Electronic art is a form of art that makes use of electronic media. More broadly, it refers to technology and/or electronic media. It is related to information art, new media art, video art, digital art, interactive art, internet art, and electronic music. It is considered an outgrowth of conceptual art and systems art.
The Prix Ars Electronica is one of the best known and longest running yearly prizes in the field of electronic and interactive art, computer animation, digital culture and music. It has been awarded since 1987 by Ars Electronica.
UBERMORGEN.COM is a Swiss-Austrian-American artist duo founded in 1995 and consisting of lizvlx and Luzius Bernhard. They live and work in Vienna, Basel, S-chanf near St. Moritz and in Cologne, where both are professors at the Academy of Media Arts (KHM).
Gamepro.com is an international multiplatform video game magazine media company that covers the video game industry, video game hardware and video game software in countries such as Germany and France. The publication, GamePro, was originally launched as an American online and print content video game magazine. The magazine featured content on various video game consoles, PC computers and mobile devices. GamePro Media properties included GamePro magazine and their website. The company was also a part subsidiary of the privately held International Data Group (IDG), a media, events and research technology group. The magazine and its parent publication printing the magazine went defunct in 2011, but is outlasted by Gamepro.com.
David Rokeby is an artist who has been making works of electronic, video and installation art since 1982. He lives with his wife, acclaimed pianist Eve Egoyan, and daughter, Viva Egoyan-Rokeby, in Toronto, Canada.
Roy Ascott FRSA is a British artist, who works with cybernetics and telematics on an art he calls technoetic by focusing on the impact of digital and telecommunications networks on consciousness. Since the 1960s, Ascott has been a practitioner of interactive computer art, electronic art, cybernetic art and telematic art.
r a d i o q u a l i a is an art collaboration by New Zealanders, Adam Hyde and Honor Harger, founded in 1998 in Australia. Since 1999 they have been based in several different countries including the Netherlands, the UK and Latvia.
New media art journals are academic journals covering the topic of new media art. They can be published in physical or online format and typically include original research, interviews, and information about books, events and exhibitions that incorporate technology in the arts.
Canal Contemporâneo is a digital community and publication focused on Brazilian contemporary art. It holds and spreads information, knowledge and debates in its different online modules: e-bulletins, blogs, forums, portfolios and art calendar. Based on concepts like Virtual Community, Radical Media and Tactical media, Canal Contemporâneo has been efficient in rousing communication and interaction, connecting people and institutions around the 27 Brazilian states and over 80 countries.
Tom Corby and Gavin Baily (1970) are two London based artists who work collaboratively using public domain data, climate models, satellite imagery and the Internet. Recent work has focused on climate change and its relationship to technology and has involved collaborations with scientists working at the British Antarctic Survey.
Benjamin Gaulon is an artist whose work focuses on planned obsolescence, consumerism and disposable society. He has previously released work under the name "recyclism".
Ivan Iusco is an Italian award-winning composer and record producer based in Los Angeles, California, United States.
Paolo Cirio is a conceptual artist, hacktivist and cultural critic.
Ars Electronica Linz GmbH is an Austrian cultural, educational and scientific institute active in the field of new media art, founded in Linz in 1979. It is based at the Ars Electronica Center (AEC), which houses the Museum of the Future, in the city of Linz. Ars Electronica's activities focus on the interlinkages between art, technology and society. It runs an annual festival, and manages a multidisciplinary media arts R&D facility known as the Futurelab. It also confers the Prix Ars Electronica awards.
Post-Digital Print: The Mutation of Publishing since 1894 is a 194-page publication written by Alessandro Ludovico in 2012. This book is said to encompass post digital print and explain examples of the many ways print has been expanded on, changed, and different inventions that have come about over the post-digital age. Ludovico makes it a point to emphasize how print has been thought to die off since 1894 but how in his opinion it has done no such thing, but instead is needed for the future. The book is one of the 10 best books of 2019 recommended by LSE.
Alessandro Ludovico is a researcher, artist and chief editor of Neural magazine since 1993. He received his Ph.D. degree in English and Media from Anglia Ruskin University in Cambridge (UK). He is Associate Professor at the Winchester School of Art, University of Southampton and Lecturer at Parsons Paris – The New School. He has published and edited several books, and has lectured worldwide. He also served as an advisor for the Documenta 12 Magazine Project. He is one of the authors of the award-winning Hacking Monopolism trilogy of artworks.
Kathy Rae Huffman is an American curator, writer, producer, researcher, lecturer and expert for video and media art. Since the early 1980s, Huffman is said to have helped establish video and new media art, online and interactive art, installation and performance art in the visual arts world. She has curated, written about, and coordinated events for numerous international art institutes, consulted and juried for festivals and alternative arts organisations. Huffman not only introduced video and digital computer art to museum exhibitions, she also pioneered tirelessly to bring television channels and video artists together, in order to show video artworks on TV. From the early 1990s until 2014, Huffman was based in Europe, and embraced early net art and interactive online environments, a curatorial practice that continues. In 1997, she co-founded the Faces mailing list and online community for women working with art, gender and technology. Till today, Huffman is working in the US, in Canada and in Europe.
Mauro Martino is an Italian artist, designer and researcher. He is the founder and director of the Visual Artificial Intelligence Lab at IBM Research, and Professor of Practice at Northeastern University. He graduated from Polytechnic University of Milan, and was a research affiliate with the Senseable City Lab at MIT. Mauro was formerly an Assistant Research Professor at Northeastern University working with Albert-Laszlo Barabasi at Center for Complex Network Research and with David Lazer and Fellows at The Institute for Quantitative Social Science (IQSS) at Harvard University.
Amy Karle is an American artist, bioartist and futurist. She creates work that looks forward to a future where technology can support and enhance the human condition. She was named in BBC's 100 women, as one of the 100 inspiring and influential women from around the world for 2019. Her work questions what it means to be human, with an emphasis on exploring the relationship between technology and humanity; particularly how technology and biotechnology impacts health, humanity, evolution and the future. She combines science and technology with art and is known for using live tissue in her works. Karle uses body based investigation and the actual science and technology as tools in the process of creating the artworks. Amy Karle's artworks include new media art, bioart, computational art, hybrid art, body art, durational performance art, installation art, and garments and wearable art. Karle is most noted for her artworks merging the body and technology, including Regenerative Reliquary, Internal Collection, Biofeedback artwork. She regularly exhibits her artworks in major museums around the world including in Ars Electronica, The Centre Pompidou, The Mori Art Museum, The Smithsonian Institution.
