s visit to Virginia, where he had served for a time as a Union war correspondent during the Civil War. Scholars have noted that the painting's composition is taken from Homer's earlier painting Prisoners from the Front, which depicts a group of captive Confederate soldiers defiantly regarding a Union officer. Put on display in the northern states for a northern audience, A Visit from the Old Mistress, along with Homer's other paintings of black southern life from the postbellum period, has been praised as an "invaluable record of an important segment of life in Virginia during the Reconstruction."
May Howard Jackson was an African American sculptor and artist. Active in the New Negro Movement and prominent in Washington, D.C.'s African American intellectual circle in the period 1910-30, she was known as "one of the first black sculptors to...deliberately use America's racial problems" as the theme of her art. Her dignified portrayals of "mulatto" individuals as well as her own struggles with her multiracial identity continue to call for the interpretation and assessment of her work.
The Old Stagecoach is an oil-on-canvas painting created in 1871 by American painter Eastman Johnson. Occasionally written as The Old Stage Coach or The Old Stage-Coach, the painting is considered one of Johnson's finest and best-known works, second only to his Antebellum masterpiece Negro Life at the South.
Mary Henderson Eastman was an American historian and novelist who is noted for her works about Native American life. She was also an advocate of slavery in the United States. In response to Harriet Beecher Stowe's anti-slavery Uncle Tom's Cabin, Eastman defended Southern slaveholding society by writing Aunt Phillis's Cabin: or, Southern Life As It Is (1852), which earned her considerable fame. She was the wife of the American illustrator and army officer Seth Eastman.
The American Negro Exposition, also known as the Black World's Fair and the Diamond Jubilee Exposition, was a world's fair held in Chicago from July until September in 1940, to celebrate the 75th anniversary of the end of slavery in the United States at the conclusion of the Civil War in 1865.
A Ride for Liberty – The Fugitive Slaves (1862) is a painting by the American artist Eastman Johnson that depicts a family of African Americans fleeing enslavement in the Southern United States during the American Civil War. It is based on an event that Johnson claimed to have witnessed near Manassas, Virginia, on March 2, 1862.
