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Punk rock is a music genre that emerged in the mid-1970s. Rooted in 1960s garage rock, punk bands rejected the perceived excesses of mainstream 1970s rock music. They typically produced short, fast-paced songs with hard-edged melodies and singing styles, stripped-down instrumentation, and often shouted political, anti-establishment lyrics. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through independent record labels.
The cassette culture refers to the practices associated with amateur production and distribution of music and sound art on compact cassette that emerged in the mid-1970s. The cassette was used by fine artists and poets for the independent distribution of new work. This article focuses on the independent music scene associated with the cassette that burgeoned internationally in the second half of the 1970s.
Anarcho-punk is ideological subgenre of punk rock that promotes anarchism. Some use the term broadly to refer to any punk music with anarchist lyrical content, which may figure in crust punk, hardcore punk, folk punk, and other styles.
Indie rock is a subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or "guitar pop rock".
Power pop is a form of pop rock based on the early music of bands such as the Who, the Beatles, the Beach Boys, and the Byrds. It typically incorporates melodic hooks, vocal harmonies, an energetic performance, and cheerful sounding music underpinned by a sense of yearning, longing, despair, or self-empowerment. The sound is primarily rooted in pop and rock traditions of the early to mid-1960s, although some artists have occasionally drawn from later styles such as punk, new wave, glam rock, pub rock, college rock, and neo-psychedelia.
K Records is an independent record label in Olympia, Washington founded in 1982. Artists on the label included early releases by Beck, Modest Mouse and Built to Spill. The record label has been called "key to the development of independent music" since the 1980s.
Queercore is a cultural/social movement that began in the mid-1980s as an offshoot of the punk subculture and a music genre that comes from punk rock. It is distinguished by its discontent with society in general, and specifically society's disapproval of the LGBT community. Queercore expresses itself in a DIY style through magazines, music, writing and film.
Wipers was a punk rock band formed in Portland, Oregon, in 1977 by guitarist and vocalist Greg Sage, along with drummer Sam Henry and bassist Dave Koupal. The group's tight song structure and use of heavy distortion were hailed as extremely influential by numerous critics and musicians. They are also considered to be the first Pacific Northwest punk band.
Indie pop is a music genre and subculture that combines guitar pop with DIY ethic in opposition to the style and tone of mainstream pop music. It originated from British post-punk in the late 1970s and subsequently generated a thriving fanzine, label, and club and gig circuit. Compared to its counterpart, indie rock, the genre is more melodic, less abrasive, and relatively angst-free. In later years, the definition of indie pop has bifurcated to also mean bands from unrelated DIY scenes/movements with pop leanings. Subgenres include chamber pop and twee pop.
Greg Sage is an American songwriter, guitarist, and vocalist, regarded as an important influence on many punk rock and post-punk artists. Sage is best known as the principal songwriter and vocalist/guitarist of the influential Portland, Oregon-based band Wipers.
Punk ideologies are a group of varied social and political beliefs associated with the punk subculture and punk rock. It is primarily concerned with concepts such as mutual aid, against selling out, hierarchy, white supremacy, authoritarianism, anti-consumerism, anti-corporatism, anti-war, imperialism, conservatism, anti-globalization, gentrification, racism, sexism, class and classism, gender inequality, racial inequality, eugenics, animal rights, free-thought and non-conformity. One of its main tenets is a rejection of mainstream, corporate mass culture and its values. It continues to evolve its ideology as the movement spreads throughout North America from its origins in England and New York and embraces a range of anti-racist and anti-sexist belief systems. Punk does not necessarily lend itself to any particular political ideology as it is primarily anti-establishment although leftist punk is more common due to the prevalence of liberal and conservative ideologies in the status-quo.
Limp Wrist is an American punk rock band, who formed in 1998. Featuring members of Los Crudos, Hail Mary, Devoid of Faith, By the Throat, and Kill the Man Who Questions, the band plays short, fast hardcore music, and covers themes concerning the gay community in their live performances and lyrics. They are an openly gay band and they identify as part of the "queercore" punk subculture. The band declared in Frontiers magazine, "We put the 'core' back in 'Queercore'". The band are featured on the cover of My Brain Hurts, Liz Baillie's comic about queer teenagers in New York City.
Chainsaw Records is an independent record label run by Donna Dresch that is devoted to Queercore bands. The label is in Portland, Oregon.
Outpunk enjoys the distinction of being the first record label entirely devoted to queer punk bands.
Lo-fi is a music or production quality in which elements usually regarded as imperfections in the context of a recording or performance are present, sometimes as a deliberate choice. The standards of sound quality (fidelity) and music production have evolved throughout the decades, meaning that some older examples of lo-fi may not have been originally recognized as such. Lo-fi began to be recognized as a style of popular music in the 1990s, when it became alternately referred to as DIY music.
Neo-psychedelia is a diverse genre of psychedelic music that draws inspiration from the sounds of 1960s psychedelia, either updating or copying the approaches from that era. Originating in the 1970s, it has occasionally seen mainstream pop success but is typically explored within alternative rock scenes. It initially developed as an outgrowth of the British post-punk scene, where it was also known as acid punk. After post-punk, neo-psychedelia flourished into a more widespread and international movement of artists who applied the spirit of psychedelic rock to new sounds and techniques.
Stephen Henry Perry is an American musician, best known as lead singer, songwriter and rhythm guitarist for the Oregon ska-swing band the Cherry Poppin' Daddies.
Final Warning was a Portland-based hardcore punk band active in the Pacific Northwest from 1982 to 1986. The band was notable for their anti-war political themes and as one of the early hardcore bands to incorporate heavy metal into their sound.
Post-punk is a broad genre of rock music that emerged in the late 1970s in the wake of punk rock. Post-punk musicians departed from punk's traditional elements and raw simplicity, instead adopting a broader, more experimental approach that encompassed a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and do it yourself ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines.
Experimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with some of the genre's distinguishing characteristics being improvisational performances, avant-garde influences, odd instrumentation, opaque lyrics, unorthodox structures and rhythms, and an underlying rejection of commercial aspirations.
References
- 1 2 Clarke, S.P. (2011). "History of Portland Rock 1". Two Louies Magazine. Retrieved 29 September 2013.
- 1 2 Pelly, Jenn (3 September 2013). "Neo Boys: Give Me The Message". Track Review. Pitchfork. Retrieved 29 September 2013.
- ↑ Golnar (March 2005). "Neo Boys". Maximumrocknroll (262). Retrieved 29 September 2013.
- ↑ "Neo Boys - Self Titled EP reissue". Archived from the original on 2013-05-09.
- ↑ "Neo Boys". K Records. Archived from the original on 24 October 2013. Retrieved 29 September 2013.
- ↑ "Randy and the Randies". Pzebulon.com. Retrieved 23 September 2020.
- 1 2 3 Ham, Robert (29 September 2013). "Neo Boys compilation solidifies band's place in history". The Oregonian. Retrieved 29 September 2013.
- ↑ Chess, Lance. "Staff Pick Northwest Passage: The Birth of Portland's DIY Culture". The Portland Mercury. Retrieved 29 September 2013.
- ↑ Lastra, Mike (12 June 2007). "Northwest Passage: The Birth of Portland's D.I.Y. Culture". DVD. ID/ODD. Retrieved 29 September 2013.
