Neo-Decadence is a contemporary artistic movement, primarily focused on literature, but which embraces other modes of creative activity. Though influenced by the aesthetic ideology of the Decadent movement, it might be seen as much as a reaction against other trends in contemporary literature as a resurrection of the original movement. In general, Neo-Decadence has more in common with avant-garde literary movements (Symbolism, Decadence and Futurism) than with genre fiction categories such as speculative fiction or horror, with which it is often compared. [1] [2]
The term “Neo-Decadence” as it is related to the Neo-Decadent movement was first used in the cover copy of Brendan Connell’s 2005 novel The Translation of Father Torturo, [3] in which the principal character is referred to as a “neo-decadent anti-hero.” [4] In 2010, Connell published the "Manifesto of Neo-Decadence" at a website called gestaltmash.com. In 2018, Drowning in Beauty: The Neo-Decadent Anthology, was published, which included both the first manifesto, and a Second Manifesto of Neo-Decadence, written by Justin Isis. [5]
Neo-Decadence, which has also been called “Post-Naturalism,” according to Daniel Corrick, in his introduction to Drowning in Beauty: The Neo-Decadent Anthology, “involves a shift in aesthetic consciousness, an altered mental state which temporarily negates our awareness of whatever utilitarian social purposes an object or person might serve. Exploration of beauty and its meaning becomes the aim of consciousness.” In the collaborative essay “Against Neo-Passéism,” Neo-Decadence is defined in contrast to Neo-Passéism, which is described as “the unexamined artistic logic of capitalist realism,” a blanket term denoting various trends in contemporary art and writing, particularly those with a nostalgic nature or overreliance on popular culture tropes. [6]
Some Neo-Decadent authors, such as Damian Murphy, are practicing occultists and consider their work to be written in metaphysical opposition to what they perceive as the prevailingly materialist assumptions of mainstream fiction. [7] [8]
Other preoccupations include fashion, self-absorption, obsession, drugs, cuisine, and excessive retro-gaming. [9] [10]
Fin de siècle is a French term meaning "end of century,” a phrase which typically encompasses both the meaning of the similar English idiom "turn of the century" and also makes reference to the closing of one era and onset of another. Without context, the term is typically used to refer to the end of the 19th century. This period was widely thought to be a period of social degeneracy, but at the same time a period of hope for a new beginning. The "spirit" of fin de siècle often refers to the cultural hallmarks that were recognized as prominent in the 1880s and 1890s, including ennui, cynicism, pessimism, and "a widespread belief that civilization leads to decadence."
Aestheticism was an art movement in the late 19th century that valued the appearance of literature, music, fonts and the arts over their functions. According to Aestheticism, art should be produced to be beautiful, rather than to teach a lesson, create a parallel, or perform another didactic purpose, a sentiment best illustrated by the slogan "art for art's sake." Aestheticism flourished in the 1870s and 1880s, gaining prominence and the support of notable writers such as Walter Pater and Oscar Wilde.
The word decadence refers to a late 19th century movement emphasizing the need for sensationalism, egocentricity; bizarre, artificial, perverse, and exotic sensations and experiences. By extension, it may refer to a decline in art, literature, science, technology, and work ethics, or to self-indulgent behavior.
Kevin Llewellyn Callan, better known as Stewart Home, is an English artist, filmmaker, writer, pamphleteer, art historian, and activist. His novels include the non-narrative 69 Things to Do with a Dead Princess (2002), and the re-imagining of the 1960s in Tainted Love (2005). Earlier parodistic pulp fictions work includes Pure Mania, Red London, No Pity, Cunt, and Defiant Pose which pastiche the work of 1970s British skinhead pulp novel writer Richard Allen and combine it with pornography, political agit-prop, and historical references to punk rock and avant-garde art.
Arthur William Symons was a British poet, critic, translator and magazine editor.
Brian Michael Stableford was a British academic, critic and science fiction writer who published more than 70 novels and over a hundred volumes of translations. His earlier books were published under the name Brian M. Stableford, but later ones dropped the middle initial and appeared under the name Brian Stableford. He also used the pseudonym Brian Craig for some of his very early and late works. The pseudonym derives from the first names of himself and of a school friend from the 1960s, Craig A. Mackintosh, with whom he jointly published some very early work.
Ango Sakaguchi was a Japanese writer, who wrote short stories and novels and was an essayist. His real name was Heigo Sakaguchi.
Malay Roy Choudhury was an Indian Bengali poet, playwright, short story writer, essayist and novelist who founded the Hungryalist movement in the 1960s.
Ilarie Voronca was a Romanian avant-garde poet and essayist.
Mystical Anarchism was a tendency within the Russian Symbolist movement after 1906, especially between 1906 and late 1908. It was created and popularized by Georgy Chulkov.
The Decadent movement was a late-19th-century artistic and literary movement, centered in Western Europe, that followed an aesthetic ideology of excess and artificiality.
Maria Dahvana Headley is an American novelist, memoirist, editor, translator, poet, and playwright. She is a New York Times-bestselling author as well as editor.
Owen Philip King is an American author of novels and graphic novels, and a television film producer. He published his first book, We're All in This Together, in 2005 to generally positive reviews, but his first full-length novel, Double Feature, had a less enthusiastic reception. King collaborated with his father, writer Stephen King, in the writing of the women's prison novel, Sleeping Beauties and the graphic novel of the same name.
Gene O'Neill is best known as a multi-award nominated writer of science fiction, fantasy, and horror fiction.
The Weird: A Compendium of Strange and Dark Stories is an anthology of weird fiction edited by Ann and Jeff VanderMeer.
Maurice Broaddus is an American author who has published fiction across a number of genres including young adult, horror, fantasy and science fiction. Among his books are The Knights of Breton Court urban fantasy trilogy from Angry Robot, the steampunk novel Pimp My Airship from Apex Publications, and the young adult novel The Usual Suspects from HarperCollins. His Afrofuturist space trilogy Astra Black will be released by Tor Books beginning in March, 2022. He has also published dozens of short stories in magazines such as Asimov's Science Fiction, Black Static, Fantasy & Science Fiction, and Weird Tales along with anthologies including Black Panther: Tales of Wakanda, The Year's Best Science Fiction & Fantasy and Sunspot Jungle.
Disagreeable Tales is an 1894 short story collection by the French writer Léon Bloy. It consists of thirty tales set in Paris, focusing on criminality, perversions, and other subject matters typical of the decadent movement. The common theme is the faith in God in a time of human spiritual crisis.
Zagava, initially established as Antiquariat Bücherwelten in 2002, is a German imprint from Düsseldorf that publishes genre-defying literature with an emphasis on weird fiction, strange tales and novels, supernatural and horror literature in limited editions. Although based in Germany all of Zagava′s books are in the English language. Most of Zagava's books are issued in standard limited and numbered hardbound versions and frequently in additional special lettered subeditions with special bindings or additional extras. The books are as much about their contents as about the art of fine book-production. Jonas Ploeger is the proprietor of this press.
Brendan Connell is an American author and translator. Though his work often falls into the horror and fantasy genres, it has also often been called unclassifiable and avant-garde. His style has been compared to that of J.K. Huysmans and Angela Carter. Some of his shorter fiction, such as that contained in his collection Metrophilias, has been referred to as prose poetry.
Anna-Marie McLemore is a Mexican-American author of young adult fiction magical realism, best known for their Stonewall Honor-winning novel When the Moon Was Ours, Wild Beauty, and The Weight of Feathers.